FAU MACKENZIE Estudio de Teoria e Histria da

FAU MACKENZIE Estudio de Teoria e História da Arquitetura III 1. o semestre 2020 Tópicos em Arquitetura Contemporânea – Arquitetura Radical 1960/1970 Ant Farm, 1975 - “Media Burn” https: //www. youtube. com/watch? v=U 53 -Sfnqwss

POP ART EUA Richard Hamilton, 1956 - “O que exatamente torna os lares de hoje tão diferentes, tão atraentes? ” Andy Warhol, 1962 - “Díptico de Marilyn” Superstudio https: //www. youtube. com/watch? v=vd 4 Sj. QB 2 Te. M

Ant Farm, 1968 -1978 Doug Michels e Chip Lord “Reducing structures to pure media environments” Pillow, Texas, 1970 - 71 “Art Politics”: “prática estética pós -industrial” envolvendo política e sistemas ambientais Ant Farm, 1975 - “Media Burn” https: //www. youtube. com/watch? v=U 53 -Sfnqwss

Metabolismo Japonês 1960

Metabolismo Japonês 1960 Cidade do Ar, Arata Isozaki, 1960 Cidade Marinha, Kiyonori Kikutake, 1960

MOVIMENTO RADICAL DE FLORENÇA SUPERSTUDIO – Continuous Monument, arquitetura sem cidade, 1969

MOVIMENTO RADICAL DE FLORENÇA ARCHIZOOM – No-Stop City, cidade sem arquitetura, 1969

KOOLHAAS, “EXODUS, ou Os Prisioneiros Voluntários da Arquitetura”, 1972

CONSTANT, Holanda New Babylon, 1959 - 74

ARCHIGRAM Inglaterra Plug –in City, 1962 -64 Walking City, 1964 Instant City, 1969 -70

Cedric Price, Joan Littlewood, Fun Palace, 1964 Fun Palace project the late British architect Cedric Price created a unique synthesis of a wide range of contemporary discourses and theories, such as the emerging sciences of cybernetics, information technology, and game theory, Situationism, and theater to produce a new kind of improvisational architecture to negotiate the constantly shifting cultural landscape of the postwar years. The Fun Palace was not a building in any conventional sense, but was instead a socially interactive machine, highly adaptable to the shifting cultural and social conditions of its time and place. Using cranes and prefabricated modules in an improvisational architecture, common citizens could escape from everyday routine and serial existence and embark on a journey of learning, creativity, and individual fulfillment.

Renzo Piano / Richard Rogers, Pompidou Centre, 1977

Kisho Kurokawa, Nakagin Capsule Tower, Tokyo, 1972

Moshe Safdie, Habitat 67, Montreal, 1967