High Renaissance Art Leonardo Leonardo Da Vinci Self

Leonardo Da Vinci, Self Portrait, 1512 CE

Leonardo Da Vinci, Embryo in a Womb, c. 1510 CE

Leonardo Da Vinci, Virgin of the Rocks, c. 1485 CE

Leonardo Da Vinci, Last Supper, c. 1495 -1498 CE

Leonardo Da Vinci, Mona Lisa, c. 1503 -1505 CE

Sangallo, Palazzo Farnese, c. 1530 -1546

Michelangelo, Sistine Ceiling, 1501 -1504

Raphael, The Madonna in the Meadow, 1505 -1506

“How can we treat, in small compass, of him whose fame has filled the

effortless that one does not usually connect them with the ideas of hard and

Michelan gelo, Tomb of Giuliano de’Medic i, 15191534

Michelan gelo, Tomb of Giuliano de’Medic i,

Michelan gelo, Tomb of Lorenzo de’Medic i

Slides: 100

Download presentation

High Renaissance Art

Leonardo

Leonardo Da Vinci, Self Portrait, 1512 CE

Leonardo Da Vinci, Embryo in a Womb, c. 1510 CE

Leonardo Da Vinci, Virgin of the Rocks, c. 1485 CE

Verrocchio, Baptism of Christ, 14721475

Verrocchio, Baptism of Christ, 1472 -1475;

Leonardo Da Vinci, Last Supper, c. 1495 -1498 CE

Leonardo Da Vinci, Last

Leonardo Da Vinci, Last

Leonardo Da Vinci, Last Supper, c. 1495 -1498 CE

Leonardo Da Vinci, Mona Lisa, c. 1503 -1505 CE

High Renaissance Architecture

Sangallo, Palazzo Farnese, c. 1530 -1546

Sangallo, Palazzo

Sangallo, Palazzo Farnese, c. 15301546

Bramante, Tempietto, 1502

Bramante, St. Peter’s, 1502

Michelangelo

Michelan gelo, Pieta, 14891490

Michelang elo, David, 1501 -1504

Michelangelo, Sistine Ceiling, 1501 -1504

Michelang elo, Moses, 1513 -1515

Raphael

Raphael, The Madonna in the Meadow, 1505 -1506

“How can we treat, in small compass, of him whose fame has filled the universe? On the history of Italian art, he stands alone, like Shakespeare in the history of our literature. ” -----Mrs. Jameson, Memoirs of the Early Italian Painters, 1859

effortless that one does not usually connect them with the ideas of hard and relentless work. To many, he is simply the painter of the sweet Madonnas which have become so well known as hardly to be appreciated as paintings anymore…We see cheap reproductions of these works in humble rooms, and we are apt to conclude that paintings with such general appeal must surely be a little ‘obvious’. In fact, their apparent simplicity is the fruit of deep thought, careful planning, and immense -----Ernst Gombrich (modern artistic wisdom. ” critic)

Raphael, Galatea, 1513