15971601 Calling of Saint Matthew Contarelli Chapel San

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카라바조, <성 마태의 소명> 1597~1601년경. 캔버스에 유화. Calling of Saint Matthew Contarelli Chapel, San

카라바조, <성 마태의 소명> 1597~1601년경. 캔버스에 유화. Calling of Saint Matthew Contarelli Chapel, San Luigi dei Francesci Rome, Italy ca. 1597 -1601 oil on canvas

카라바조, <에마우스의 저녁>, Supper at Emmaus, c. 1600 -01, Oil on canvas

카라바조, <에마우스의 저녁>, Supper at Emmaus, c. 1600 -01, Oil on canvas

Artemisia Gentileschi Judith and her Maidservant ca. 1612 -1613 oil on canvas 44 7/8

Artemisia Gentileschi Judith and her Maidservant ca. 1612 -1613 oil on canvas 44 7/8 x 36 13/16 in.

Artemisia Gentileschi Susannah and the Elders 1610 oil on canvas 66 7/8 x 46

Artemisia Gentileschi Susannah and the Elders 1610 oil on canvas 66 7/8 x 46 7/8 in.

Gianlorenzo Bernini interior of the Cornaro Chapel Santa Maria della Vittoria, Rome, Italy 1645

Gianlorenzo Bernini interior of the Cornaro Chapel Santa Maria della Vittoria, Rome, Italy 1645 -1652

Peter Paul Rubens, Elevation of the Cross Antwerp Cathedral, Antwerp, Belgium, 1610, oil on

Peter Paul Rubens, Elevation of the Cross Antwerp Cathedral, Antwerp, Belgium, 1610, oil on panel 15 ft. 2 in. x 11 ft. 2 in.

Peter Paul Rubens Drawing of Laocoön ca. 1600 -1608 black and white chalk drawing

Peter Paul Rubens Drawing of Laocoön ca. 1600 -1608 black and white chalk drawing with bistre wash approximately 1 ft. 7 in. x 1 ft. 7 in.

Portrait of Hélène Fourment (Het Pelsken), c. 1638 루벤스, <웨딩드레스를 입은 엘 렌느>, 1630~1631,

Portrait of Hélène Fourment (Het Pelsken), c. 1638 루벤스, <웨딩드레스를 입은 엘 렌느>, 1630~1631, 알테 피나코 텍, 뮌휀

판 다이크, <사냥 중의 찰스 I세> Anthony Van Dyck Charles I Dismounted ca. 1635,

판 다이크, <사냥 중의 찰스 I세> Anthony Van Dyck Charles I Dismounted ca. 1635, oil on canvas, 9 ft. x 7 ft.

Pieter Claesz Vanitas Still Life, 1630 s, oil on panel, 1 ft. 2 in.

Pieter Claesz Vanitas Still Life, 1630 s, oil on panel, 1 ft. 2 in. x 1 ft. 11 1/2 in.

Willem Claesz Heda (1593 -1680), Still-Life c. 1634. Oil on panel, 44 x 68

Willem Claesz Heda (1593 -1680), Still-Life c. 1634. Oil on panel, 44 x 68 cm

Rachel Ruysch Flower Still Life after 1700 oil on canvas 2 ft. 6 in.

Rachel Ruysch Flower Still Life after 1700 oil on canvas 2 ft. 6 in. x 2 ft.

Jacob van Ruisdael View of Haarlem from the Dunes at Overveen ca. 1670 oil

Jacob van Ruisdael View of Haarlem from the Dunes at Overveen ca. 1670 oil on canvas 1 ft. 10 in. x 2 ft. 1 in.

Frans Hals, Archers of Saint Hadrian ca. 1633, oil on canvas, approximately 6 ft.

Frans Hals, Archers of Saint Hadrian ca. 1633, oil on canvas, approximately 6 ft. 9 in. x 11 ft.

렘브란트 판 진 (Rembrandt van Rijn, 1606~1669), Self Portrait, 1629~1630.

렘브란트 판 진 (Rembrandt van Rijn, 1606~1669), Self Portrait, 1629~1630.

1659 1662

1659 1662

Rembrandt van Rijn Self-Portrait ca. 1659 -1660 oil on canvas 3 ft. 8 3/4

Rembrandt van Rijn Self-Portrait ca. 1659 -1660 oil on canvas 3 ft. 8 3/4 in. x 3 ft. 1 in.

Rembrandt van Rijn Anatomy Lesson of Dr. Tulp, 1632, oil on canvas, 5 ft.

Rembrandt van Rijn Anatomy Lesson of Dr. Tulp, 1632, oil on canvas, 5 ft. 3 3/4 in. x 7 ft. 1 1/4 in.

Rembrandt, Landscape with a Stone Bridge 2 by Rembrandt, 1638

Rembrandt, Landscape with a Stone Bridge 2 by Rembrandt, 1638

Rembrandt van Rijn, The Company of Captain Frans Banning Cocq (Night Watch), 1642, oil

Rembrandt van Rijn, The Company of Captain Frans Banning Cocq (Night Watch), 1642, oil on canvas, 11 ft. 11 in. x 14 ft. 4 in.

Rembrandt van Rijn Return of the Prodigal Son ca. 1665 oil on canvas 8

Rembrandt van Rijn Return of the Prodigal Son ca. 1665 oil on canvas 8 ft. 8 in. x 6 ft. 9 in.

Rembrandt van Rijn, Christ with the Sick around Him, Receiving the Children (Hundred Guilder

Rembrandt van Rijn, Christ with the Sick around Him, Receiving the Children (Hundred Guilder Print), ca. 1649, etching, 11 x 15 1/4 in.

Jan Vermeer The Letter 1666 oil on canvas 1 ft. 5 1/4 in. x

Jan Vermeer The Letter 1666 oil on canvas 1 ft. 5 1/4 in. x 1 ft. 3 1/4 in.

Jan Vermeer Allegory of the Art of Painting 1670 -1675 oil on canvas 4

Jan Vermeer Allegory of the Art of Painting 1670 -1675 oil on canvas 4 ft. 4 in. x 3 ft. 8 in.

The Supper at Emmaus by Han van Meegeren (1936) This is the painting that

The Supper at Emmaus by Han van Meegeren (1936) This is the painting that Van Meegeren created in the style of Vermeer in three months in 1945 to prove to authorities that he was the forger who created the fake Vermeer Christ at Emmaus, which was discovered after the end of the War to have been in the collection of the Nazi Herman Goering, and which was believed to be an original Vermeer. Had Van Meegeren been convicted of selling the painting to Goering, he could have faced the death penalty for treason. Admitting the forgery, and proving it by executing this painting, was the lesser of the two evils.