William Shakespeare Widely regarded as the greatest writer

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William Shakespeare Widely regarded as the greatest writer in English Literature

William Shakespeare Widely regarded as the greatest writer in English Literature

Shakespeare ¡ 1563 -1616 ¡ Stratford-on-Avon, England ¡ wrote 37 plays ¡ about 154

Shakespeare ¡ 1563 -1616 ¡ Stratford-on-Avon, England ¡ wrote 37 plays ¡ about 154 sonnets ¡ started out as an actor

Stage Celebrity ¡ Actor for Lord Chamberlain’s Men (London theater co. ) ¡ Also

Stage Celebrity ¡ Actor for Lord Chamberlain’s Men (London theater co. ) ¡ Also > principal playwright for them ¡ 1599> Lord Ch. Co. built Globe Theater where most of Sh. plays were performed

Shakespeare wrote: ¡Comedies ¡Histories ¡Tragedies

Shakespeare wrote: ¡Comedies ¡Histories ¡Tragedies

The Theater ¡ Plays produced for the general public ¡ Roofless>open air ¡ No

The Theater ¡ Plays produced for the general public ¡ Roofless>open air ¡ No artificial lighting ¡ Courtyard surrounded by 3 levels of galleries

Spectators ¡ Wealthy got benches ¡ “Groundlings”>poorer people stood and watched from the courtyard

Spectators ¡ Wealthy got benches ¡ “Groundlings”>poorer people stood and watched from the courtyard (“pit”) ¡ All but wealthy were uneducated/illiterate ¡ Much more interaction than today

Staging Areas ¡ Stage>platform that extended into the pit ¡ Dressing & storage rooms

Staging Areas ¡ Stage>platform that extended into the pit ¡ Dressing & storage rooms in galleries behind & above stage ¡ second-level gallery> upper stage> famous balcony scene in R & J ¡ Trap door>ghosts ¡ “Heavens”> angelic beings

Differences ¡ No scenery ¡ Settings > references in dialogue ¡ Elaborate costumes ¡

Differences ¡ No scenery ¡ Settings > references in dialogue ¡ Elaborate costumes ¡ Plenty of props ¡ Fast-paced, colorful>2 hours!

Actors ¡ Only men and boys ¡ Young boys whose voices had not changed

Actors ¡ Only men and boys ¡ Young boys whose voices had not changed play women’s roles ¡ Would have been considered indecent for a woman to appear on stage

Romeo and Juliet ¡ Written about 1595 ¡ Considered a tragedy ¡ West Side

Romeo and Juliet ¡ Written about 1595 ¡ Considered a tragedy ¡ West Side Story (Movie) based on R&J

Elizabethan (QE 1) Words ¡ An, and: ¡ Anon: ¡ Aye: ¡ But: ¡

Elizabethan (QE 1) Words ¡ An, and: ¡ Anon: ¡ Aye: ¡ But: ¡ E’en: ¡ E’er: If Soon Yes Except for Even Ever

QE 1 Words (contin. ) ¡ Haply: Perhaps ¡ Happy: Fortunate ¡ Hence: Away,

QE 1 Words (contin. ) ¡ Haply: Perhaps ¡ Happy: Fortunate ¡ Hence: Away, from here ¡ Hie: Hurry ¡ Marry: Indeed

QE 1 Words (contin. ) ¡ Whence: ¡ Wilt: ¡ Withal: ¡ Would: Where

QE 1 Words (contin. ) ¡ Whence: ¡ Wilt: ¡ Withal: ¡ Would: Where from Will, will you In addition to Wish

Blank Verse ¡ Much of R & J is written in it: l unrhymed

Blank Verse ¡ Much of R & J is written in it: l unrhymed verse l iambic (unstressed, stressed) l pentameter( 5 “feet” to a line) ¡ ends up to be 10 syllable lines

Prose ¡ Ordinary writing that is not poetry, drama, or song l Only characters

Prose ¡ Ordinary writing that is not poetry, drama, or song l Only characters in the lower social classes speak this way in Shakespeare’s plays l Why do you suppose that is?

Plot ¡ The sequence of events in a literary work

Plot ¡ The sequence of events in a literary work

Exposition ¡ The plot usually begins with the exposition. It introduces ¡setting ¡characters ¡basic

Exposition ¡ The plot usually begins with the exposition. It introduces ¡setting ¡characters ¡basic situation

Inciting Moment ¡ Often called “initial incident” l the first bit of action that

Inciting Moment ¡ Often called “initial incident” l the first bit of action that occurs which begins the plot l Romeo and Juliet “lock eyes” at the party

Conflict ¡ The struggle that develops l man vs. man l man vs. himself

Conflict ¡ The struggle that develops l man vs. man l man vs. himself l man vs. society l man vs. nature

Crisis ¡ The point where the protagonist’s situation will either get better or worse

Crisis ¡ The point where the protagonist’s situation will either get better or worse ¡ This is the beginning of the “rising action” l protagonist>good guy l antagonist>bad guy

Climax ¡ The turning point of the story>everything begins to unravel from here l

Climax ¡ The turning point of the story>everything begins to unravel from here l This is the beginning of the “falling action”

Resolution ¡The end of the central conflict

Resolution ¡The end of the central conflict

Denouement ¡ The final explanation or outcome of the plot l If this is

Denouement ¡ The final explanation or outcome of the plot l If this is included in the plot, it will occur after the resolution.

Tragedy (Shakespearean) ¡ Drama where the central character/s suffer disaster/great misfortune l In many

Tragedy (Shakespearean) ¡ Drama where the central character/s suffer disaster/great misfortune l In many tragedies, downfall results from ¡Fate ¡Character flaw/Fatal flaw ¡Combination of the two

Theme ¡ Central idea or ¡ Insight about life which explains the downfall

Theme ¡ Central idea or ¡ Insight about life which explains the downfall

Metaphorical Language ¡ Comparison of unlike things > l Paris standing over the “lifeless

Metaphorical Language ¡ Comparison of unlike things > l Paris standing over the “lifeless body” of Juliet, “Sweet flower, with flowers thy bridal bed I strew…” l “Thou detestable maw…”Gorged with the dearest morsel of the earth…” Romeo

Dramatic Foil ¡ A dramatic foil is a character that contrasts with another character

Dramatic Foil ¡ A dramatic foil is a character that contrasts with another character to highlight various facets of the another character’s personality l usually this other character is the protagonist l A foil usually has some important characteristics in common with the other character, such as superficial traits or personal history. l Benvolio for Tybalt ¡ look for others in R & J

Round characters ¡ Characters who have many personality traits, like real people.

Round characters ¡ Characters who have many personality traits, like real people.

Flat Characters ¡ One-dimensional, embodying only a single trait l Shakespeare often uses them

Flat Characters ¡ One-dimensional, embodying only a single trait l Shakespeare often uses them to provide comic relief even in a tragedy

Static Characters ¡ Characters within a story who remain the same. They do not

Static Characters ¡ Characters within a story who remain the same. They do not change their minds, opinions or character.

Dynamic Character ¡ Characters that change somehow during the course of the plot. ¡

Dynamic Character ¡ Characters that change somehow during the course of the plot. ¡ They generally change for the better.

Monologue ¡ One person speaking on stage > may be other character on stage

Monologue ¡ One person speaking on stage > may be other character on stage too l ex > the Prince of Verona commanding the Capulets and Montagues to cease feuding

Soliloquy ¡ Long speech expressing the thoughts of a character alone on stage. ¡

Soliloquy ¡ Long speech expressing the thoughts of a character alone on stage. ¡ In R & J, Romeo gives a soliloquy after the servant has fled and Paris has died.

Aside ¡ Words spoken, usually in an undertone not intended to be heard by

Aside ¡ Words spoken, usually in an undertone not intended to be heard by all characters

Pun ¡ Shakespeare loved to use them!!! l Humorous use of a word with

Pun ¡ Shakespeare loved to use them!!! l Humorous use of a word with two meanings l Sometimes missed by the reader because of Elizabethan language and sexual innuendo

Direct Address ¡ Words that tell the reader who is being addressed: “A right

Direct Address ¡ Words that tell the reader who is being addressed: “A right fair mark, fair coz, is soonest hit. ” l “Ah, my mistresses, which of you all/ Will now deny to dance? ” l

Dramatic Irony ¡A contradiction between what a character thinks and what the reader/audience knows

Dramatic Irony ¡A contradiction between what a character thinks and what the reader/audience knows to be true

Verbal Irony ¡ Words used to suggest the opposite of what is meant

Verbal Irony ¡ Words used to suggest the opposite of what is meant

Situational Irony ¡ An event occurs that directly contradicts the expectations of the characters,

Situational Irony ¡ An event occurs that directly contradicts the expectations of the characters, the reader, or the audience

Comic Relief ¡ Use of comedy within literature that is NOT comedy to provide

Comic Relief ¡ Use of comedy within literature that is NOT comedy to provide “relief” from seriousness or sadness. ¡ In R & J, look for moments of comic relief that help “relieve” the tragedy of the situation