Statue of Venus Roman Copy of Greek original

Statue of Venus, Roman Copy of Greek original by Praxiteles. Getty Museum, Los Angeles.

Hesiod, Theogony 176 ff (trans. Evelyn-White) (Greek epic C 8 th or 7 th B. C. ) : "Her gods and men call Aphrodite. . . and Philommeides (Genital-Loving) because sprang from the members [of Ouranos the Sky]. And with her went Eros (Love), and comely Himeros (Desire) followed her at her birth at the Eros (Love), (Desire) first and as she went into the assembly of the gods. This honour she has from the beginning, and this is the portion allotted to her amongst men and undying gods, - the whisperings of maidens and smiles and deceits with sweet delight and love and graciousness. " Homeric Hymn 5 to Aphrodite (trans. Evelyn-White) (Greek epic C 7 th to 4 th B. C. ) : "Golden Aphrodite Kypria, who stirs up sweet passion in the gods and subdues the tribes of mortal men. . . these love the deeds of rich-crowned Kythereia. . . there is nothing among the blessed gods or among mortal men [except for Athena, Artemis and Hestia] that has escaped Aphrodite. " Rocca Michele, The Triumph of Venus

Homer, Iliad 14. 187 ff : "[Hera asks Aphrodite if she may borrow her girdle of desire: ] ‘Long time they [the married couple Okeanos and Tethys] have stayed apart from each other and from the bed of love, since rancour has entered their feelings. Could I win over with persuasion the dear heart within them and bring them back to their bed to be merged in love with each other. ’. . . She spoke, and from her breasts unbound the elaborate, pattern-pierced zone, and on it are figured all beguilement (philotes), and loveliness is figured upon it, and passion of sex (himeros) is there, and the whispered endearment (oaristos) that steals the heart away even from the thoughtful. . . ‘Take this zone, and hide it away in the fold of your bosom. It is elaborate, all things are figured therein. And I think whatever is your heart's desire shall not go unaccomplished. ’" After Giovanni Battista Cipriani , Venus tying her magic girdle around the waist of Juno, 1776 -1823

APHRODITE GODDESS OF PROCREATION (THE NATURAL WORLD) Homeric Hymn 5 to Aphrodite 1 ff (trans. Evelyn-White) (Greek epic C 7 th to 4 th B. C. ) : "Golden Aphrodite Kypria, who stirs up sweet passion in the gods and subdues the tribes of mortal men and birds that fly in air and all the many creatures that the dry land rears, and all the sea: all these love the deeds of rich-crowned Kythereia. " Homeric Hymn 5 to Aphrodite 68 ff : "She [Aphrodite] came to many-fountained Ida, the mother of wild creatures. . . After her came grey wolves, fawning on her, and grim-eyed lions, and bears, and fleet leopards, ravenous for deer: and she was glad in heart to see them, and put desire in their breasts, so that they all mated, two together, about the shadowy coombes. " Aeschylus, Fragment 25 Danaides (from Athenaeus, Deipnosophists xiii. 73. 600 B) (trans. Smyth) (Greek tragedy C 5 th B. C. ) : "The holy Heaven (ouranos) yearns to wound the Earth (khthon) [i. e. Gaia], and yearning layeth hold on the earth to join in wedlock; the rain, fallen from the amorous heaven, impregnates the earth, and it bringeth for mankind the food of flocks and herds and Demeter’s gifts; and from that moist marriage-rite the woods put on their bloom. Of all these things I [Aphrodite, goddess of procreation] am the cause. " Orphic Hymn 55 to Aphrodite (trans. Taylor) (Greek hymns C 3 rd B. C. to 2 nd A. D. ) : "To Aphrodite. . . 'Tis thine the world with harmony to join, for all things spring from thee, O power divine. . . all productions yield alike to thee: whatever the heavens, encircling all, contain [that is, the birds], earth fruitproducing [animals], and the stormy main [fish], thy sway confesses, and obeys thy nod. " Orphic Hymn 58 to Eros : "Eros (Love). . . keeper of the keys of heaven and earth, the air [birds], and spreading seas [fish]; of all that earth's fertile realms contains [animals], by which the all parent Goddess [Aphrodite] life sustains, or dismal Tartaros is doomed to keep, widely extended, or the sounding deep; for thee all nature’s various realms obey, who rulest alone, with universal sway. "

Venus is the focus of this anonymous composition representing the allegory of Water or Love, which pictures her emerging from a pond in which the Three Graces dance. She chases away satyrs and putti trying to steal the arms of Cupid, shown asleep amid flowering underbrush. התמונה הקטנה הינה קישורית למצגת מורחבת על שלוש הכאריטות MASTER of the Fontainebleau School Mythological Allegory, c. 1580 Musée du Louvre, Paris

התמונה הקטנה הינה קישורית למצגת מורחבת על פרשת אהבתם של ונוס ומרס David Jacques-Louis Mars Disarmed by Venus & the Three Graces 1824 Musées Royaux des Beaux-Arts, Brussels

אפרודיטה של לבנה או למשרתה נחשב ארוס התמונה הקטנה הינה קישורית למצגת מורחבת על ארוס Isaacsz Pieter Formerly attributed to Spranger Mars, Venus and Amor, around 1600. , Kunsthistorisches Museum, Gemaeldegalerie, Vienna

Pausanias, Description of Greece 9. 16. 3 : "Harmonia [daughter of Aphrodite] gave to Aphrodite the surname of Ourania (Heavenly) to signify a love pure and free from bodily lust; that of Pandemos (Common), to denote sexual intercourse; the third, that of Apostrophia (Rejecter), that mankind might reject unlawful passion and sinful acts. For Harmonia knew of many crimes already perpetrated not only among foreigners but even by Greeks, similar to those attributed later by legend to the mother of Adonis [who committed incest with her father], to Phaidra, the daughter of Minos [who lusted after her son-in-law], and to the Thrakian Tereus [who raped his sister-inlaw]. " Master of the Taking of Taranto (1 st half 15 th CE) The Triumph of Venus Venerated by 6 Famous Lovers, Achilles, Tristan, Lancelot, Samson, Paris, and Troilus. Musée de Louvre, Paris

התמונה הקטנה הינה קישורית למצגת מורחבת על אפרודיטה ואדוניס Spranger Bartholomaeus Venus and Adonis, c. 1587 Rijksmuseum, Amsterdam

Aphrodite along with Zeus, Hera, Eileithyia and Hymenaios were the Theoi Gamelioi (Gods of Marriage) who presided over the wedding rites. She was invoked as the goddess of the consumation of marriage and the fertility of the bride. Sappho, Fragment 194 (from Himerius, Orations) (trans. Campbell, Vol. Greek Lyric I) (C 6 th B. C. ) : "[Aphrodite poetically presides over a wedding ceremony: ] After the contests [mock contests of suitors] she goes into the bridal chamber, garlands the room and makes up the bed, then she (gathers) the girls into the bridal room and brings in Aphrodite herself on the Kharites' (Graces') chariot with her chorus of Erotes (Loves) to join in the fun. She binds Aphrodite's hair in hyacinth. . . she adorns the Erotes' wings and tresses with gold and urges them on in procession before the [bridal] chariot, waving their [wedding] torches in the air. " Aphrodite & Eros An Eros playing ephisdremos (piggy-back) with a woman, drives her in love towards her suitor. The man is accompanied by a seated Aphrodite, holding a dove in her hand. Apulian Red Figure, Skyphos, ca 375 - 350 BC Museum of Art, Rhode Island, New York

Homeric Hymn 6 to Aphrodite 2 ff (trans. Evelyn-White) (Greek epic C 7 th to 4 th B. C. ) : "[Aphrodite was born of the sea-foam near: ] Sea-set Kypros (Cyprus). . . and there the gold-filleted Horai (Horae, Seasons) welcomed her joyously. They clothed her with heavenly garments: on her head they put a fine, well-wrought rorwn of gold, and in her pierced ears they hung ornaments of orichale and precious gold, and adorned her with golden necklaces over her soft neck and snow-white breats, jewels the gold-filleted Horai wear themselves whenever they go to their father's house to join the lovely dances of the gods. And when they had fully decked her, they brought her to the gods, who welcomed her when they saw her. " Sousse Museum, Venus and four Seasons mosaic

Peter Paul Rubens , Aphrodisia (Venus festival), 1635, Kunsthistorisches Museum Wien, Österreich

APHRODITE GODDESS OF GRACE & BEAUTY Hesiod, Works and Days 60 ff (trans. Evelyn-White) (Greek epic C 8 th or 7 th B. C. ) : "Golden Aphrodite shed grace upon her [Pandora's] head and cruel longing and cares that weary the limbs. " BEAUTIFUL WOMEN LIKENED TO APHRODITE Homer, Iliad 19. 282 ff (trans. Lattimore) (Greek epic C 8 th B. C. ) : "Briseis, in the likeness of golden (khrysee) Aphrodite [in beauty]. " Homer, Iliad 24. 699 ff : "Kassandra a girl like Aphrodite the golden (khrysee). " Homer, Odyssey 4. 14 (trans. Shewring) (Greek epic C 8 th B. C. ) : "Helene once had borne Hermione, a girl as lovely as golden (khrysee) Aphrodite. " Homer, Odyssey 17. 37 & 19. 54 (trans. Shewring) (Greek epic C 8 th B. C. ) : "Penelope came from her room, looking like Artemis or golden (khrysee) Aphrodite. " Hesiod, The Shield of Heracles 6 ff (trans. Evelyn-White) (Greek epic C 8 th or 7 th B. C. ) : "Her [Alkmene's] face and her dark eyes wafted such charm as comes from golden Aphrodite. " Kauffmann Angelica Venus Induces Helen to Fall in Love with Paris, 1790, The Hermitage, St. Petersburg

Athenaeus, Deipnosophistae 2. 36 d : "Panyasis, the epic poet, ascribes the first toast [of wine from a large Greek drinking cup] to the Kharites (Graces), the Horai (Seasons), and Dionysos, the second to Aphrodite and Dionysos again, the third, however, to Hybris (Violence) and Ate (Ruin). He says: ‘The first portion fell to the lot of the Kharites and the merry Horai, and to noisy Dionysos, the very gods who inspired the first round [of drinking]. For the next following Kyprogeneia [Aphrodite] and Dionysos drew the lot. Here men great the greatest good from drinking wine. If a man, content with that, goes back home from the still pleasant feast, he can never meet with nay harm. " Everdingen Caesar van, Bacchus with Nymphs (Venus) & Cupid, c. 1660, Gemäldegalerie, Dresden

APHRODITE GODDESS OF LOVE POETRY & SONG Aphrodite presided over love poetry and songs along with Apollon and the Mousa Erato. Callimachus, Fragment 116 (from Hephaestion 15. 17) (trans. Trypanis) (Greek poet C 3 rd B. C. ) : "Apollon, too, is in the choir; I hear the lyre; I note the presence of the Erotes (Loves); Aphrodite, too, is here. " Ptolemy Hephaestion, New History Book 7 (summary from Photius, Myriobiblon 190) (trans. Pearse) (Greek mythographer C 1 st to C 2 nd A. D. ) : "Hermes contributed to it [the first Phthian Games], like Aphrodite; she won and accepted as prize a zither which she gave later as a gift to Alexandros [Paris]. " בתמונה פאריס אוחז בידו את הציתר שקיבל מאפרודיטה David Jacques-Louis, The Loves of Paris and Helen, 1788, Musée du Louvre, Paris

השלום כאלת אפרודיטה APHRODITE GODDESS OF PEACE As the goddess who restrained the hand of Ares, god of war, Aphrodite was represented as a goddess of peace. • Orphic Hymn 65 to Ares (trans. Taylor) (Greek hymns C 3 rd B. C. to 2 nd A. D. ) : "Magnanimous, unconquered, boisterous Ares. . . Stay furious contests, and avenging strife, whose works with woe embitter human life; to lovely Kypris [Aphrodite] and to Lyaios [Dionysos] yield, for arms exchange the labours of the field; encourage peace, to gentle works inclined, and give abundance, with benignant mind. " Seneca, Medea 62 ff (trans. Miller) (Roman tragedy C 1 st A. D. ) : "Her [Aphrodite] who restrains the bloody hands of rough Mars [Ares], who brings peace to warring nations and holds plenty in her rich horn, mild goddess. " Louis Jean François Lagrenée, Mars & Venus, Allegory of Peace, 1770 Getty Museum

Sulpicia was chosen in the 3 rd centyr B. C. from among a hundred women in Rome as the most worthy to dedicate a statue to the goddess Venus Verticordia, protector of women. Before an imaginary view of the city of Rome, Sulpicia holds a model of the temple of the goddess. Pietro di Francesco Orioli Sulpicia, circa 1493

הרומי אופייה לביצור במיוחד עשו לפסה"נ הראשונה המאה מדינאי . ונוס של כבודה ולהאדרת . Venus Felix " המאושרת "ונוס של בחירה עצמו ראה סולה "Venus Felix”, type of the Knidian Venus, with a head resembling Faustina the Younger (ca. 170 AD). Dedicated by Sallustia and Helpidus to Venus Felix.

Vemus Victrix " אחרי ניצחונותיו על מיתרידטס הקים פומפיוס פולחן ל"ונוס המנצחת Antonio Canova, Paolina Borghese As Venus Victrix, 1804, Galleria Borghese, Rome

אריקינה ונוס , האלה של רבים מיני אחד שם הוא , ורומאים היוונים האלים מן לרבים שכמו . כינויים עשרות לה גם . ופעילותה האלה של פן מייצג שם כל C. Considius Nonianus. 56 BC. AR Denarius (3. 79 gm). Laureate and diademed bust of Venus Erycina right / Temple on summit of mountain; ERVC on gateway in the center. Venus Erycina ("Venus from Eryx"), also called Venus Ericina, originated on Erice, in western Sicily. Temples were erected to her on the Capitoline Hill and outside the Porta Collina. She embodied "impure" love, and was the patron goddess of prostitutes. Eryx, Sicily, AR Litra. c 400 BC. Aphrodite seated left, dove on extended arm

Venus Acidalia was according to Servius, named after the well Acidalius near Orchomenus, in which Venus used to bathe with the Graces. Others connect the name with the Greek acides, meaning cares or troubles Auguste Glaize (1807 -1893) The Bath of Venus

Louis Jean François Lagrenée, The Bath of Venus , 1776

הרומאים . היא ונוס הקירחת (Venus Calva) ונוס קלבה בנו מכשירים למשיכת כלי נשק משערותיהן של . נשות הגלים לאחר הניצחון בקרב הקימו מזבח לכבודה של ונוס . האלה התולשת את שערות הנשים , סלבה , (Venus Barbata) הן ונוס סלבה והן ונוס ברבטה נחשבות היום לפנים של האלה , היא ונוס המזוקנת . המייצגים חציית קווי מגדר Venus Calva (" Venus the bald one"), an image of the Goddess attested by post Classical Roman writings which offer several different Roman traditions to explain this appearance and epithet. One holds that it commemorates the virtuous offer by Roman matrons of their own hair to make bowstrings during a siege of Rome: another, that during the reign of king Ancus Marcius , the queen and others lost their hair during an epidemic. In hope of its restoration, women unaffected by the affliction willingly sacrificed their own hair to Venus. Ashby (1929) finds the existence of a temple to her "very doubtful" Marcantonio Raimondi Crouching Venus, 1505 -06

(Venus Cloacina) קלואקינה ונוס פתחי על המגינה , הביוב תעלות של ונוס היא קלואקה , ברומא העירונית הניקוז מערכת . (Cloaca Maxima) מקסימה ונקרא בפתחו אשה פסל הוצב הביוב כשנבנה בשם קטן מקדש שרידי . קלואקינה ונוס נמצאים (Sacrum Cloacina) קלואקינה סקרום . אמיליה הבזיליקה מול ברומא בפורום היום עד Two views of the Shrine of Venus Cloacina ("Venus the Purifier"), was a fusion of Venus with the Etruscan water goddess Cloacina, likely resulting from a statue of Venus being prominent near the Cloaca Maxima, Rome's sewer system. The statue was erected on the spot where according to Rome's founding tradition, peace was made between the Romans and Sabines.

, השמחה ונוס היא (Venus Felix) פליקס ונוס . האדם לבני טוב מזל שמביאה אלה וכן בוותיקן קלמנטין - פיו במוזיאון שלה פסלים לראות אפשר . בוינה היסטורית לאמנות במוזיאון Venus Felix ("Lucky Venus") was an epithet used for a temple on the Esquiline Hill and for a temple constructed by Hadrian dedicated to "Venus Felix et Roma Aeterna" ("Favorable Venus and Eternal Rome") on the north side of the Via Sacra. This epithet is also used for a specific sculpture at the Vatican Museums. Jean-Baptiste Lallemand (1716 -1803) A capriccio with the Temple of Venus Felix and Roma Aeterna Venus Felix model probably created by 1496, cast c. 1510 Kunsthistorisches Museum, Vienna, Kunstkammer

Lorenzo Lotto, Venus and Cupid, late 1520 s

, ” המולידה “ונוס , (Venus Genetrix) גנטריקס ונוס של האיניאדה פי על , איניאס הגיבור של אמו ונוס היא של צאצאים עצמם את ראו שהרומאים כיוון . ורגיליוס הביא קיסר יוליוס . הרומאים לאם ונוס נחשבת , איניאס . ואמהות נישואין כאלת , גנטריקס ונוס פולחן את לרומא Venus Genetrix ("Mother Venus") was Venus in her role as the ancestress of the Roman people, a goddess of motherhood and domesticity. A festival was held in her honor on September 26. As Venus was regarded as the mother of the Julian gens in particular, Julius Caesar dedicated a Temple of Venus Genetrix in Rome in 46 BC. This name has attached to an iconological type of statue of Aphrodite/Venus. The Aphrodite of Frejus at the Louvre Venus Genitrix temple in Forum of Caesar, Rome

Venus Kallipygos ("Venus with the pretty bottom"), a form worshipped at Syracuse. Aphrodite Kallipygos at Yusupov Palace. François Barois, Venus Callipyge, 1683– 86 , Musée du Louvre Venus Kallipygos Naples National Arch. Mus. Aphrodite Kallipygos Hermitage, St. Petersburg

, המוות של ונוס היא (Venus Libitiana) ליביטינה ונוס לוקוס , לכבודה בחורשה . החיים ניצוץ את המכבה רשימות נשמרו הנקרופוליס ליד (Locus libitinae) ליביטני נחנך בחורשה המקדש . לוויה טקסי ונערכו המתים השנתית היין חגיגת תאריך כאמור , לאוגוסט 19 בתאריך האספקט . רוסטיקה וינליה , ונוס של לכבודה השנייה שאר עם אחד בקנה עולה לא האלה של הזה המורבידי רוב . וברכה צמיחה , פיריון , אהבה : שלה המאפיינים בשפה הוא libitinia הכינוי מקור כי סבורים החוקרים רומאי למעשה אינו ונוס של האפל הפן וכי , האטרוסקית . זר אלא , במקורו הראשונה במאה שחי , (Varro) וארו הרומאי המלומד ונוס לבין , האפלה ליביטינה ונוס בין הבחין לפנה”ס . והמיניות החושני העונג היא (Venus Libentina) ליבנטינה Venus Libertina ("Venus the Freedwoman") was an epithet of Venus that probably arose from an error, with Romans mistaking lubentina (possibly meaning "pleasurable" or "passionate") for libertina. Possibly related is Venus Libitina, also called Venus Libentina, Venus Libentia, Venus Lubentini and Venus Lubentia, an epithet that probably arose from confusion between Libitina, a funeral goddess, and the aforementioned lubentina, leading to an amalgamation of Libitina and Venus. A temple was dedicated to Venus Libitina on the Esquiline Hill. Imperial image of Venus suggesting influence from Syria or. Palestine, or from the cult of Isis

Venus Murcia ("Venus of the Myrtle") was an epithet that merged the goddess with the little-known deity Murcia or Murtia. Murcia was associated with the myrtle -tree, but in other sources was called a goddess of sloth and laziness. Boris Kustodiev , Russian Venus, 1926.

Bronzino Agnolo Venus, Cupid & Time (Allegory of Lust), 1540 -45 National Gallery, London

למעשה מדובר בונוס כפטרונית הפרוצות . המצייתת , הנכנעת , היא ונוס המסכימה (Venus Obsequens) ונוס אובסקוונס . מאפיין זה של ונוס הוא השפעה ברורה של אפרודיטה היוונית . ונשים המסכימות לקיים יחסי מין . למרגלות גבעת אבנטין ברומא , מקדש לכבוד ונוס אובסקוונס ניצב בסירקוס מקסימוס Venus Obsequens ("Graceful Venus" or "Indulgent Venus") was an epithet to which a temple was dedicated in the late 3 rd century BC during the Third Samnite War by Quintus Fabius Maximus Gurges. It was built with money fined from women who had been found guilty of adultery. It was the oldest temple of Venus in Rome, and was probably situated at the foot of the Aventine Hill near the Circus Maximus. Its dedication day, August 19, was celebrated in the Vinalia Rustica Giorgione, Sleeping Venus, c. 1510, Gemäldegalerie Alte Meister, Dresden

APHRODITE GODDESS OF PROSTITUTION Pindar, Eulogies Fragment 122 (trans. Sandys) (Greek lyric C 5 th B. C. ) : "Guest-loving girls [courtesans and prostitutes]! Servants of Peitho (Suasion) in wealthy Korinthos! Ye that burn the golden tears of fresh frankincense, full often soaring upward in your souls unto Aphrodite. " Strabo, Geography 8. 6. 20 (trans. Jones) (Greek geographer C 1 st B. C. to C 1 st A. D. ) : "The temple of Aphrodite [in Korinthos (Corinth)] was so rich that it owned more than a thousand temple slaves, prostitutes, whom both men and women had dedicated to the goddess. And therefore it was also on account of these women that the city was crowded with people. " Strabo, Geography 12. 4. 36 : "[In] Korinthos (Corinth), there, on account of the multitude of prostitutes, who were sacred to Aphrodite, outsiders resorted in great numbers and kept holiday. " Ovid, Metamorphoses 10. 220 ff (trans. Melville) (Roman epic C 1 st B. C. to C 1 st A. D. ) : "The obscene Propoetides [of Kypros] had dared to deny Venus' [Aphrodite's] divinity. For that the goddess’ rage, it’s said, made them the first strumpets to prostitute their bodies' charms. " A fresco painting in Pompeii

Venus Urania ("Heavenly Venus") was an epithet used as the title of a book by Basilius von Ramdohr, a relief by Pompeo Marchesi, and a painting by Christian Griepenkerl. On April 1, the Veneralia was celebrated in honor of Venus Verticordia ("Venus the Changer of Hearts"), the protector against vice. A temple to Venus Verticordia was built in Rome in 114 BC, and dedicated April 1, at the instruction of the Sibylline Books to atone for the inchastity of three Vestal Virgins. Christian Griepenkerl (1839 -1916): Venus Urania, Stairwell of the Augusteum, Oldenburg. Giovanni da Bologna, Venus Urania or Astronomia, c. 1573 , Vienna, Kunsthistorisches Museum

, שנה מדי . אדירים בנצחונות האימפריה את שמברכת אלה , המנצחת ונוס היא (Venus Victrix) ויקטריקס ונוס : הרומאי הציבור את המברכים האלים שלישיית לכבוד פומבית חגיגה נערכה לאוקטובר 9 בתאריך . ( אלים קבוצת אלא , יחיד אל אינם פובליקוס הגניוס כי )אם פובליקוס וגניוס פליסיטס פאוסטה , ויקטריקס . לפנה”ס 46 בשנת ברומא הקפיטול בגבעת מקדש ויקטריקס ונוס של לכבודה בנה קיסר יוליוס הדיקטטור גם . קיסר יוליוס של בתקופתו רבים רומאיים מטבעות על הוטבעה אף ויקטריקס ונוס של דמותה 135 בשנת הקולוסיאום ליד מקדש לכבודה בנה הדריאנוס הקיסר . שלו לפטרונית ונוס את הפך סולה הרומאי . היום עד ברומא עומדים זה מקדש שרידי . לפנה”ס Venus Victrix ("Venus the Victorious") was an aspect of the armed Aphrodite that Greeks had inherited from the East, where the goddess Ishtar "remained a goddess of war, and Venus could bring victory to a Sulla or a Caesar. " Pompey, Sulla's protege, vied with his patron and with Caesar for public recognition as her protege. In 55 BC he dedicated a temple to her at the top of his theater in the Campus Martius. She had a shrine on the Capitoline Hill, and festivals on August 12 and October 9. A sacrifice was annually dedicated to her on the latter date. In neo-classical art, her epithet as Victrix is often used in the sense of 'Venus Victorious over men's hearts' or in the context of the Judgement of Paris Venus Victrix by Canova. Cast in Pushkin museum VENUS VICTRIX, Venus holding helmet and scepter, shield at feet

: מקורות http: //www. theoi. com/Aphrodite http: //en. wikipedia. org/Venus http: //commons. wikimedia. org/Aphrodite http: //www. artcyclopedia. com/Venus http: //www. hellenicaworld. com/Aphrodite http: //www. mlahanas. de//Aphrodite ברקע Cziffra plays Liszt 2 ballade part 2 Aphrodite accroupie & Eros , 2 nd century AD Roman copy of Greek statue after Doedalsas of Bithynia ca 250 BC State Hermitage Museum, St Petersburg פלר אסף : עריכה

, לך שלום שלי המצגות באתר לבקר אותך מזמין אני נוספות ממצגות ולהנות פלר אסף , להתראות http: //assaffeller. com "Aphrodite of Rhodes“ , C 1 st AD Remodelling of the Aphrodite Doidalsos type C 3 rd BC , Archaeological Museum of Rhodes