Writing the Screenplay All you SEE All you
- Slides: 33
Writing the Screenplay All you SEE, All you HEAR ONLY
Writing Basic Differences vs. Screenplay
Novel Gardner (2003)
Novel TOUCH HEAR TASTE SMELL Imagination SEE
WRITE SOMETHING…!!!
WRITE SOMETHING…!!! ?
SEE HEAR Screenpl ay
Screenpl ay SEE HEAR Imagination
Other Differences (Camera Angles, how something is said, etc) Novel vs. Screenplay
Perfect Example: Script Said: “Talks to himself in mirror”
Modern Mediums for Story Telling NOVEL: STAGE PLAY : SCREEN PLAY: mainly internal thought & dialogue mainly verbal Interaction mainly images & action
Screen Play Rule #1 SHOW (don’t just) TELL the STORY “I just ran into a…. ”
SHOW IT “I just ran into a TREE…. ”
Show vs. Tell Are you SHOWING or TELLING…? Double Check in your: 1. Dialogue 2. Action (said, thought, came, sent, introduced, etc. can also be SHOWN. ) Psychology of the image
Tools for Showing = Images The Psychology of creating Powerful Images Emotional Memories
Emotional Memories Shock (for the moment) SHORT TERM MEMORY vs. Visceral Experience (emotional-based) LONG TERM MEMORY Shock here is short term
Shock vs. Emotional Memories Recovery, leads to extinction of the stimulus All three must be activated for a Visceral experience Visceral, one takes personal/emotion leads to even more sensitization of the stimulus
Emotional Memories SHOCK (for the moment) SHORT TERM MEMORY VISCERAL Sh oc k Experience (emotional-based) LONG TERM MEMORY Let’s look at some images that create a visceral experience, ones that hit our emotions
Suspense “Suspense is when the audience knows something the character in the film doesn’t…” - Alfred Hitchcock
Metaphors (ways to TELL the story) Symbolic synopsis X – Men: Having to hide who you are
The Story (the Sequence) Conspiracy 1. ) A woman is murdered 2. ) Husband is arrested 3. ) Girl friend finds proof he is guilty 4. ) She helps him in trial 5. ) He is acquitted 6. ) They go to Bahamas
The Story (the Sequence) Thriller/Suspense 1. ) A woman is murdered 2. ) Husband is arrested 3. ) Girlfriend helps him at trial 4. ) He is acquitted 5. ) They go to Bahamas 6. ) Girl friend finds proof he is guilty Can not stress the importance to look at your story in the context of sequence
The Story (the Sequence) Thriller/Suspense vs. Conspiracy SEQUENCE CAN CHANGE ATTRIBUTES OF CHARACTERS In the first scenario girlfriend is a guilty accomplice, in the second she is an innocent and now very vulnerable victim Can not stress the importance to look at your story in the context of sequence Many will spend a lot of time changing words Spend some time changing sequence – at least EXPLORE change of sequence in some of your scenes
The Story - Characters “A character is a collection of qualities. ” -Aristotle External Qualities – expressed in the midst of others examples: ethics & deceit Internal Qualities – what resides in the core of our personality examples: ambition & laziness External qualities are symptoms of the inner character. . for when you hear from critics…. your characters weren’t DEEP enough….
The Story - Characters Internal GUILT Internal Fallen External Internal EMPATHY HUMILITY Internal Modest Internal COMPASSION
The AUDIENCE Psychologically We move from feeling we are the best person in the world (smartest, sensible, clever, etc. ) to the worst person in the world. If we do this in real life, your story must ALSO give the same ‘roller coaster’ ride Otherwise your story is not as emotionally charged as one’s own experiences.
The Story Audiences LOVE & PSYCHOLOGICALLY NEED: To FEEL – live life not yet experienced or reliving life To THINK – figuring out the puzzle
Future Stories The influence of technology
Future Stories Cultural Tends…. also…. who is/will be making films. .
Future Stories Cultural Trends: film is now international…Think about a world-wide market when writing (characters, settings, etc)…and the technical delivery options now available
Future Stories Commercial Trends…. also…. It used to be only these guys:
Future Stories Commercial Tends…. also…. now you have….
The Story QUESTIONS…?
- Screenplay pitch deck
- Poltergeist 1982 screenplay by
- What is a screenplay
- Camera directions in script
- Tootsie screenplay analysis
- Definition of linear plot
- Little miss sunshine screenplay
- Year round constellations
- It's not what you look at that matters, it's what you see.
- If you could see the future what would you do
- In the morning glad i see
- How do you say "see you tomorrow" in spanish?
- Rapporteren voorbeeld
- Opposite rays
- Hát kết hợp bộ gõ cơ thể
- Frameset trong html5
- Bổ thể
- Tỉ lệ cơ thể trẻ em
- Voi kéo gỗ như thế nào
- Tư thế worm breton
- Hát lên người ơi alleluia
- Môn thể thao bắt đầu bằng từ chạy
- Thế nào là hệ số cao nhất
- Các châu lục và đại dương trên thế giới
- Công thức tính thế năng
- Trời xanh đây là của chúng ta thể thơ
- Mật thư anh em như thể tay chân
- Phép trừ bù
- độ dài liên kết
- Các châu lục và đại dương trên thế giới
- Thể thơ truyền thống
- Quá trình desamine hóa có thể tạo ra
- Một số thể thơ truyền thống
- Bàn tay mà dây bẩn