EXPRESSION OF FUNCTIONAL SPACE Man imagines in the

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EXPRESSION OF FUNCTIONAL SPACE … Man imagines in the first place the space which

EXPRESSION OF FUNCTIONAL SPACE … Man imagines in the first place the space which surrounds him and not the physical objects …. . All static or mechanical dispositions, as well as the materialization of the spatial envelope, are only means for realizing an idea which is vaguely felt or clearly imagined in architectural creation… …. Architecture is art when the design of space clearly takes precedence over the design of the object. Spatial intention is the living soul of architectural creation …. August Schmarsow

DESCRIPTIVE REPRESENTATION OF A DESIGN PROCESS 2

DESCRIPTIVE REPRESENTATION OF A DESIGN PROCESS 2

EXPRESSION OF FUNCTIONAL SPACE 1. About the Planning Phase in Design 2. About the

EXPRESSION OF FUNCTIONAL SPACE 1. About the Planning Phase in Design 2. About the Generation Phase in Design 3. About the Evaluation Phase in Design

1. About the Planning Phase in Design 1. 1. Gathering Data: About the Context:

1. About the Planning Phase in Design 1. 1. Gathering Data: About the Context: (The Site) 1. 1. 1. The Micro World: The Inner Environment 1. 1. Dimensions and Shape of the Site 1. 1. 1. 2. Microclimate: Sun and Wind Incidence Among others: topography 1. 1. 2. The Mega World: The Outer Environment 1. 1. 2. 1. The Access to the Site 1. 1. 2. 2. The View Among others: the spirit of the place “Genius Loci” 1. 2. Establishing Design Intentions or Goals 1. 2. 1. Utilitarian Purpose 1. 2. 2. Formal/Spatial Aesthetics: Balance Between Exterior Form / Interior Space 1. 3. Inferring a Prime Design Idea

1. About the Planning Phase in Design 1. 1. GATHERING DATA: REQUIREMENTS AND CONSTRAINTS

1. About the Planning Phase in Design 1. 1. GATHERING DATA: REQUIREMENTS AND CONSTRAINTS

1. About the Planning Phase in Design 1. 1. Gathering Data: The Context (The

1. About the Planning Phase in Design 1. 1. Gathering Data: The Context (The Site) 1. 1. 1. The Micro World: The Inner Environment

1. About the Planning Phase in Design 1. 1. Gathering Data: The Context (The

1. About the Planning Phase in Design 1. 1. Gathering Data: The Context (The Site) 1. 1. 1. The Micro World: The Inner Environment

1. About the Planning Phase in Design 1. 1. Gathering Data: The Context (The

1. About the Planning Phase in Design 1. 1. Gathering Data: The Context (The Site) 1. 2. 1. The Mega World: The Outer Environment

1. About the Planning Phase in Design 1. 1. Gathering Data: The Context (The

1. About the Planning Phase in Design 1. 1. Gathering Data: The Context (The Site) 1. 2. 1. The Mega World: The Outer Environment

1. About the Planning Phase in Design 1. 2. Establishing Design Intentions or Goals

1. About the Planning Phase in Design 1. 2. Establishing Design Intentions or Goals 1. 2. 1. UTILITARIAN PURPOSE

1. About the Planning Phase in Design 1. 2. Establishing Design Intentions or Goals

1. About the Planning Phase in Design 1. 2. Establishing Design Intentions or Goals 1. 2. 2. FORMAL / SPATIAL AESTHETICS: Balance Between Exterior Form / Interior Space

1. About the Planning Phase in Design 1. 2. Establishing Design Intentions or Goals

1. About the Planning Phase in Design 1. 2. Establishing Design Intentions or Goals 1. 2. 2. MORE ABOUT FORMAL / SPATIAL AESTHETICS: Balance Between Exterior Form /Interior Space

1. About the Planning Phase in Design 1. 3. INFERRING A PRIME DESIGN IDEA:

1. About the Planning Phase in Design 1. 3. INFERRING A PRIME DESIGN IDEA: USING METAPHORS WITH A HUMANISTIC APPROACH

1. About the Planning Phase in Design 1. 3. INFERRING A PRIME DESIGN IDEA:

1. About the Planning Phase in Design 1. 3. INFERRING A PRIME DESIGN IDEA: USING METAPHORS WITH A HUMANISTIC APPROACH

2. About the Generation Phase in Design a. Generation of the parti: designing the

2. About the Generation Phase in Design a. Generation of the parti: designing the conceptual organization b. Identifying the design elements: enclosure and space (solids and voids) c. Fitting activities with spaces: study of proportions and human scale d. Applying organizing principles e. Implementing design manipulations f. Defining formal / spatial relationships and joints 15

3. About the Evaluation Phase in Design 3. 1. Performance Evaluation: Functional Aspects 3.

3. About the Evaluation Phase in Design 3. 1. Performance Evaluation: Functional Aspects 3. 2. Evaluation of Formal/Spatial Aesthetics 3. 2. 1. Quality of External Form 3. 2. 2. Quality of Spaces 3. 2. 2. 1. The form of interior spaces 3. 2. 2. 2. Depth 3. 2. 2. 3. Density 3. 2. 2. 4. The degree of enclosure in interior spaces 3. 2. 2. 5. The configuration of interior spaces 3. 2. 2. 6. The view 3. 2. 2. 7. The light 16

3. About the Evaluation Phase in design 3. 1. PERFORMANCE EVALUATION : FUNCTIONAL ASPECTS

3. About the Evaluation Phase in design 3. 1. PERFORMANCE EVALUATION : FUNCTIONAL ASPECTS

3. About the Evaluation Phase in design 3. 1. PERFORMANCE EVALUATION : FUNCTIONAL ASPECTS

3. About the Evaluation Phase in design 3. 1. PERFORMANCE EVALUATION : FUNCTIONAL ASPECTS

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 1. QUALITY OF EXTERNAL FORMS

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. MORE ABOUT THE QUALITY OF INTERNAL SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 4. THE DEGREE OF ENCLOSURE OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 4. MORE ABOUT THE DEGREE OF ENCLOSURE OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 5. THE CONFIGURATION OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 5. MORE ABOUT THE CONFIGURATION OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 5. MORE ABOUT THE CONFIGURATION OF INTERIOR SPACES

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3.

3. About the Evaluation Phase in design 3. 2. Evaluation of Formal Aesthetics 3. 2. 2. QUALITY OF INTERNAL SPACES 3. 2. 2. 5. MORE ABOUT THE CONFIGURATION OF INTERIOR SPACES

References • Archetypes in Architecture, Thomas Thiis Evensen, ISBN 019 -520819 -6 • Architecture:

References • Archetypes in Architecture, Thomas Thiis Evensen, ISBN 019 -520819 -6 • Architecture: Form, Space & Order, Francis Ching, ISBN 0442 -21535 -5 • Elements of Architecture, Pierre Von Meiss, ISBN 0 -74760014 -7 • Ordering Systems: An introduction to Architectural Design, Edward T. White, Architectural Media, University of Arizona. • Principles of Form and Design, Wucius Wong, ISBN 0 -44201405 -8

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