Visual Design Principles There are five principles that
- Slides: 31
Visual Design Principles There are five principles that encompass an interesting design. • Balance • Rhythm • Emphasis • Proportion and scale • Unity
Balance Parts of the design are equally distributed to create a sense of stability. There can be physical as well as visual balance. Types • Symmetrical or Formal Balance • Asymmetrical or Informal Balance • Radial Balance • Vertical Balance • Horizontal Balance
Balance Symmetrical or Formal Balance The elements within the design are identical in relation to a centerline or axis.
Balance Asymmetrical or Informal Balance Parts of the design are not identical but are equal in visual weight.
Balance Radial Balance Design Elements radiate outward from the center.
Balance Vertical Balance The top and bottom parts are equal.
Balance Horizontal Balance The left and right parts are equal.
Rhythm Repeated use of line, shape, color, texture or pattern. Types • Regular rhythm • Graduated rhythm • Random rhythm • Gradated rhythm
Rhythm Regular Rhythm A element is repeated at the same repetition each time.
Rhythm Graduated Rhythm The beats of the element become closer or further apart as they move.
Rhythm Random Rhythm The beats of the element are random or are at irregular intervals.
Rhythm Gradated Rhythm The repeated element is identical with the exception of one detail increasing or decreasing gradually with each repetition.
Emphasis • Points of attention in a design. • The feature in a design that attracts one’s eye. • The focal point. • Emphasis can be achieved through size, placement, color and use of lines. • The most personal aspect of a design.
Proportion and Scale • Comparative relationships between elements in a design with respect to size. • 3: 5 ratio is known as the Golden Mean. • Scale • The proportions or size of one part of the image in relationship to the other.
Unity • Unity is applying consistent use of lines, color, and texture within a design. • To be harmonious.
Unity
Readability/Typography • Style of type, font • Size of type, point • Font enhancements, – underline, shadow, word art • White space • Line length and justification • Color of the text and color of the text background • Page layout
Graphic Design • Audience Analysis – Who is the audience? – What are their demographics? – Where are they located? – How long do they have to read the message? – What is their anticipated level of interest? – Trends?
Demographics • • Age Sex Social status Religion Education level Economic level Interests
Location • Where are they in reference to the Message? – Distance • Where are they? – Describe Location
Time • How long do they have to read the message? • What is in competition with the message for reading time?
Interest • How interested is the audience in the subject of the message? • What do they like or dislike? • What interest can be exploited to get the audience to read the message?
Human factors • • Values Beliefs Attitudes Character Temperament Outlook Perspectives
Effective Graphic Design • Incorporates Message Analysis Message Content - concise but complete Size and Shape - how the message is to be delivered Readability – typography Needs the Audience - understands demographics Use of proven Design Principles and Elements
Visual Design Elements • Six integral components in the creation of a design: • Line • Space • Color • Texture • Form/Shape • Value
Line Types • Vertical- Represents dignity, formality, stability and strength. • Horizontal- Represents calm, peace and relaxation. • Diagonal- Represents action, activity, excitement and movement. • Curved- Represents freedom, the natural, having the appearance of softness and creates a soothing feeling or mood.
Color has an immediate and profound effect on a design. Types • Warm Colors • Reds, oranges, yellows • Cool Colors • Blues, purples, greens • Colors can affect how humans feel and act.
Form and Shape The shape, outline, or configuration of anything. Examples • Squares • Ovals • Circles • Rectangles • Ellipses • Triangles
Space By incorporating the use of space in your design, you can enlarge or reduce the visual space. Types • Open, uncluttered spaces • Cramped, busy • Unused vs. good use of space
Texture The surface look or feel of something. Types • Smooth surface • Reflects more light and, therefore, is a more intense color. • Rough surface • Absorbs more light and, therefore, appears darker.
Value The relative lightness or darkness of a color. Methods • Shade Degree of darkness of a color • Tint A pale or faint variation of a color
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