Antonin Artaud Antoine Marie Joseph Artaud 4 th

Antonin Artaud Antoine Marie Joseph Artaud 4 th September 1896 Marseille, France 4 March 1948 aged 51 due to Intestinal Cancer Paris, France French Studied at the Sacred Heart College Theatre Director, Poet, Actor, Artist, Essayist Theatre Cruelty With Oliver Folaranmi & Rhys Marks Youth Wave

Theatre of Cruelty • Antonin Artaud was a member of the surrealist movement in Paris during the 1920 s, and was well known as an essayist of avant-garde theatre. Much of the avant-garde theatre developed in France from 1914 -1939 can be seen as a revolt against tradition. • Deeply affected by the events of World War One, the artist movement felt increasing their disbelief of the existing societal structures that had allowed for global warfare. • Theatre of Cruelty is a method of theatre developed by Antonin Artaud, in ‘The Theatre and its Double. ’ Originally a member of the surrealist movement, Artaud eventually began to develop his own theatrical theories. • This style of theatre is largely movement-based, Theatre of Cruelty aimed to shock the senses of its audience, sometimes using violent and confronting images that appealed to the emotions. Text was given a reduced in Artaud’s theatre, as dance and gesture became just as powerful than the spoken word.

Theatre of Cruelty • In his writings on the Theatre of Cruelty, Artaud points to definitions of both “theatre” and “cruelty” that are separate from their colloquial meanings. • For Artaud, theatre does not merely refer to a staged performance before a passive audience. The theatre is a practice, which “wakes us up. Nerves and heart, ” and through which we experience, “immediate violent action. ” • Similarly, cruelty does not refer to an act of emotional or physical violence. According to scholar Nathan Gorelick, “Cruelty is, more profoundly, the unrelenting agitation of a life that has become unnecessary, lazy, or removed from a compelling force. Theatre of Cruelty gives expression to everything that is ‘crime, love, war, or madness’ in order to ‘unforgettably root within us the ideas of perpetual conflict,

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