Introduction to Shakespeares Othello Then must you speak

Introduction to Shakespeare’s Othello Then must you speak Of one that loved not wisely, but too well…

William Shakespeare o Born in April 1564 in Stratfordon-Avon. He died in 1616. o Received a classical education including Latin, Greek, history, math, astronomy, and music o Most likely began as an actor o Wrote 38 plays, including comedies, histories, tragedies, and romances

Verse vs. Prose Verse: Poetic language that includes meter and sometimes rhyme; organized in lines with a consistent number of syllables Prose: Ordinary written language with no meter or rhyme; organized in sentences

Prose “Sir, he’s rash and very sudden in choler, and haply may strike at you. Provoke him that he may, for even out of that will I cause these of Cyprus to mutiny, whose qualification shall come into no true taste again but by the displanting of Cassio” (2. 1. 294 -298). Verse “Most potent, grave, and reverend signoirs, My very noble and approved good masters: That I have ta’en away this old man’s daughter, It is most true; true I have married her” (1. 3. 91 -94).

Verse vs. Prose: Usage o o Poetic style of verse used for high status characters, great affairs of war and state, and tragic moments. Prose used for low status characters (servants, clowns, drunks, villains), proclamations, written challenges, accusations, letters, comedic moments, and to express madness.

Verse vs. Prose o In Othello, pay careful attention to the situations in which Iago switches between speaking in verse and speaking in prose.

Meter o Meter: the pattern of stressed and unstressed syllables. o Meter is responsible for creating the rhythm of a line.

Meter and Foot o Foot: a group of syllables that forms one complete unit of a metrical pattern. o Meter is described in terms of the pattern of stressed and unstressed syllables AND the total number of metrical feet in a line of verse. o Iambic pentameter is the most common metrical pattern in Shakespeare.

Iambic Pentameter Iamb: unstressed syllable, stressed syllable ˘ / Pentameter: Lines of five iambic feet; 10 syllables Example: ˘ / ˘ /˘ / But soft, what light through yonder window breaks?

Blank Verse vs. Free Verse Blank Verse: Unrhymed iambic pentameter One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield. Free Verse: No regular meter One’s-Self I sing, a simple separate person, Yet utter the word Democratic, the word En- Masse.

Sonnet o 14 line poem, usually written in iambic pentameter o organized in three quatrains and a couplet o typical rhyme scheme abab cdcd efef gg o most pronounced break or turn comes with concluding couplet

Sonnet: Quatrain and Couplet Quatrain: four-line verse stanza, usually rhymed Couplet: a pair of rhyming verse lines

Aside, Monologue, and Soliloquy Aside: Monologue: Soliloquy: a character’s remark, either to the audience or another character, that other characters on stage are not supposed to hear an extended speech by a single character that is uninterrupted by others a speech a character gives when s/he is alone on stage

Foil A character whose personality or attitudes are in sharp contrast to those of another character in the same work

Allusion o Allusion: reference to an event, person, place, or another work of literature o Shakespeare’s work contains numerous allusions to Greek and Roman mythology.

Allusion: Janus o o Roman god of gates and doors, beginnings and endings Depicted with a double-faced head, each looking in opposite directions Worshipped at the beginning of the harvest time, planting, marriage, birth, and other types of beginnings Also represents the transition between primitive life and civilization, between the countryside and the city, peace and war, and the growing-up of young people

Tragedy o o A serious play representing the disastrous downfall of the hero Achieves a catharsis by arousing pity and terror in the audience Hero is led into fatal calamity by a tragic flaw, which often takes the form of hubris (excessive pride) Tragic effect depends upon audience’s awareness of the admirable qualities of the hero which are wasted in the disaster

Classical Tragic Hero o o The tragic hero is a good man, important to society The hero suffers a fall brought about by something in his nature The fall provokes the emotions of pity and fear in the reader The tragic character comes to some kind of understanding or new recognition of what has happened

Tragic Flaw Defect of character that leads to the hero’s disastrous downfall

Othello Terminology: Moor o o Muslim person of Arab and Berber descent from northwest Africa Moors invaded Spain and established a civilization lasting from the 8 th -- 15 th centuries Term Moor comes from the Greek work mauros meaning dark or very black In Renaissance drama, Moors often symbolized something other than human - and often, indeed, something devilish.

Al-Annuri from Morocco

Othello Terminology: Cuckold o o a man whose wife is unfaithful to him Represented with horns growing out of his forehead “That cuckold lives in bliss Who, certain of his fate, loves not his wronger; But O, what damned minutes tells he o’er Who dotes, yet doubts; suspects, yet strongly loves!” (3. 3. 197 -200) “I have a pain upon my forehead, here” (326).

Othello: A Tragedy o o Written in 1604 One of the major tragedies -- after Hamlet and before King Lear and Macbeth Fascination with evil Study the devastating effects of the deadly sins of the spirit: ambitious pride, ingratitude, wrath, jealousy and vengeful hate

Othello: Setting o Journey from Venice, Italy to Cyprus o Venice = order, rule of reason o Cyprus = disorder, rule of passion

Othello: Thematic Ideas o o o Nature of love and marriage Nature of jealousy Male mistrust of women Deception / Honesty Importance of reputation

Tips for Reading Shakespeare o o Pay attention to punctuation. Remember periods, colons, and semicolons mark the end of a thought. Reword inverted so that the subject comes first. Inverted: But no such roses see I in her cheeks Reworded: I see no such roses in her cheeks

Tips for Reading Shakespeare o o o Keep an eye out for metaphors (two dissimilar objects being compared) Strange words with apostrophes are just contractions Example: “ne’er” is just “never” Look up difficult words; use the glossary!

Sonnet: Example A B My mistress’ eyes are nothing like the sun Coral is far more red than her lips’ red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. C D I have seen roses damask’d, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. E F I love to hear her speak, yet well I know That music hath a much more pleasing sound; I grant I never saw a goddess go; My mistress, when she walks, treads on the ground. G G And yet, by heaven, I think my love as rare As any she belied with false compare.

The Dark Lady? Emilia Bassano

Othello Trailer https: //www. youtube. com/watch? v=WIIjya_5 Or o

Act I Vocabulary o 1. Abhor – v. to regard with disgust and hatred o 2. Civility – n. courtesy; politeness o 3. Delude – v. to impose a misleading belief upon someone; deceive; fool

Act I Vocabulary o o 4. Grievance – n. an official statement of a complaint over something believed to be wrong or unfair 5. Iniquity – n. evildoing; wickedness; denotes an offense against morality rather than a violation of law

Act I Vocabulary o 6. Insolent – adj. showing a rude and arrogant lack of respect o 7. Lascivious – adj. (of a person, manner, or gesture) feeling or revealing an overt and often offensive sexual desire

Act I Vocabulary o 8. Moor – n. a Muslim of the mixed Berber and Arab people inhabiting northwest Africa o 9. Promulgate – v. promote or make widely known (an idea or cause) o 10. Timorous – adj. full of fear; fearful

Act II Vocabulary 1. 2. 3. 4. Discern – v. to see, to recognize, or to notice Citadel – n. fortress set high above a city Discreet – adj. having or showing good judgment about what one says or does Eminent – adj. standing out so as to be easily noticed

Act II Vocabulary 5. Impediment – n. obstacle, bar, hindrance 6. Gnaw – v. to bite or chew persistently 7. Ensue – v. to take place after or as a result; to follow

Act II Vocabulary 8. Barbarous – adj. uncivilized, cruel 9. Censure – n. strong disapproval; an official expression of disapproval 10. Inordinate – adj. uncontrolled, excessive, exceeding reasonable limits

Act III Vocabulary 1. Procure – v. to get possession of, to obtain through care or effort 2. Affinity- n. familial relationship, kinship 3. Penitent – adj. feeling sorrow for having committed a wrongdoing

Act III Vocabulary o o 4. Ruminate – v. to go over and over in one’s mind 5. Inference – n. a conclusion based on some facts or evidence 6. Disposition – n. the orderly arrangement or settlement of a matter 7. Vehement – adj. powerful, strongly felt or expressed

Act III Vocabulary o o o 8. Tranquil – adj. free from disturbance; calm; quiet 9. Compulsive- adj. having to do something with irresistible force 10. Loathed – v. disliked intensely, often with disgust; hated

Act IV Vocabulary o o 1. Dotage – n. state of mental decline associated with advanced age 2. Credulous- adj. ready to believe, often on slight or uncertain evidence 3. Lethargy – n. the quality or state of being drowsy, lazy, or indifferent 4. Beguile – v. to deceive or to trick

Act IV Vocabulary o o 5. Importunes – v. begs or urges persistently 6. Breach – n. break, rupture, or gap 7. Requite – v. to make suitable return for; to repay 8. Impudent – adj. shamelessly bold; cocky

Act IV Vocabulary 9. Shroud – v. to screen, to veil, or to disguise o 10. Peevish – adj. whining; fretful; complaining o

Act V Vocabulary o o o 1. Restitution – n. an act of restoring or making good 2. Monumental – adj. serving or resembling a monument or a memorial 3. Quench – v. to put out

Act V Vocabulary o o 4. Portents – n. things that foreshadow a coming event 5. Pernicious – adj. very destructive; deadly 6. Amorous – adj. having to do with love 7. Viper – n. poisonous snake

Act V Vocabulary 8. Wrench – v. to twist violently or take forcibly o 9. Ensnared – v. trapped, caught o 10. Interim – n. time between; interval o