intro to design Design Principles intro to design
- Slides: 30
intro to design Design Principles
intro to design Review - Design Elements Design elements are the basic atoms or building blocks of any design. Q: What were the six basic elements discussed last week? • Point • Line • Shape • Color • Value • Texture • Type* design principles
intro to design Design Principles While design elements consist of the nouns (form generators) and adjectives (form attributes) of design, design principles are the adverbs of design. That is, design principles dictate HOW the form generators are arranged in a composition. Design principles allow us to create composition in unlimited configurations because you can mix and match them to suit your needs. design principles
intro to design Design Principles Continued There are many design principles, but we will concentrate on the following for now: • Unity • Emphasis • Repetition • Hierarchy • Rhythm • Flow • Pattern • Position • Balance • Grouping • Variety design principles
intro to design Other Principles (not discussed) Some of the other principles we won’t be discussing in detail over the next two weeks, include: • Harmony & dissonance • Sequence • Size & scale • Proportion • Space, space division and structure • Contrast design principles
intro to design Emphasis design principles
intro to design Emphasis Defined The principle of emphasis is used to draw attention to the composition. Q: What is the implication of a composition that does not stand out from its surroundings? design principles
intro to design Emphasis design principles
intro to design Creating Emphasis In general, emphasis is created in a composition through the introduction of an anomaly. That is, something that causes the composition to stand out from its surroundings. Anomalies are created by: • Making an element or type larger than its surroundings • Make an element or type small and surround it with whitespace • A high intensity color applied to an element or type • A strong image • Contrasting an image with its surroundings or another image • The use of 3 d techniques such as drop shadows, embossing, debossing, vignettes and layering design principles
intro to design Hierarchy design principles
intro to design Hierarchy Defined Once you use emphasis to draw the audience in, you must establish a route for them to follow. These waypoints through the composition are called reads: first read, second read and third read. Hierarchy is also called dominance: dominant read, subdominant read and subordinate read. design principles
intro to design Hierarchy design principles
intro to design Creating Hierarchy Elements and type dominate each other in the same ways that the initial emphasis is created but in a diminishing manner. This diminishing dominance combined with flow devices (next section) create a visual path for the audience to follow. Q: What is the consequence of all element in the design sharing equal levels of emphasis? design principles
intro to design Flow design principles
intro to design Flow Defined The principle of flow is used to guide the audience between the reads of a composition. Q: Why do you think it is helpful to guide the audience through the compositions you create? design principles
intro to design Flow design principles
intro to design Creating Flow Typically, gradations in size account for the weakest and most often use of flow. Other techniques for creating flow include: • Lines, arrows between the reads • The natural direction of type (this types leads you to the right) • The movement of the eye along the justified edges of type and form • A value shift in a background image • The positioning of limbs, body posturing or the direction a human character is looking within an image. • The natural motion of the subject within an image. • The use of linear perspective • Visual gravity • A bridging element between space divisions design principles
intro to design Position design principles
intro to design Position Defined Position is where an element or type is placed in space. design principles
intro to design Position and Tone The tone of a composition is the prevailing feeling that the composition communicates (e. g. fun, serious, somber etc. ) It is difficult to categorize which positions contribute to which tones. Look for examples in the real world that can inspire your choice of position. For example, things that float or fly typically create feelings of freedom, aspiration and energy. Placing elements high in the composition CAN create a similar tone for your composition (but not always). design principles
intro to design Rule of Unequal Spacing As will be discussed next week, the proper application of the design principle of variety makes a composition more interesting for the viewer. One way to create variety is through the careful positioning of elements in a composition such that the distance from one edge of the composition to that element is not the same as the distance from the opposing edge. This rule (more of a guideline) gets more complex as you add more elements because the rule also applies to the distance between elements. design principles
intro to design Good Bad design principles
intro to design Good design principles
intro to design Better Bad design principles Preferred
intro to design Balance design principles
intro to design Balance Defined When you position elements or type in space you should pay careful attention to the horizontal visual balance of the composition. When you think of visual balance, think of a teeter-totter where the plank is perfectly parallel to the ground. If you have two kids of equal weight, equal distance from the center, this is called symmetrical or formal balance. Balance can also be achieved by having multiple smaller children offset the size of a larger child, or a single child offsetting a larger child by sitting further away from the center (called asymmetrical or informal balance). Proper application of the principle of design principlesbalance will make your audience feel
intro to design Symmetrical Balance design principles
intro to design Asymmetrical Balance Asymmetrical, or informal balance is usually much more interesting than symmetrical balance. In asymmetrical balance the imaginary central pivot point is still presumed to be present; however, instead of mirror images on each side of the picture area, the subject elements are notably different in size, shape, weight, tone, and placement. Balance is established by equalizing the element forces in spite of their differences. design principles
intro to design Asymmetrical Balance design principles
intro to design The End design principles
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