Richard Franklin Song of Athena Phidias Head of

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Richard Franklin Song of Athena

Richard Franklin Song of Athena

Phidias. Head of Athena Lemnia in Bologna Museum. Iron cast in Pushkin Museum, Moscow

Phidias. Head of Athena Lemnia in Bologna Museum. Iron cast in Pushkin Museum, Moscow Athena Lemnia in in the Staatliche Museum, Albertinum, Dresden.

Reconstruction of the shield of the Parthenos Pliny says that it showed the battle

Reconstruction of the shield of the Parthenos Pliny says that it showed the battle of the Amazons on the exterior and the Gigantomachy inside.

Vasiliy Polenov. The Parthenon, Temple of Athena Pallas. The Tretyakov Gallery, Moscow, Russia.

Vasiliy Polenov. The Parthenon, Temple of Athena Pallas. The Tretyakov Gallery, Moscow, Russia.

Athena Parthenos. Statuette of Roman date. Copy from Phidias' work 438 BC. Antikmuseet, Lund

Athena Parthenos. Statuette of Roman date. Copy from Phidias' work 438 BC. Antikmuseet, Lund Athena Parthenos. Roman copy of Greek original by Phidias, 5 C BC. Künsthistorische Museum, Wien.

Tondo with Athena and aegis. Roman mosaic from the 3 rd century CE framed

Tondo with Athena and aegis. Roman mosaic from the 3 rd century CE framed with a modern mosaic from the 18 th century. From Tusculum. Museo Pio-Clementino

Athena bowl from the Hildesheim Silver Treasure; 1 st century BC Antikensammlung Berlin;

Athena bowl from the Hildesheim Silver Treasure; 1 st century BC Antikensammlung Berlin;

Minerva , Italian 16 th Century, after the Antique Athena wearing the ægis. Sardonyx

Minerva , Italian 16 th Century, after the Antique Athena wearing the ægis. Sardonyx cameo, late 1 st century BC; Mount enameled gold by Josias Belle, late 17 th century.

Sandro Botticelli Minerva Inventrix Oleae 1491/1500 Ashmolean Museum

Sandro Botticelli Minerva Inventrix Oleae 1491/1500 Ashmolean Museum

The "Varvakeion Athena" Copy of the 2 nd or 3 rd century AD of

The "Varvakeion Athena" Copy of the 2 nd or 3 rd century AD of the gold and ivory original cult statue of Athena Parthenos by Pheidias, which was placed in the Parthenon in 447 BC. National Archaeological Museum, Athens

Bartholomäus Spranger Athena conquering Ignorance , 1593. Künsthistorische Museum, Wien

Bartholomäus Spranger Athena conquering Ignorance , 1593. Künsthistorische Museum, Wien

Andrea Mantegna. Minerva Chases the Vices from the Garden of Virtue. 1502. Louvre, Paris,

Andrea Mantegna. Minerva Chases the Vices from the Garden of Virtue. 1502. Louvre, Paris, France.

Jan van Orly 1665 -1735, Augustin Coppens 1668 -1740 The glorification of Minerva. Museum

Jan van Orly 1665 -1735, Augustin Coppens 1668 -1740 The glorification of Minerva. Museum voor schone kunsten, Gent.

DAVID, Jacques-Louis The Combat of Mars and Minerva , 1771 Musée du Louvre, Paris

DAVID, Jacques-Louis The Combat of Mars and Minerva , 1771 Musée du Louvre, Paris

VERONESE, Paolo Minerva Sending Away Mars from Peace and Prosperity , 1576 -77 Palazzo

VERONESE, Paolo Minerva Sending Away Mars from Peace and Prosperity , 1576 -77 Palazzo Ducale, Venice

 • PARMIGIANINO Pallas Athene , 1539 Royal Collection, Windsor

• PARMIGIANINO Pallas Athene , 1539 Royal Collection, Windsor

Elihu Vedder , Minerva , 1896 ( preparatory study for the mosaic Minerva, which

Elihu Vedder , Minerva , 1896 ( preparatory study for the mosaic Minerva, which is in the Library of Congress, Jefferson Building, Washington, D. C)

Birth of Athena. Attic “Exaleiptron” (black-figured tripod), ca. 570– 560 BC. Found in Thebes

Birth of Athena. Attic “Exaleiptron” (black-figured tripod), ca. 570– 560 BC. Found in Thebes Musée du Louvre, Paris, France

LOMBARDO, Antonio The Birth of Athena at the Forge of Vulcan , 1508 -11

LOMBARDO, Antonio The Birth of Athena at the Forge of Vulcan , 1508 -11 The Hermitage, St. Petersburg

Roman puteal (wellhead) representing the birth of Athena. Sculpted in marble in the 2

Roman puteal (wellhead) representing the birth of Athena. Sculpted in marble in the 2 nd century CE, probably copying a 4 th century BCE original. Relief figures : Zeus , Athena and Hephaestus , with Nike crowning Athena and accompanied by the Moirae. National Archaeological Museum of Spain Madrid.

Now Zeus, king of the gods, made Metis his wife first, and she was

Now Zeus, king of the gods, made Metis his wife first, and she was wisest among gods and mortal men. But when she was about to bring forth the goddess bright-eyed Athene, Zeus craftily deceived her with cunning words and put her in his own belly, as Earth and starry Heaven advised. For they advised him so, to the end that no other should hold royal sway over the eternal gods in place of Zeus; for very wise children were destined to be born of her, first the maiden bright-eyed Tritogeneia, equal to her father in strength and in wise understanding; but afterwards she was to bear a son of overbearing spirit, king of gods and men. But Zeus put her into his own belly first, that the goddess might devise for him both good and evil. . Hesiod , Theogony Eileithyia, Zeus and the birth of Athena

Rudolph Tegner, 1873 -1950. Zeus giving birth to Athena. Rudolph Tegners Museum

Rudolph Tegner, 1873 -1950. Zeus giving birth to Athena. Rudolph Tegners Museum

 כשופטת בתפקידה אורסטס של במשפטו , אמו רצח על קליטמנסטרה , ( מאשמה

כשופטת בתפקידה אורסטס של במשפטו , אמו רצח על קליטמנסטרה , ( מאשמה זוכה הוא )בו הכינוי את קיבלה אתנה " אריה "אתנה . (Athena Areia) Orestes at Delphi. Athena and Apollo, one of the Erinyes above the tripod Paestan red-figured bell-krater, ca. 330 BC The British Museum, London

Westgiebel des Tempels von Ägina. Glyptothek, München.

Westgiebel des Tempels von Ägina. Glyptothek, München.

(Athena Ergane) " ארגנה "אתנה כונתה היא . ופעלולנים אומנים של כפטרונית Athena Ergane

(Athena Ergane) " ארגנה "אתנה כונתה היא . ופעלולנים אומנים של כפטרונית Athena Ergane Interior of the Temple of Hephaestos and Athena Ergane

A new peplos was woven for Athena and ceremonially brought to dress her cult

A new peplos was woven for Athena and ceremonially brought to dress her cult image. Fragment from the east frieze of the Parthenon, 447– 433 BC. British Museum, London, United Kingdom

GIORDANO, Luca Minerva as Protectress of the Arts and Science , early 1680 Minerva

GIORDANO, Luca Minerva as Protectress of the Arts and Science , early 1680 Minerva , goddess of Wisdom, accompanied by Mercury , entrusts the key of knowledge to Intellect, beside whom is the naked figure of Truth. To the left is the she-wolf with the infants Romulus amd Remus, founders of Rome. Minerva gives a hammer to Artifice and Industry at whose feet lie other tools. In the background is Amphion or Eloquence, playing the viola and surrounded by birds.

The Triumph of Minerva is represented on the upper layer. In the centre of

The Triumph of Minerva is represented on the upper layer. In the centre of it there is the goddess, on the left a group of poets and magistrates, on the right women with symbols of feminine labour. The middle layer represents the zodiac sign Aries, while the lower layer depicts a hunting scene. COSSA, Francesco del Allegory of March: Triumph of Minerva 1476 -84 Fresco, Palazzo Schifanoia, Ferrara

The upper scene depicts the Triumph of Minerva as an allegory of March. Below,

The upper scene depicts the Triumph of Minerva as an allegory of March. Below, astrological symbols are represented.

This detail shows the right part of the upper layer of the fresco, women

This detail shows the right part of the upper layer of the fresco, women with symbols of feminine labour. Francesco del Cossa. Triumph of Minerva. Detail from "March" from the Cycle of the Months. 1470 s. Fresco. Palazzo Schifanoia, Ferrara. Italy.

VELÁZQUEZ , The Fable of Arachne (Las Hilanderas ), 1657 Museo del Prado, Madrid

VELÁZQUEZ , The Fable of Arachne (Las Hilanderas ), 1657 Museo del Prado, Madrid

There is a second room in the background, in an alcove reached by steps.

There is a second room in the background, in an alcove reached by steps. It is flooded with light and contains several elegantly dressed women. The woman on the left wearing an antique helmet and with her arm raised is a figure of Athena. Opposite her - either really in the room, or part of the picture in the tapestry on the back wall? - stands the young Arachne, who has committed the sacrilegious act of comparing her skill in weaving with the goddess's. She has begun their competition with a tapestry showing one of the love affairs of Jupiter, the rape of Europa. Velázquez borrowed theme of this tapestry from a famous picture by Titian , also extant in a copy by Rubens, to show his artistic veneration for the Venetian master. It is not clear whether the other women in the alcove with Arachne symbolize the four fine arts.

 Athena & Arachne. Engraving from 1677

Athena & Arachne. Engraving from 1677

STELLA, Jacques Minerva and the Muses , 1640 -45 Musée du Louvre, Paris

STELLA, Jacques Minerva and the Muses , 1640 -45 Musée du Louvre, Paris

Hans Rottenhammer Minerva and the Muses, 1603. Germanisches Nationalmuseum, Nürnberg.

Hans Rottenhammer Minerva and the Muses, 1603. Germanisches Nationalmuseum, Nürnberg.

Jacobsz de Wet (1640 -1697 ), Visite de Minerve aux Muses. Musée des beaux

Jacobsz de Wet (1640 -1697 ), Visite de Minerve aux Muses. Musée des beaux arts, Rouen

Floris, Frans Athene bei den Musen , 1560 Museum Conde an der Schelde

Floris, Frans Athene bei den Musen , 1560 Museum Conde an der Schelde

Hendrick van Balen the Elder Minerva among the Muses, cover of a virginal belonging

Hendrick van Balen the Elder Minerva among the Muses, cover of a virginal belonging to Queen Maria Kazimiera Sobieska. 17 th century

MOMPER, Joos de Helicon or Minerva's Visit to the Muses Koninklijk Museum voor Schone

MOMPER, Joos de Helicon or Minerva's Visit to the Muses Koninklijk Museum voor Schone Kunsten, Antwerp

"Science": Minerva, goddess of wisdom and the arts of civilization, with helmet and spear,

"Science": Minerva, goddess of wisdom and the arts of civilization, with helmet and spear, points to an electric generator creating power stored in batteries, next to a printing press, while inventors Benjamin Franklin, Samuel F. B. Morse, and Robert Fulton watch. At the left, a teacher demonstrates the use of dividers.

: מקורות http: //www. goddess-athena. org http: //www. mlahanas. de//Athena. Gallery http: //www. maicar.

: מקורות http: //www. goddess-athena. org http: //www. mlahanas. de//Athena. Gallery http: //www. maicar. com/Athena http: //www. artcyclopedia. com/Athena http: //www. theoi. com//Athena. Cult http: //commons. wikimedia. org//Athena http: //www. artcyclopedia. com. /Minerva פלר אסף : עריכה

, שלום לך אני מזמין אותך לבקר באתר המצגות שלי ולהנות ממצגות נוספות אסף

, שלום לך אני מזמין אותך לבקר באתר המצגות שלי ולהנות ממצגות נוספות אסף פלר , להתראות http: //assaffeller. com Hans Speckaert Allegory of Minerva as the Head , of the Muses in or before 1575