02086 Writing Inspirations Aalto University School of Arts

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02086 Writing Inspirations, Aalto University School of Arts, Design and Architecture

02086 Writing Inspirations, Aalto University School of Arts, Design and Architecture

Session 6 Homework: Your first draft of the Artist Statement • Artist Statement Cont.

Session 6 Homework: Your first draft of the Artist Statement • Artist Statement Cont. Sentence Patterns & Variety (see slides from session 4 also) Readability Principles 1, 2 & 3 Peer editing Artist Statements 2/18/15 2

Sentence Patterns & Variety • Shall we analyze our own writing style a bit

Sentence Patterns & Variety • Shall we analyze our own writing style a bit and improve it by using a variety of sentence patterns? • Go to your own Artist/ Designer Statement – draft. • Try to determine how many sentence patterns you use. • Favor one particular pattern? • Try to revise a few sentences using a different pattern. 2/18/15 3

Sentence Patterns & Variety • In its simplest form, an English sentence has two

Sentence Patterns & Variety • In its simplest form, an English sentence has two parts: • a subject + a verb that express a complete thought when they are together • Marvin slept. • Dogs bark. • A clause = combination of a subject and a verb 2/18/15 4

Sentence Patterns & Variety • Independent clause: a subject + verb that make a

Sentence Patterns & Variety • Independent clause: a subject + verb that make a complete thought can stand on their own and make sense Marvin slept. • Dependent clause: a subject + verb that do NOT make a complete thought always need to be attached to an independent clause Although I am curious, 2/18/15 5

Sentence Patterns & Variety • Four Basic Sentence Patterns • Pattern 1: Simple Sentence

Sentence Patterns & Variety • Four Basic Sentence Patterns • Pattern 1: Simple Sentence • One independent clause (S+V): I refuse. 2/18/15 6

Sentence Patterns & Variety • Pattern 2: Compound Sentence • Two or more independent

Sentence Patterns & Variety • Pattern 2: Compound Sentence • Two or more independent clauses. • Connectors with a comma, the FANBOYS: for, and, nor, but, or, yet, so • Connectors with a semicolon and comma: however, moreover, nevertheless, nonetheless, therefore Mr. Potato Head eats monkeys for breakfast every day, but I don’t see the attraction. Eating them makes him happy; however, he can’t persuade me. 2/18/15 7

Sentence Patterns & Variety • Pattern 3: Complex Sentence • One independent clause PLUS

Sentence Patterns & Variety • Pattern 3: Complex Sentence • One independent clause PLUS one or more dependent clauses. He recommends them highly because they taste like chicken when they are hot. Although I am curious, I am still skeptical. 2/18/15 8

Sentence Patterns & Variety • Pattern 4: Compound-Complex Sentence • Two or more independent

Sentence Patterns & Variety • Pattern 4: Compound-Complex Sentence • Two or more independent clauses PLUS one or more dependent clauses. Mr. Potato Head said that he would share the secret recipe; however, if he does, Mrs. Potato Head will feed him to the piranhas, so we are both safer and happier if I don’t eat monkeys or steal recipes. 2/18/15 9

Sentence Patterns & Variety • In need of more variety for your sentence patterns?

Sentence Patterns & Variety • In need of more variety for your sentence patterns? • See the handout ‘Some strategies for sentence variety’ in Mycourses Session 6. 2/18/15 10

What do readers mean when they say a text… Individual sentences are …is hard

What do readers mean when they say a text… Individual sentences are …is hard to read? hard to understand. . . doesn’t flow? A series of sentences has …is unreadable? no clear connections from sentence to sentence Paragraphs do not stay on topic Readers have expectations about the way a text is structured. What are these expectations?

How to make your text reader-friendly? Three key principles: 1. Put Familiar before New

How to make your text reader-friendly? Three key principles: 1. Put Familiar before New Information > Put "Topical" Information in Subject Position 1. Put “Light” NPs before “Heavy” NPs 2. Put Action into the Verb 2/18/15 12

Readability Principle 1: 1. Put Familiar before NEW Information What is Familiar/Given Info? Concepts

Readability Principle 1: 1. Put Familiar before NEW Information What is Familiar/Given Info? Concepts or objects that have already been discussed or are presumed to be understood from the context. What is NEW Info? Concepts or objects that have not already been discussed or presumed to be known from the context. 2/18/15 13

Readability Principle 1: Put familiar before new information • Place familiar information at the

Readability Principle 1: Put familiar before new information • Place familiar information at the beginning of each sentence. • Put new information at the end of the sentence. • This info is now “familiar” and can be placed at the beginning of the next sentence. 2/18/15 14

How do we keep familiar information in subject position before new information? Topical progression

How do we keep familiar information in subject position before new information? Topical progression Three patterns for linking familiar information in a paragraph: 1. Constant Topic 2. Step-wise Topic 3. Hypertopic 2/18/15 15

How do we keep familiar information in subject position before new information? 1. Constant

How do we keep familiar information in subject position before new information? 1. Constant topic There was a group of five people standing in front of the art piece when I entered. They were staring at it intently and were not distracted by other visitors nearby. They seemed to …. 2/18/15 16

How do we keep familiar information in subject position before new information? 1. Constant

How do we keep familiar information in subject position before new information? 1. Constant topic The solo exhibition of work by Henrik Vibskov is the largest display to date of the oeuvre of the Danish fashion designer. It is located in the Finnish Design Museum and will run till May 11 th. The exhibition features various directions such as clothes, accessories, and installations created for fashion shows and unique works of art. It explores the original world of the designer, which vividly blurs the boundaries between design, visual art, music and the performing art. 2/18/15 17

How do we keep familiar information in subject position before new information? 2. Step-wise

How do we keep familiar information in subject position before new information? 2. Step-wise topic There was a group of five people standing in front of the piece when I entered. The piece was extraordinary in its shape and size. The shape, on one hand, reminded me of a dinosaur but the size, on the other hand, of a small fish. These creatures brought whole new associations into mind, and I started to think of… 2/18/15 18

How do we keep familiar information in subject position before new information? 2. Step-wise

How do we keep familiar information in subject position before new information? 2. Step-wise topic The curator of the fair has chosen four coming themes of Scandinavian design in 2014 -2015, which are “Day Dream”, “Deep Flow”, “Indian Summer” and “Down to Earth”. Many examples of these topics are found in the exhibition hall. 2/18/15 19

How do we keep familiar information in subject position before new information? 3. Hypertopic

How do we keep familiar information in subject position before new information? 3. Hypertopic This exhibition has several important advantages over the one I had previously seen in Bilbao by the same artist. First, …Second, …Third, …. 2/18/15 20

How do we keep familiar information in subject position before new information? 3. Hypertopic

How do we keep familiar information in subject position before new information? 3. Hypertopic There are two reasons why I chose to visit the Wardi exhibition. First, I am interested in Wardi’s talents to use colors and his personal background in art therapy; secondly, it is always delightful and rousing to visit Ateneum and climb those stairs with fossils and all the history. There is plenty of our school history inside these walls. 2/18/15 21

Apply Readability Principle 1 to your Artist Statement Read your own text. What sort

Apply Readability Principle 1 to your Artist Statement Read your own text. What sort of info appears in the subject position (before the verb)? Is it GIVEN or NEW info? Make changes in the text if need be. 2/18/15 22

Peer Editing your neighbor’s Artist’s Statement • First paragraph. Begin with a simple statement

Peer Editing your neighbor’s Artist’s Statement • First paragraph. Begin with a simple statement of why you do the work you do. Support that statement, telling the reader more about your goals and aspirations. • Second paragraph. Tell the reader how you make decisions in the course of your work. How and why do you select materials, techniques, themes? Keep it simple and tell the truth. • Third paragraph. Tell the reader a little more about your current work. How it grew out of prior work or life experiences. What are you exploring, attempting, challenging by doing this work. http: //www. mollygordon. com/resources/marketingresources/artstatemt/index. html 23

Peer Editing your neighbor’s Artist’s Statement 1/3 through your neighbor’s statement. • Read •

Peer Editing your neighbor’s Artist’s Statement 1/3 through your neighbor’s statement. • Read • Does it answer the questions what, how and why? • Does it capture your attention? • Pay attention to the paragraph structure: • 3 – 5 sentences maximum? Comment if TOO LONG! • Does each paragraph contain one central idea? • Are both long and short sentences used? • Is it in the present tense? • Does the vocabulary used match the work you see? • Are there enough transitions? Make comments in the text if need be! http: //www. mollygordon. com/resources/marketingresources/artstatemt/index. html 24

Readability principle 2: Put "Light" NPs Before "Heavy" NPs

Readability principle 2: Put "Light" NPs Before "Heavy" NPs

Put "Light" before "Heavy" 1 We have received and acted upon requests for equipment

Put "Light" before "Heavy" 1 We have received and acted upon requests for equipment from several branch offices. 2 We have sent the research, development, and testing office in Chicago a gas analyzer. We have sent the research, development, and testing office in Chicago Indirect object a gas analyzer. Direct object We have sent a gas analyzer Direct object to the research, development, and testing office in Chicago Object of Preposition

Limits to Human Info Processing: 7± 2 items 1 2 3 4 5 6

Limits to Human Info Processing: 7± 2 items 1 2 3 4 5 6 7 8 9 10 11 We have sent the research, development, and testing office in Chicago 12 13 14 Indirect object a gas analyzer. BETTER: 1 2 We 11 4 5 3 have sent 12 13 14 6 7 8 9 10 a gas analyzer to the research, development, Direct object Object of Preposition 15 and testing office in Chicago

Avoid Top-Heavy Subjects! The idea of designing an economical AM/FM receiver that is both

Avoid Top-Heavy Subjects! The idea of designing an economical AM/FM receiver that is both affordable for the average consumer and profitable for the company was presented. SUBJECT (= 23 words) BETTER: 1 Light 2 Heavy 3 4 5 6 7 8 This study presents the design of an economical AM/FM receiver 9 10 11 12 13 14 15 16 17 18 that is both affordable for the average consumer and profitable for the company

Balancing Information Elements BEST! SUBJECT VERB ACCEPTABLE (if subject not too long) VERB SUBJECT

Balancing Information Elements BEST! SUBJECT VERB ACCEPTABLE (if subject not too long) VERB SUBJECT BAD! SUBJECT VERB WORST!! SUBJECT VERB

Peer Editing your neighbor’s Artist’s Statement 2/3 • Go back to your neighbor’s text

Peer Editing your neighbor’s Artist’s Statement 2/3 • Go back to your neighbor’s text and read it with ’Avoiding Top. Heavy Subjects – principle’ in mind. • How many units of information come before the verb in your sentences? • How could you make the subject of the sentences lighter and have the verb early in the sentences (if need be)? 2/18/15 30

Readability Principle 3: Put action into the verb 2/18/15 31

Readability Principle 3: Put action into the verb 2/18/15 31

Readability Principle 3: Put action into the verb Take a look at the sentences.

Readability Principle 3: Put action into the verb Take a look at the sentences. What is the verb? What action is the sentence describing? • An analysis of the data was done by the team. • Ecosystem destabilization can be the consequence of species invasion. • The indication of the results was that p. H controlled the rate. 2/18/15 32

Readability Principle 3: Put action into the verb An analysis of the data was

Readability Principle 3: Put action into the verb An analysis of the data was done by the team. Ecosystem destabilization can be the consequence of species invasion. The indication of the results was that p. H controlled the rate. Unnecessary nominalizations! The action is “hiding” in a noun (also known as a “nominalization”) So, how would you improve these sentences? 2/18/15 33

Readability Principle 3: Put action into the verb Better alternatives: An analysis was done

Readability Principle 3: Put action into the verb Better alternatives: An analysis was done by the team. • The team analysed the data. Ecosystem destabilization can be the consequence of species invasion. • Species invasion can destabilize ecosystems. The indication of the results was that p. H controlled the rate. • The results indicated that p. H controlled the rate. 2/18/15 34

Readability Principle 3: Put action into the verb What is wrong with nominalization? Unnecessary

Readability Principle 3: Put action into the verb What is wrong with nominalization? Unnecessary / over-used nominalizations can… • make sentences less concise • make actions less precise • make sentences difficult to understand • make reading boring! 2/18/15 35

Readability Principle 3: Put action into the verb > Avoid weak verbs! • “to

Readability Principle 3: Put action into the verb > Avoid weak verbs! • “to be” verbs (and verbs like “to have”, “to do”, “to make”) often over-used • writers use the passive voice more than necessary • the verb "to be" suggests passivity because it connects two entities that are essentially equal. Source: http: //webaim. org/techniques/writing/#weak 2/18/15 36

Readability Principle 3: Put action into the verb > Avoid weak verbs! Weak verb

Readability Principle 3: Put action into the verb > Avoid weak verbs! Weak verb ("is"): One way to improve your writing is to use strong verbs. A=B l. One way to improve your writing = to use strong verbs NO ACTION IN THE VERB Strong verb ("improve"): l. Using stronger verbs can improve your writing. A improves B =ACTION! http: //webaim. org/techniques/writing/#weak 2/18/15 37

Peer Editing your neighbor’s Artist’s Statement 3/3 • Go back to your neighbor’s text

Peer Editing your neighbor’s Artist’s Statement 3/3 • Go back to your neighbor’s text and read it with ’Action in to the verb’– principle in mind. • Is s/he over-using weak verbs (to be, make, get, have)? • What action are the sentences describing? Is the action hiding in a noun? • Remember that ’to be’ as part of ’passive voice’ and before adjectives is OK. 2/18/15 38

Editing your own Artist’s Statement Return the draft to the person who sent it

Editing your own Artist’s Statement Return the draft to the person who sent it to you and get comments back from them. write your statement according to the peer feedback you received and the readability principles you learned. Submit your updated draft by Friday 18 th (or Saturday 19 th at the latest!!) http: //www. mollygordon. com/resources/marketingresources/artstatemt/index. html 39

Next homework: 2) Rewrite your Artist's Statement according to the teacher feedback and submit

Next homework: 2) Rewrite your Artist's Statement according to the teacher feedback and submit it by email. 3) Bring a copy of your CV (if you have one) to work on during next class. If you don't have one, google for some samples of CVs in your own field. 2/18/15 40