STUDIO 72006 Part One Work Process The Sierpinski

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STUDIO

STUDIO

7/2006

7/2006

Part One

Part One

Work Process

Work Process

The Sierpinski Triangle

The Sierpinski Triangle

Zoom in – Zoom out

Zoom in – Zoom out

2 D becomes 3 D

2 D becomes 3 D

Inside becomes outside

Inside becomes outside

Inspiration becomes design

Inspiration becomes design

Breaking the sharpness

Breaking the sharpness

Tulip seat colors Tulip Chair

Tulip seat colors Tulip Chair

Tulip seat colors Tulip Chair

Tulip seat colors Tulip Chair

Tulip seat colors Tulip Chair

Tulip seat colors Tulip Chair

Part Two

Part Two

storyboard

storyboard

EXT. NY IMPROV 1975 NIGHT

EXT. NY IMPROV 1975 NIGHT

The Improv, the biggest comedy club around.

The Improv, the biggest comedy club around.

People are lined up, waiting.

People are lined up, waiting.

Imp rov The man strides up - George Shapiro, a Hollywood talent manager.

Imp rov The man strides up - George Shapiro, a Hollywood talent manager.

Imp rov A doorman sees him, grins, and waves George in.

Imp rov A doorman sees him, grins, and waves George in.

INT. NY IMPROV BAR 1975 NIGHT

INT. NY IMPROV BAR 1975 NIGHT

The bar is packed with comics and show biz types.

The bar is packed with comics and show biz types.

A few turn and smile – “George”, “Hey, George!”

A few turn and smile – “George”, “Hey, George!”

George takes a couple hands, whispers to someone else.

George takes a couple hands, whispers to someone else.

Then drifts into the. . .

Then drifts into the. . .

INT. NY IMPROV SHOWROOM 1975 NIGHT

INT. NY IMPROV SHOWROOM 1975 NIGHT

Where the show’s in progress.

Where the show’s in progress.

Owner Budd Friedman sees George and gives him a bear-hug.

Owner Budd Friedman sees George and gives him a bear-hug.

Then he hustles George to a table.

Then he hustles George to a table.

George sits - and gives the stage his undivided attention.

George sits - and gives the stage his undivided attention.

George sits - and gives the stage his undivided attention.

George sits - and gives the stage his undivided attention.

George sits - and gives the stage his undivided attention.

George sits - and gives the stage his undivided attention.

Up there is a wiseass comic.

Up there is a wiseass comic.

Up there is a wiseass comic.

Up there is a wiseass comic.

“Thank you, good night”

“Thank you, good night”

The comic waves and exits.

The comic waves and exits.

George politely claps.

George politely claps.

We think there’s a break. .

We think there’s a break. .

When Andy Suddenly, awkwardly steps on stage.

When Andy Suddenly, awkwardly steps on stage.

He is in character as Foreign Man.

He is in character as Foreign Man.

Pink jacket, tie, hair slicked back,

Pink jacket, tie, hair slicked back,

Frightened like a deer in headlights.

Frightened like a deer in headlights.

He puts down his big case,

He puts down his big case,

Pulls out various junk, and arranges it on chairs.

Pulls out various junk, and arranges it on chairs.

“Tank you veddy much, I am very happy to be here. . . ”

“Tank you veddy much, I am very happy to be here. . . ”

Silence. The crowd is baffled.

Silence. The crowd is baffled.

". . . But - talking about the terrible things: My wife. Take my

". . . But - talking about the terrible things: My wife. Take my wife, please take her. ”

Yikes. A few nervous laughs.

Yikes. A few nervous laughs.

Andy gestures, as if they got the joke.

Andy gestures, as if they got the joke.

“. . . I would like to do for you some imitations. ”

“. . . I would like to do for you some imitations. ”

Pleased, he proudly bows.

Pleased, he proudly bows.

Some people BOO and walk out.

Some people BOO and walk out.

A few giggle, getting into the groove.

A few giggle, getting into the groove.

“And now. . . I would like to imitate the Elvis Presley. ”

“And now. . . I would like to imitate the Elvis Presley. ”

Andy grins stupidly, then turns his back to us.

Andy grins stupidly, then turns his back to us.

He removes his pink coat putting on a white jeweled jacket.

He removes his pink coat putting on a white jeweled jacket.

Finally he picks up a guitar, strikes a pose,

Finally he picks up a guitar, strikes a pose,

And spins around.

And spins around.

He is Elvis. Confident. Sexy. Lip Curl. Dead-On Perfect.

He is Elvis. Confident. Sexy. Lip Curl. Dead-On Perfect.

WOW. Flabbergasted, people applaud. This man is Elvis.

WOW. Flabbergasted, people applaud. This man is Elvis.

George is astonished. He cannot quite figure out what’s going on. . .

George is astonished. He cannot quite figure out what’s going on. . .

He waves Budd over.

He waves Budd over.

Budd leans down, and George whispers.

Budd leans down, and George whispers.

“Pst. What’s the story with this guy? ”

“Pst. What’s the story with this guy? ”

“I think he’s Lithuanian. None of us can understand him”

“I think he’s Lithuanian. None of us can understand him”

He does a hell of an Elvis.

He does a hell of an Elvis.

“Thank you very much. ”

“Thank you very much. ”

Part Three

Part Three

Filming Angles

Filming Angles

Imp rov

Imp rov

The End

The End

Presented by Shlomit Koplovitch

Presented by Shlomit Koplovitch

With Thanks To: Arch. Heidi Arad Noga Lasser

With Thanks To: Arch. Heidi Arad Noga Lasser