American Southern Literature Southern Literature 101 Southern literature

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American Southern Literature

American Southern Literature

Southern Literature 101 “ ‘Southern literature’ announces the conjunction of the U. S. South

Southern Literature 101 “ ‘Southern literature’ announces the conjunction of the U. S. South and an expressive art—texts identified as belonging to a particular history, social organization, and cultural imaginary” (5).

Much of what is known as southern literature was written between 1830 s and

Much of what is known as southern literature was written between 1830 s and 1960 s. During this period in history, the South and North portions of the United States were beginning to show signs of disunity. Southerners wanted to separate themselves from the Northerners, thus they chose to write entirely different works. v “…and writers and readers of the South correspondingly defined themselves against the place (the North) or the ideology (Anti-Slavery, Industrial Capitalism) that they saw themselves as different from” (5). v

Purpose One of the integral aspects of southern culture and tradition, is of it’s

Purpose One of the integral aspects of southern culture and tradition, is of it’s colorful literature and storytelling. Common themes of southern writers include: significant familial relationships, great diction, and realistic characters. Writers in the south also had a sense of background a unique way of life worth writing about.

Influences in Southern Writing Slavery n Civil War n Segregation n Revolution in culture

Influences in Southern Writing Slavery n Civil War n Segregation n Revolution in culture n Poverty n Military/ War n

Elements of Southern Writing Style Dialect Writing n Not used often in other writings

Elements of Southern Writing Style Dialect Writing n Not used often in other writings because it is viewed as condescending to the race or ethnicity being portrayed. n Popular in Southern writing and incorporates local speech and patterns i. e. ain’t, y’all etc. and misspelling of words to display meaning i. e. yuh (you) and lak (like)

Dialect Writing Cont. Examples of books with dialect writing: n Tom Sawyer n To

Dialect Writing Cont. Examples of books with dialect writing: n Tom Sawyer n To Kill a Mockingbird n Their Eyes Were Watching God n Huck Finn n The Color Purple

Examples of Dialect Writing Excerpts from Their Eyes Were Watching God by Zora Neale

Examples of Dialect Writing Excerpts from Their Eyes Were Watching God by Zora Neale Hurston "At dat she ain't so ole as some of y'all dat's talking. " "She ain't even worth talkin' after, " Lulu Moss drawled through her nose. "She sits high, but she looks low. Dat's what Ah say 'bout dese ole women runnin' after young boys. " n

Common Themes Chivalry n This theme reflected southern culture where women were treated with

Common Themes Chivalry n This theme reflected southern culture where women were treated with respect and were delicate flowers to be doted upon. (ideally) n Some of the best American romance novels are written by Southern authors because of this utopian romanticism. i. e. Gone With The Wind

Themes Continued Values and Morals n Many values and morals in southern literature a

Themes Continued Values and Morals n Many values and morals in southern literature a result of a strong Christian influence especially of the rigid Baptist church. n Family values are also very prominent. Usually this theme is presented from a traditional standpoint.

A Writing Culture “the South, perhaps more than any other region, we go back

A Writing Culture “the South, perhaps more than any other region, we go back to our home in dreams and memories, hoping it remains what it was on a lazy, still summer's day twenty years ago” (1) - Willie Morris

Southern Gothic Writing “Southern gothic, a genre of the American South, retreats from the

Southern Gothic Writing “Southern gothic, a genre of the American South, retreats from the dark castles and clanking chains of 19 th-century European literature to embrace the moody romance, mystery, terror, and grotesqueries”(4). n Examples: William Faulkner’s “A Rose For Mary”, and novels by Eudora Welty. n

Background n Sub genre of the Gothic Genre n Popular in Europe in the

Background n Sub genre of the Gothic Genre n Popular in Europe in the 1800’s n Frankenstein by Mary Shelley n Dracula by Bram Stoker n Unique n n to American literature Relies on the supernatural, ironic or unusual events to guide the plot. Uses these to explore social issues and to reveal the cultural character of the American South

Background Takes classic Gothic archetypes, such as the monster or the heroic knight, and

Background Takes classic Gothic archetypes, such as the monster or the heroic knight, and turns them into American Southerners. Example: Spiteful reclusive spinster; an uneducated drunk, a quiet, wise lawyer. n Most notable is the “grotesque” n A character whose negative qualities allow the author to highlight unpleasant aspects of southern culture. n Something in the town, the house, the farm is n

Defining Feature n Cast off-killer characters n Broken bodies or souls—used symbolize problems created

Defining Feature n Cast off-killer characters n Broken bodies or souls—used symbolize problems created by the established pattern. Also used to question established pattern’s morality and ethical justification. n The “innocent” is a common character, who may or may not be “broken, ” but often acts as a redeemer for others.

Other Features of the Southern Gothic Freakishness n Outsider n Imprisonment n Violence n

Other Features of the Southern Gothic Freakishness n Outsider n Imprisonment n Violence n Sense of Place n

Freakishness In most Southern gothic stories , there is an important character who is

Freakishness In most Southern gothic stories , there is an important character who is set apart from the world but in a negative by. n This character might have a disability or an odd or often negative way of seeing the world. n

Outsider n Southern novels are filled with characters who are set apart from the

Outsider n Southern novels are filled with characters who are set apart from the established cultural pattern, but who end up being heroes because their differences allow them to see new ways of doing things that ultimately help to bring people out of the ‘dark’

Imprisonment n This is often both literal and figurative Many Southern gothic tales include

Imprisonment n This is often both literal and figurative Many Southern gothic tales include and incident where a character is sent to jail or locked up n There also Southern gothic characters that live in ‘fates’ prison. n

Violence n Racial, social, and class difference often create underlying tension in Southern gothic

Violence n Racial, social, and class difference often create underlying tension in Southern gothic novels that threatens, and usually does, erupt in violent ways.

Sense of Place n You cannot read a Southern gothic novel without understanding what

Sense of Place n You cannot read a Southern gothic novel without understanding what a Southern town ‘feels’ like: Old, small towns n Houses have front porches with rocking chairs n Old downtown with stately but worn-down buildings. n

Great Southern Novels To Kill a Mockingbird by Harper Lee n Invisible Man by

Great Southern Novels To Kill a Mockingbird by Harper Lee n Invisible Man by Ralph Ellison n The Color Purple by Alice Walker n Gone With The Wind by Margaret Mitchell n In Cold Blood by Truman Capote n The Mind of The South by Wilbur Cash n

Great Southern Writers There are numerous famous southern authors. Each person had different life

Great Southern Writers There are numerous famous southern authors. Each person had different life experiences, thus they wrote and included varying themes in their books. Themes vary from reader to reader but prominent ones in southern works include: injustice, prejudice, standing up for your beliefs and many more.

Margaret Mitchell Margaret grew up hearing stories of war and wishing she was a

Margaret Mitchell Margaret grew up hearing stories of war and wishing she was a boy so she could fight. As a young adult, Margaret Mitchell’s mother passed away while she was attending college. She went back home to be with her family, but had great difficulty getting along with her father due to her independent nature. Displayed in Gone With The Wind (Scarlett)

William Faulkner Many say William’s short stories resembled his life. They included struggles with

William Faulkner Many say William’s short stories resembled his life. They included struggles with rage, alcoholism, and adultery. Each of these hardships were sadly common in Southern America during the 1920 s through 1950 s and even today. His works were famous in the South and encouraged many more southern

Flannery O’Connor Religion was a key factor in her life and thus reflected in

Flannery O’Connor Religion was a key factor in her life and thus reflected in her writing. She devout Roman Catholic but many of the characters in her books were Protestant. “It was her observation that Protestants expressed their faith through dramatic action, something she did not see in Catholics” (7).

Impact of Southern Writing on The Literary World With the arousal of southern literature

Impact of Southern Writing on The Literary World With the arousal of southern literature came a new more authentic style of writing. They went against the grain by using small town issues and “average joe” dialect that made “their” South come to life. Many novels also aided in awareness on issues like racism and poverty. With the unassuming grace of the great south these authors have enlightened us on a culture filled with romanticism and lamentable family values.

Bibliography 1. 2. 3. 4. 5. 6. 7. 8. 9. http: //www. clarke. public.

Bibliography 1. 2. 3. 4. 5. 6. 7. 8. 9. http: //www. clarke. public. lib. ga. us/pathfinders/southernauthors/swriters. ht ml http: //www. fofweb. com/Lit/default. asp? Item. ID=WE 54 http: //www. southernlitreview. com/authors/margaret_mitchell. htm http: //www. ageefilms. org/southern_books. html http: //www. southernspaces. org/contents/2004/mackethan/5 a. v 2. htm http: //www. wisegeek. com http: //southernlitreview. com/authors/flannery_oconnor. htm http: //www. storysouth. com/poetry_features/2006/01/women_intro. html http: //www. harpercollins. com/books/9780060838676/Their_Eyes_Were_ Watching_God/excerpt. aspx