STYLISTIC OVERVIEW Form Precolonial Spanish/ Islamic colonial American Modern colonial Painting Religious/ devotional Secular Religious(ani Formal Classical, mist or Naturalistic idilytic, islamic) (homegrow nostalgic Community- n, based inter- miniaturism ethic o guild) relations. Academic Colletive History. (figur e F and G) Sculptur e Postmode rn/contem porary Incipient triumvirate 13 moderns, abstract, neorealist, surreal, expressionist Collaborati ve, hyperrealist, new painting. Abstract Espressinis m Junk/scrap, duchampia n, arte
arte covera, neoindigeniou s, site specific Perfomanc e art, hybrid. Architectur e Worshiprelated and resedentail Earthquake baroque Hispanic revivalis (neogothic , noeromanesqu e, Islamic) Neoclassic, art deco (Juan Arellano, Juan Nakpil, Pablo Antonio) Art Nouveau, Clifornia Mission Style Internation al Industrializi ng, electic Filipino Architectur e urban planning, economic zone, neovernac ular, prehab, regionist, cosmoppoli tan
Form CUTURAL OVERVIEW Indigenous Southeast Asian (figure H) Islamic or Folk or Philippine lowland Muslim Painting Sculpture Architectur e Ritual and governance (figure I and J) Coloniial and post colonial (figure K and L) Fine or World based Popular or urban mass based Museumcirculated, artist centered gallerydistributed Mass produced, market oriented.