Martin Puryear C F A O 2006 2007

Martin Puryear. C. F. A. O. 2006– 2007. Painted and unpainted pine and found wheelbarrow. 8'5" × 6'5 -1/2" × 61". The Museum of Modern Art, New York. Courtesy of the Mc. Kee Gallery. Photo Richard Goodbody. [Fig. 12 -1]

Martin Puryear. C. F. A. O. 2006– 2007. Painted and unpainted pine and found wheelbarrow. 8'5" × 6'5 -1/2" × 61". The Museum of Modern Art, New York. Courtesy of the Mc. Kee Gallery. Photo Richard Goodbody. [Fig. 12 -1 a]

Martin Puryear. C. F. A. O. 2006– 2007. Painted and unpainted pine and found wheelbarrow. 8'5" × 6'5 -1/2" × 61". The Museum of Modern Art, New York. Courtesy of the Mc. Kee Gallery. Photo Richard Goodbody. [Fig. 12 -1 b]

Apollo. c. 415 BCE. Greek silver coin. Diameter 1 -1/8". Hirmer Fotoarchiv. [Fig. 12 -2]

Army on the March. 1100– 1150. Sandstone. Relief from Angkor Wat, The Great Temple of the Khmers, Cambodia. Time & Life Pictures/Getty Images. [Fig. 12 -3]

Robert Longo. Corporate Wars: Wall of Influence, middle portion. 1982. Cast aluminum. 7'× 9'. Courtesy of the artist and Metro Pictures. [Fig. 12 -4]

Ballplayer with Three-Part Yoke and Bird Headdress. Maya Classic period, 600– 800. Ceramic with traces of blue pigment. 13 -15/32" × 7". Princeton University Art Museum purchase, Fowler Mc. Cormick, Class of 1921, Fund, in honor of Gillett G. Griffin on his 70 th birthday. 1998– 36. Photo by Bruce M. White. Photograph: Princeton University Art Museum/Art Resource NY/Scala, Florence. [Fig. 12 -5]

Viola Frey. Stubborn Woman, Orange Hands. 2004. Ceramic. 72" × 80" × 72". Courtesy of Nancy Hoffman Gallery Art © Artists'Legacy Foundation/Licensed by VAGA, New York, NY. [Fig. 12 -6]

Ken Price. Vink. 2009. Acrylic on fired ceramic. 9" × 20" × 11". L. A. Louver, Venice, CA. [Fig. 12 -7]

The Casting Process. [Fig. 12 -8]

Charles Ray. Father Figure. 2007. Painted steel. 93 -3⁄4" × 137" × 71 -3⁄4". © Charles Ray, Courtesy Matthew Marks Gallery, New York. [Fig. 12 -9]

Kaz Oshiro. Tailgate (OTA). 2006. Acrylic and Bondo on canvas. 53" × 17 -7⁄8" × 13⁄4". Bottom edge 12" from wall. Collection of Barry Sloane, los Angeles. [Fig. 12 -10]

Rachel Whiteread. Untitled (Hive) I. 2007– 2008. Resin (two parts). 32 -1⁄8" × 20 -15⁄16" × 25 -3⁄16". © Rachel Whiteread. Courtesy Gagosian Gallery. [Fig. 12 -11]

Michelangelo Buonarroti. Awakening Slave. 1530– 1534. Marble. Height 9'. Galleria dell'Accademia. akg-image/Rabatti - Domingie. [Fig. 12 -12]

Disk (bi). China, Western Han dynasty, c. 100– 220 CE. Jade (nephrite). Diameter 7". Freer Gallery of Art, Smithsonian Institution, Washington. D. C. : Gift of Charles Lang Freer, F 1916. 155. [Fig. 12 -13]

Elizabeth Catlett. Mother and Child × 2. 1971. Walnut. Height 38". Photograph by Samella Lewis. © Catlett Mora Family Trust/licensed by VAGA, New York, NY. [Fig. 12 -14]

Martin Puryear. Hominid. 2007– 2011. Pine. 73" × 77 -1⁄2" × 57". Currently located at Martin Puryear's studio. Courtesy of the Mc. Kee Gallery. Photo: Christian Erroi. [Fig. 12 -15]

Julio González. Maternity. 1934. Steel and stone. Height 49 -7⁄8". © Tate, London 2013 © 2013 Artists Rights Society (ARS), New York. [Fig. 12 -16]

Deborah Butterfield. Conure. 2007. Found steel, welded. 92 -1⁄2" × 119" × 30". Courtesy L. A. Louver, Venice, CA. © Deborah Butterfield/Licensed by VAGA, New York, NY. [Fig. 12 -17]

Pablo Picasso. Bull's Head. 1943. Bronze. Seat and handles of a bicycle. Height 16 -1⁄8". Paris, Musée Picasso. RMN-Grand Palais/Photo by Bernice Hatala © 2013 Estate of Pablo Picasso/Artists Rights Society (ARS), New York. [Fig. 12 -18]

Marc André Robinson. Throne for the Greatest Rapper of All Time. 2005. Wood. 76" × 69" × 48". Private Collection. [Fig. 12 -19]

Jesús Rafael Soto. Escritura Hurtado (Hurtado Writing). 1975. Paint, wire, nylon cord, and wood. 40" × 68" × 18". Reprinted with permission from the General Secretariat of the OAS AMA. Art Museum of the Americas Collection. © 2013 Artists Rights Society (ARS), New York/ADAGP, Paris. [Fig. 12 -20]

Cai Guo-Qiang. Inopportune: Stage One. 2004. Nine cars and sequenced multichannel light tubes. Dimensions variable. Collection of Seattle Art Museum, Gift of Robert M. Arnold, in honor of the 75 th Anniversary of the Seattle Art Museum, 2006. [Fig. 12 -21]

Lara Schnitger. Grim Boy. 2005. Wood, fabric, and mixed media. 71" × 59" × 20". Anton Kern Gallery, New York. [Fig. 12 -22]

Matthew Monahan. The Seller and the Sold. 2006. Drywall, glass, wax, foam, and pigment. 67" × 25". Courtesy of Stuart Shave/Modern Art, London and Anton Kern Gallery, New York. [Fig. 12 -23]

Amalia Pica. Eavesdropping. 2011. Drinking glasses and glue. 78" × 240" × 8". Courtesy of Mark Foxx Gallery. [Fig. 12 -24]

Richard Serra. Tilted Arc. 1981. Steel. Height 12', length 120'. AP Photo/Mario Cabrera. [Fig. 12 -25]

Olafur Eliasson. The Weather Project (The Unilever Series). 2003. Monofrequency lights, projection foil, haze machines, mirror foil, aluminum, and scaffolding. 87'7 -3⁄16" × 73'2" × 509'10 -7⁄64". Installation in Turbine Hall, Tate Modern, London. Photo: Jens Ziehe. Courtesy the artist; Neugerriemschneider, Berlin, and Tanya Bonakdar Gallery, New York © Olafur Eliasson 2003. [Fig. 12 -26]