UNDERSTANDING SHAKESPEARES LANGUAGE INSTRUCTIONS Today youll be preparing
UNDERSTANDING SHAKESPEARE’S LANGUAGE
INSTRUCTIONS Today you’ll be preparing to understand Shakespeare’s language in Hamlet (and all his other works!) Please view this presentation in full-screen mode (nothing else to distract!), and follow the steps in order.
TRANSLATING TODAY’S LINGO INTO SHAKESPEARE’S For this activity, you and a partner will pass notes to one another. You will be writing a silent conversation. You will then take your conversation and translate it into a Shakespearean conversation. Don’t stress over it—just try to learn! Try to keep the conversation short – about 6 exchanges – and handwrite it to be collected. Example: A. What do you want to do after school? B. I don’t know. Do you want to come over to my house? A. Ok. Can we play with your playstation? B. Sure. What game do you want to play? A. Halo 3, because you can play by yourself or with other players. B. Good. I’ve been wanting to play you. I bet I beat you. A. You talk smack!
GOT YOUR EXAMPLE? Good! Let’s move on to translating. . .
TRANSLATING THE NOUNS AND PRONOUNS IN OUR SILENT CONVERSATIONS When “you” is used as a singular subject in a sentence, it becomes “thou” – “Thou art a villain. ” When “you” is used as an object in a sentence, it becomes “thee” – “Come, let me clutch thee. ” When you is used as a plural pronoun (you all), it becomes “ye” – “Ye shall know me. ” When “your” is used as a possessive pronoun, it becomes “thy” – “What is thy name? ” � EXCEPT when “your” is used as a possessive pronoun before a pronoun that begins with a vowel sound (think “a” versus “an” – “a dog” versus “an airdale”), it becomes “thine” – “To thine own self be true”
SO, A TRANSLATION OF OUR EXAMPLE CONVO: A. What do you thouwanttotodo doafterschool? B. I don’t know. Do you thouwanttotocomeovertoto my house? A. Ok. Can we play with your thy playstation? B. Sure. What game do you thouwanttotoplay? A. Halo 3, because you thoucan canplaybybyyourthine own self or with other players. B. Good. I’ve been wanting to play you. thee. I Ibet I beat you! thee! A. You Thoutalksmack!
GIVE IT A TRY ON YOUR CONVERSATION!! Here’s the key again: When “you” is used as a singular subject in a sentence, it becomes “thou” – “Thou art a villain. ” When “you” is used as an object in a sentence, it becomes “thee” – “Come, let me clutch thee. ” When you is used as a plural pronoun (you all), it becomes “ye” – “Ye shall know me. ” When “your” is used as a possessive pronoun, it becomes “thy” – “What is thy name? ” � EXCEPT when “your” is used as a possessive pronoun before a pronoun that begins with a vowel sound (think “a” versus “an” – “a dog” versus “an airdale”), it becomes “thine” – “To thine own self be true”
WHAT ABOUT SHAKESPEAREAN VERBS? Elizabethan language, though considered Early Modern English, still retained some verb or predicate inflections. (scary sounding, I know) Usually they simply add an -est or –st to a verb. These endings were often used with the 2 nd person pronouns (you, yours). Ex. “Do” changes to “dost” The verb “are” changes to “art. ” Other verbs sometimes take the ending –th Ex. “Has” changes to “hath”
SO, IF WE CHANGE OUR VERBS… A. What do dost thou want to to dodo after school? B. I don’t know. Do Dost thou want to to come over to to my house? A. Ok. Can we play with thy playstation? B. Sure. What game do dost thou want to to play? A. Halo 3, because thou canst play byby thine own self or with other players. B. bet I B. Good. I’ve been wanting to to play thee. II bet beat I beatthee! A. talkest smack! A. Thou talk smack!
TRY IT ON SOME OF YOUR VERBS! Here’s the key for verbs again: Elizabethan language, though considered Early Modern English, still retained some verb or predicate inflections. (scary sounding, I know) Usually they simply add an -est or –st to a verb. These endings were often used with the 2 nd person pronouns (you, yours). Ex. “Do” changes to “dost” The verb “are” changes to “art. ” Other verbs sometimes take the ending –th Ex. “Has” changes to “hath”
ANOTHER COMPLICATION: INVERTED SYNTAX Let’s start with normal syntax: Subject I Verb ate Object the sandwich And now the possible variations: I the sandwich ate. Ate the sandwich I. Ate I the sandwich. The sandwich I ate. The sandwich ate I. Subject – Object - Verb – Object - Subject Verb – Subject – Object – Subject – Verb Noun – Verb - Subject They all mean the same thing!
WHY SHAKESPEARE INVERTS “Dismayed not this our captains. . . ? ” (Macbeth I. ii. 37 -38). Alternative: “Did this not dismay. . . ” Most often his inversions either maintain the iambic meter (as this example does), or they cause a variation that emphasize a particular word or idea
PRACTICING INVERSION Take down your answers on a piece of notebook paper Here’s your Subject: “I” Here’s your verb: “walked” And here’s your object: “the dog” 1. 2. 3. Show me standard Subject – Verb – Object Now try Object – Subject – Verb How about Verb – Object – Subject? Sounds a little silly, right? But you can understand!
PRACTICING INVERSION, CONTINUED Return these sentences to standard Subject-Verb-Object 4. 5. 6. Not too difficult is this! Practice it takes! Learn it you will!
AND THAT’S IT FOR TODAY!
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