Francesco Trevisani pintor italiano nasceu em Capodistria em

Francesco Trevisani, pintor italiano, nasceu em Capodistria, em 9 de abril de 1656. Foi aluno de Antonio Zanchi em Veneza, mas passou a viver em Roma em 1678, onde sua carreira se desenvolveu. O seu mentor era o cardeal veneziano Pietro Ottoboni, sobrinho do Papa Alexandre VIII, um dos mais prestigiados mecenas da época. Autoritratto Em Roma Trevisani tornou-se um dos mais importantes artistas que sofreram influência de Carlo Maratta, como é evidente nos afrescos da “Capela de Santa Chiara” em “San Silvestro in Capite”, e nas três pinturas com a “História da Paixão de Cristo” na “Capela da Crucificação” da mesma igreja; nos estudos para os mosaicos da capela batismal da “Basílica de São Pedro”; com o profeta Baruch para a “Basílica de São João de Latrão ”; na pala com a “Morte de S. José” na “Capela Sacripante” em Santo Inácio; no “Êxtase de S. Francisco” na igreja dos “Santíssimos Estigmas” e no “Festim de Cleópatra” da “Galeria Spada”. Ele é também o autor da grande tela do altar-mor da “Basílica de Mafra”, em Portugal.

Trevisani tornou-se membro da “Accademia dell’Arcadia ” de Roma, em 1712. Característico da sua pintura é o sentimentalismo lânguido, com o pathos seiscentista que se esfuma em elegia. Sua obra está representada nos museus na França: Aix, Chambéry, Nantes, Toulouse e nas igrejas de Avignon, Besançon e Carpentras. Morreu em Roma em 30 de julho de 1746. St. Joseph’s Dream, c. 1690

St. Francis in Penitence, c. 1695 -1700 Philippe de Vendôme, 1700 Museum of the Order of St. John, England

The Madonna and Child, 1700 National Trust, England Portrait of Cardinal Pietro Ottoboni, 1700 Bowes Museum, England

Maria Magdalena

Magdalena Penitente, 1700 Museo del Prado, Spain The Agony in the Garden The Fitzwilliam Museum, England

The Banquet of Mark Antony and Cleopatra, 1702 - Uffitzi and Pitti Museum The Penitent Magdalen

Il Miracolo di Bolsena, 1704 Dead Christ Supported by Angels, 1705 Musée du Louvre, France

The Raising of Lazarus - Private Collection

Le Sommeil de l’Enfant Jésus, 1706 Musée du Louvre, France Madonna and Child with Infant St. John the Baptist and St. Joseph National Museum of Fine Arts, Valletta, Malta

Peter Baptizing the Centurion Cornelius, 1709 Pinacoteca Civica di Jesi, Ancona, Italy George Keith, 1710 -12 The University of Aberdeen

Portrait of Maria Clementina Sobieska, 1719 Scottish National Gallery, Scotland Prince James Francis Edward Stuart, 1720 National Galleries of Scotland

Pietà

Apelles Painting Campaspe , 1720 The Norton Simon Foundation, USA Saint Mary Magdalene of Egypt, 1720 North Lincolnshire Museum Service

Christ Supported by Angels, 1720 Bristol Museum and Art Gallery, England Apollo and Daphne Hermitage Museum, Russian

The Pietà The Baptism of Christ, 1723 Leeds Museums and Galleries, England

Diane et Endymion

Maddalena The Virgin and Child

Die Heilige Maria Ägyptiaca San Giovanni

A Young Woman Playing the Lute Private Collection Madonna and Sewing with Child Uffitzi and Pitti Museum, Italy

La Famille de Darius aux Pieds d’Alexandre le Grand - Musée du Louvre, France

Sir Edward Gascoigne, 1725 Leeds Museums and Galleries, England John Hay of Cromlix, Earl of Inverness, 1725

L’Enfant Jésus Désignant à la Vierge les Fleurs de la Passion Mater Dolorosa Glasgow Museums, Scotland

Biography: Francesco Trevisani was an Italian painter, born in Koper, on April 9, 1656. He was a pupil to Antonio Zanchi in Venice, but moved to Rome in 1678, where his career developed. His mentor was the Venetian Cardinal Pietro Ottoboni, nephew of Pope Alexandre VIII, one of the most distinguished patrons of the time. In Rome, Trevisani became one of the most important artists who worked under the influence of Carlo Maratta, as is evident in the frescoes at the "”Chapel of Santa Chiara” in “San Silvestro in Capite”, and in the three pictures with the “History of the Passion of the Christ"” in the “Chapel of Crucification”, in the same church; in the studies for the mosaics of the baptismal chapel of the “Basilica of St. Peter”; with the prophet Baruch to the “Basilica of St. John Lateran”; on the pall with the “Death of St. Joseph” in the “Chapel Sacripante” in St. Ignatius; in the “Ecstazy of St. Francis” in the church of “The Most Holy Stigmata” and in the “Feast of Cleopatra” of the “Spada Gallery”. He is also the author of the great screen of the main altar in the “Basilica de Mafra”, Portugal. Christ Supported by Angels

Trevisani became a member of the “Accademia dell'Arcadia” in Rome, in 1712. Characteristic of his painting is the languid sentimentalism, with the pathos of the XVII century that fades away in elegy. His work is found in museums in France: Aix, Chambéry, Nantes, Toulouse and in the churches of Avignon, Besançon and Carpentras. He died in Rome on July 30, 1746. Mrs. John Hay, Countess of Inverness, 1725

The Agony in the Garden, 1740 - Glasgow Museums, Scotland

Créditos Música: Concerto in E minor Peter Rybar, 1 st mov Pietro Nardini, 1722 -1793 Pesquisa e Formatação: Julia Zappa juliazappa@uol. com. br Revisão e Tradução de Texto: Ida Aranha sabercultural@sabercultural. com http: //www. sabercultural. org Setembro 2013 Pietà

Latona and the Frogs Fontes: http: //pt. wikipedia. org/wiki/Francesco_Trevisani http: //www. larousse. fr/encyclopedie/peinture/Trevisani/154659 http: //www. istrianet. org/istria/illustri/trevisani/francesco/works/index. htm