POP ART The title of this art movement
- Slides: 51
POP ART
• The title of this art movement comes from the word popular – as in popular music, or pop music. Pop Art took its inspiration from popular culture – the culture of the populace, of the people.
• It began in the late 1950 s and is especially associated with the 1960 s. Pop art reflected everyday life and common objects. Pop artists blurred the line between fine art and commercial art. •
• Andy Warhol • Campbell’s Soup Can
Is this fine art or just packaging?
Richard Hamilton, a British artist and critic, referred to Pop Art, as, "popular, transient, expendable, lowcost, mass-produced, young, witty, sexy, gimmicky, glamorous, and Big Business" – he stressed Pop Art’s everyday, commonplace values.
• Many people loved this democratization of art. Art didn’t have to be elitist, they felt. Why not make it accessible and understandable to the masses, they argued.
• Others felt that Pop Art cheapened the traditional function of art, which was to uphold and represent culture’s most valuable ideals. • What do you think?
• Pop Artists used common images from everyday culture as their sources including: advertisements, celebrities, comic strips, photographs, and consumer goods
Andy Warhol – Marilyn Monroe
• Roy Lichtenstein
• Lichtenstein – Mmaybe
• Pop Artists used bold, flat colors and hard edge compositions adopted from commercial designs like those found in: billboards, murals, magazines, and newspapers.
• Pop Artists reflected 60’s culture by using new materials in their artworks including: acrylic paints, plastics, photographs, fluorescent colours and metallic colours. • They experimented with new technologies and methods: Mass production, Fabrication , Photography, Printing, and Serials.
Andy Warhol
Warhol started out as a graphic artist creating shoe ads.
• However, by the early 1960 s he was considered the pope of Pop Artists. Part of his artistic practice was using new technologies and new ways of making art including: Photographic Silk. Screening • Repetition • Mass production • Collaboration • Media events
• Warhol’s studio in the 1960 s in New York was known as The Factory – where, with a team of assistants, Warhol was putting out a tremendous body of work.
The Factory was a meeting place and a magnet for artists, actors, writers, poets, musicians and bohemians of every stripe. Warhol regularly invited people he met to drop in there and do screen tests.
• His open door policy ended in 1968 when Warhol was shot by an irate woman whose script had not received the attention she had hoped for from Warhol. • He came close to dying, but recovered from the gunshot.
Warhol appropriated (used without permission) images from magazines, newspapers, and press photos of the most popular people of his time including Elizabeth Taylor and Jackie Kennedy.
• Andy Warhol • Jackie Kennedy
Andy Warhol – silkscreen print of Jackie Kennedy
Andy Warhol – silkscreen print of the actress Elizabeth Taylor
• Andy Warhol • Elvis Presley • Warhol created 20 versions of this image, including a triple Elvis that sold for $37 million dollars.
Brigitte Bardot – French actress
• Andy Warhol • Silkscreen print of the actress Ingrid Bergman
Warhol took common everyday items and gave them importance as “art. ” He raised questions about the nature of art. For example: What makes one work of art better than another?
Brillo Pads • This is a wooden sculpture, one of a series of “grocery store” subjects.
Warhol the film maker • Between 1963 and 1968, Andy Warhol made more than 60 films, plus some 500 short black-and-white "screen test" portraits of Factory visitors. One of his most famous films, Sleep, monitors poet John Giorno sleeping for six hours. The film Eat consists of a man eating a mushroom for 45 minutes.
Robert Rauschenberg
Rauschenberg began to create what he called combines, in the late 1950 s. He would assemble unlikely combinations of objects as three dimensional sculptures.
As the Pop Art movement developed in the 1960 s, he turned from three dimensional “combines” to silkscreened collages, using magazine and newspaper photographs and then painting into and over
These collages allowed him to make visual statements about contemporary issues.
• Robert Rauschenberg
• Robert Rauschenberg • Signs
Roy Lichtenstein
• Drowning Girl
Roy Lichtenstein
In the Car – Roy Lichtenstein
- What does the pop in pop art stand for
- Pop art title
- Pop art characteristics
- Prefatory and supplementary part of proposal
- Title title
- Movement and non-movement area
- Axial in dance
- Workshop pop art
- Jazz e guerra fredda
- Adobe illustrator pop art
- Back seat dodge 38
- October 18 1977
- Modern pop art sculpture
- Popkunsten
- Expresionismo abstracto caracteristicas
- Pop art 1960
- 1950 pop art
- Brain pop art
- Workshop pop art
- Pop art reino unido
- Pop art mind map
- Definisi pop art
- Pop art autor
- Muzika ruscha
- Elimi beş yerinden dağladı sözleri
- Xxx pop art
- Juf milou kunst
- Scientific method brainpop
- Bmw pop art
- Art pop genre
- Ben day dots art
- Project pop art
- Iconos sociales y culturales
- Gymnosperm life cycle
- Pop art repeated images
- 50 pop art
- What was pop art rebelling against
- Roy lichtenstein influences
- Pop art prezentace
- Tecnicas del pop art
- Kakov
- Hình ảnh bộ gõ cơ thể búng tay
- Bổ thể
- Tỉ lệ cơ thể trẻ em
- Gấu đi như thế nào
- Tư thế worms-breton
- Chúa yêu trần thế alleluia
- Các môn thể thao bắt đầu bằng tiếng nhảy
- Thế nào là hệ số cao nhất
- Các châu lục và đại dương trên thế giới
- Công thức tính thế năng