Case Study I Dura Europos The Pompeii of

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Case Study I: Dura Europos (“The Pompeii of the East”)

Case Study I: Dura Europos (“The Pompeii of the East”)

Coin of Queen Boran (Daughter of Khosrow II), r. 629 -630 CE Hatshepsut, Metropolitan

Coin of Queen Boran (Daughter of Khosrow II), r. 629 -630 CE Hatshepsut, Metropolitan Museum of Art, c. 1503 -1482 BCE Coin of Queen Azarmidhkt, (Daughter of Khosrow II), r. 630 -631 CE

Coin of Constantine, c. 313 CE Coin of Heraclius, c. 628 CE

Coin of Constantine, c. 313 CE Coin of Heraclius, c. 628 CE

San Vitale, Ravenna, 6 th c. CE Hosios Loukas, Greece, 11 th c. CE

San Vitale, Ravenna, 6 th c. CE Hosios Loukas, Greece, 11 th c. CE Ardashir’s palace, Firuzabad, 3 rd c. CE

Hagia Sophia, Istanbul (Constantinople), 6 th c. CE Pendentive

Hagia Sophia, Istanbul (Constantinople), 6 th c. CE Pendentive

Why Dura Europos? • A diachronic slice (Seleucid, Parthian, Roman, Sasanian) • Non-imperial city—art

Why Dura Europos? • A diachronic slice (Seleucid, Parthian, Roman, Sasanian) • Non-imperial city—art IN the empire vs. art OF the empire (Colburn) • Uncommon glimpse into lives of regular individuals – Mingling of religions: Christian, Jewish, Pagan – At least 9 different languages attested (including Middle Persian, Aramaic, Greek, Palmyrene, Latin) – Difficulties of reconstructing ancient identity

The Problem of Defining ‘Parthian Art’: Parthian Art OF Empire/Art IN Empire

The Problem of Defining ‘Parthian Art’: Parthian Art OF Empire/Art IN Empire

City’s Chronology • Seleucid city: founded by Seleucus Nicator c. 300 BCE (named Europos)

City’s Chronology • Seleucid city: founded by Seleucus Nicator c. 300 BCE (named Europos) • 2 nd c. BCE Parthians capture the city (made into fortress—Dura=“the fortress”) • mid 2 nd c. CE captured by Romans—frontier town: most preserved remains from this last phase of occupation • Destroyed by Sasanian siege in 256 CE— evidence for chemical warfare near Tower 19: Sasanians attempting to breach wall

Wall Paintings preserved by ramparts

Wall Paintings preserved by ramparts

The Gad (Fortune) of Dura, Temple of the Gad, c. 159 CE, Palmyrene limestone

The Gad (Fortune) of Dura, Temple of the Gad, c. 159 CE, Palmyrene limestone Palmyrene text below (center) reads: "The Gad of Dura; made by Hairan bar Mliku bar Nasor, in the month Nisan, the year 470 (AD 159)". Below (right): "Selecus Nicator"

Second commandment: “Thou shalt not make unto thee any graven image, or any likeness

Second commandment: “Thou shalt not make unto thee any graven image, or any likeness [of any thing] that [is] in heaven above, or that [is] in the earth beneath, or that [is] in the water under the earth…”

This house was built in the year 556 (in the Seleucid Era), this corresponding

This house was built in the year 556 (in the Seleucid Era), this corresponding to the second year of Philip Julius Caesar (AD 244/245); in the eldership of the priest Samuel son of Yeda'ya, the Archon. Now those who stood in charge of this work were: Abram the Treasurer, and Samuel son of Sapharah, and. . . the proselyte. With a willing spirit they (began to build) in the fify-sixth year; and they sent. . . and they made hast. . and they labored in. . a blessing from the elders and from all the children of. . . they labored and toiled. . Peace to them, and to their wives and children all.

Exodus and Crossing the Red Sea Elijah revives the widow’s child Middle Persian Graffito:

Exodus and Crossing the Red Sea Elijah revives the widow’s child Middle Persian Graffito: “When Hormizd the scribe came and he looked at the pictures…living…the dead…”

Earliest/best preserved domus ecclesiae (House of the Church)

Earliest/best preserved domus ecclesiae (House of the Church)

Drawings after the paintings on the north wall of the baptistery: New Testament scenes

Drawings after the paintings on the north wall of the baptistery: New Testament scenes

Temple of the Palmyrene Gods/Temple of Bel

Temple of the Palmyrene Gods/Temple of Bel

Fresco of Julius Terentius performing sacrifice abecedaria

Fresco of Julius Terentius performing sacrifice abecedaria