Friendly Alert Instructions for the Music Description Project

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Friendly Alert Instructions for the “Music Description Project” are now posted on the course

Friendly Alert Instructions for the “Music Description Project” are now posted on the course web site DUE: TODAY, MONDAY, 2 March 2020

Friendly Alert #2 Test # 1: WEDNESDAY, 4 March 2020 (Two DAYS from today)

Friendly Alert #2 Test # 1: WEDNESDAY, 4 March 2020 (Two DAYS from today) During regular class time Covers chapters 1 – 8 (See Review Sheets for Details)

Friendly Alert # 3 Listening Quiz # 1 Friday, 6 March 2020 (five days

Friendly Alert # 3 Listening Quiz # 1 Friday, 6 March 2020 (five days from today) During Regular class Time May include any LG Item from Chapters 1 through 8

Chapter Eight “After the Ball” : Band Music, Gospel Hymns, and Popular songs after

Chapter Eight “After the Ball” : Band Music, Gospel Hymns, and Popular songs after the Civil War

Sheet Music • 1 st “mega-hit” • Charles K. Harris (1892) • J Aldrich

Sheet Music • 1 st “mega-hit” • Charles K. Harris (1892) • J Aldrich Libby sang in A Trip to Chinatown • Verse (tells the story) • Chorus (repeats exactly) • Examples (LG. 8. 3) - Charles K. Harris - After the Ball – You. Tube (c. 1920 s) - After The Ball - Morris & Bolcom - After The Ball - Gaskin (1893) (LG)

Tin Pan Alley Songs • “The Bowery” by Gaunt & Hoyt - A Trip

Tin Pan Alley Songs • “The Bowery” by Gaunt & Hoyt - A Trip to Chinatown (1891) • “Sweet Rosie O'Grady” by Maude Nugent - vaudeville performer (1896) • “On the Banks of the Wabash, Far Away” by Paul Dresser (1897) – 2 nd highest selling in 19 th C? • “A Bird in a Gilded Cage” by Lamb & Von Tilzer (1900) – 2 million copies sold (1900) • “My Gal Sal” by Paul Dresser (1905) - best known song; new attitude (toward relationships) and modern sound

TEST # 1 Materials END Here Nothing after this slide will be used on

TEST # 1 Materials END Here Nothing after this slide will be used on Test # 1 (4 March 2020)

Chapter Nine “To Stretch Our Ears” : Classical Music Comes of Age

Chapter Nine “To Stretch Our Ears” : Classical Music Comes of Age

Theodore Thomas (1835 -1905) • German Immigrant • Violinist in NYC • Theodore Thomas

Theodore Thomas (1835 -1905) • German Immigrant • Violinist in NYC • Theodore Thomas Orchestra - Summer concerts (1864) - touring in US • To Chicago Symphony (1891) - “I would go to hell if they gave me a permanent orchestra” • “…to make good music popular” - belief in the importance of the orchestra - civic pride (orchestra = cultural emblem) - financial support (beyond ticket sales)

Second New England School • • • Group of Boston – New York composers

Second New England School • • • Group of Boston – New York composers Post-Civil War era (1865 -1910+) Classical / Art Music European trained (eithere or here) Established modern US art music infrastructure “Second” NE School – came after the “First” group of NE Psalmody composers (Billings, et al. )

John Knowles Paine (1839 -1906) • • • Musical family (organists in Maine) Study

John Knowles Paine (1839 -1906) • • • Musical family (organists in Maine) Study in Europe (Berlin) Harvard – 1 st Professor of Music in US Board of New England Conservatory Widely influential – many colleagues George Whitfield Chadwick (1854 -1931) • • Self-taught and “special” NEC student Study in Leipzig and Munich Director of New England Cons. (1897 -1931) Influential teacher – H. Parker, W. G. Still, A. Whiting, F. Converse, F. Price, et al.

Arthur Foote (1853 -1937) • Trained entirely in US (NEC & Harvard) - earned

Arthur Foote (1853 -1937) • Trained entirely in US (NEC & Harvard) - earned 1 st M. A. in Music in US • Organist & founding member of AGO • Teacher & author of theory books • Chamber Music Horatio Parker (1863 -1919) • • • Student of Chadwick in Boston Study in Munich w/ Rheinberger Hora novissima, etc. , - makes his rep in 1890 s Theory Professor and Dean of So. M at Yale U Teacher of Charles Ives