Understanding and Using Comparison Structures Comparison is one

  • Slides: 35
Download presentation
Understanding and Using Comparison Structures Comparison is one of the oldest and most commonly

Understanding and Using Comparison Structures Comparison is one of the oldest and most commonly used methods of discovery and development. 1

Comparison Strategies An understanding of the rhetorical strategies of comparison will help students with

Comparison Strategies An understanding of the rhetorical strategies of comparison will help students with common assignments such as Research papers Regular essays Debates and oral arguments Essay tests 2

Discovery and Development with Comparison Essay questions, for example, often call for the use

Discovery and Development with Comparison Essay questions, for example, often call for the use of comparison. The following question was given during a in-class final exam (time limit: 45 minutes) “Compare Romanesque and Gothic architectural styles as expressions of religious experience” 3

What does the Question Ask? • To compare two subjects in a detailed manner.

What does the Question Ask? • To compare two subjects in a detailed manner. Romanesque Gothic • To make some claim about what each means with respect to the other. “…as expressions of religious experience. ” 4

A plan for two subjects and their detailed points Subject A 5 Subject B

A plan for two subjects and their detailed points Subject A 5 Subject B 1 st point (detail) 2 nd point (detail) 3 rd point (detail) (more if needed)

Subject A (Romanesque) • Called “Romanesque) (Roman like) because it is based on the

Subject A (Romanesque) • Called “Romanesque) (Roman like) because it is based on the Roman arch 6

Point 1: the round arch • A Romanesque cathedral begins with the round Roman

Point 1: the round arch • A Romanesque cathedral begins with the round Roman arch. 7

Point 1: the round arch • The round arch produces a “barrel vault” The

Point 1: the round arch • The round arch produces a “barrel vault” The effect when walking down the “nave” is a feeling of walking down a tunnel. 8

Point 1: the round arch The nave (main interior room) of St. Sernin: Rounded

Point 1: the round arch The nave (main interior room) of St. Sernin: Rounded arch Barrel Vault 9

Point 2: Walls and Columns To support the heavy arch, walls must be thick,

Point 2: Walls and Columns To support the heavy arch, walls must be thick, and columns must be heavy and closely spaced 10 A crosssection diagram of Durham Cathedral

Point 2: Walls and Columns To support the heavy arch, walls must be thick,

Point 2: Walls and Columns To support the heavy arch, walls must be thick, and columns must be heavy and closely spaced 11

Point 3: Windows Strong walls require that few windows be used, leaving the interior

Point 3: Windows Strong walls require that few windows be used, leaving the interior relatively dark. 12

Point 3: Windows Strong walls require that few windows be used, leaving the interior

Point 3: Windows Strong walls require that few windows be used, leaving the interior relatively dark. 13

The first subject--summation Romanesque 1 st point (round arches) 2 nd point (thick walls

The first subject--summation Romanesque 1 st point (round arches) 2 nd point (thick walls and columns, closely spaced) 3 rd point (few windows, very dark) Subject B 1 st point (detail) 2 nd point (detail) 3 rd point (detail) (more if needed) Overall experience: dark, mysterious, closed-in, perhaps a bit frightening. 14

Subject B (Gothic) The Gothic Cathedral is based on the pointed Gothic arch. 15

Subject B (Gothic) The Gothic Cathedral is based on the pointed Gothic arch. 15

Point 1: the Gothic arch The nave of Amiens 16

Point 1: the Gothic arch The nave of Amiens 16

Point 1: the Gothic arch The pointed arch does not produce barrel vaulting but

Point 1: the Gothic arch The pointed arch does not produce barrel vaulting but ribbed and groin vaulting. Notice the effect is like a branching tree. 17

Point 2: walls and columns The Gothic arch reaches greater heights with thinner columns,

Point 2: walls and columns The Gothic arch reaches greater heights with thinner columns, more widely spaced. 18

Point 2: walls and columns Something New In an effort to reach even greater

Point 2: walls and columns Something New In an effort to reach even greater heights with thinner walls and columns, builders developed the “flying buttress. ” 19

Point 2: walls and columns Something New Sometimes the buttressing is quite elaborate 20

Point 2: walls and columns Something New Sometimes the buttressing is quite elaborate 20

Point 2: walls and columns flying buttresses Buttresses at Notre Dame, Paris 21

Point 2: walls and columns flying buttresses Buttresses at Notre Dame, Paris 21

Point 3: Windows Thinner walls and columns allow more windows-with lots of colorful stained

Point 3: Windows Thinner walls and columns allow more windows-with lots of colorful stained glass 22

Point 3: Windows Thinner walls and columns allow more windows--with lots of colorful stained

Point 3: Windows Thinner walls and columns allow more windows--with lots of colorful stained glass 23

Point 3: Windows 24 The effect is a much brighter, more colorful, open space

Point 3: Windows 24 The effect is a much brighter, more colorful, open space

Point 3: Windows The interior of St. Chapelle 25

Point 3: Windows The interior of St. Chapelle 25

The second subject-summation Romanesque Gothic 1 st point (round arches, barrel vaulting) 1 st

The second subject-summation Romanesque Gothic 1 st point (round arches, barrel vaulting) 1 st point (pointed arches, ribbed vaulting) 2 nd point (thick walls and columns, closely spaced) 2 nd point (thin walls and columns, widely spaced) 3 rd point (few windows, very dark) 3 rd point (many windows, bright, colorful) Overall experience: dark, mysterious, closed-in, perhaps a bit frightening. 26 Overall experience: bright, colorful, open, perhaps cheerful, even joyful.

Answering the Question: “Compare Romanesque and Gothic architectural styles as expressions of religious experience”

Answering the Question: “Compare Romanesque and Gothic architectural styles as expressions of religious experience” Claim: Although both Romanesque and Gothic architectural styles express something about the Christian religious experience, they present that experience in very different ways: the Romanesque being dark, mysterious, and perhaps even frightening, but the Gothic being brighter, more open, more colorful, and perhaps cheerful or even joyful. 27

Making a decision: Now we must decide in what order the material should be

Making a decision: Now we must decide in what order the material should be presented to the reader: Subject-by-subject or Point-by-point Romanesque Gothic 1 st point (round arches, barrel vaulting) 1 st point (pointed arches, ribbed vaulting) 2 nd point (thick walls and columns, closely spaced) 2 nd point (thin walls and columns, widely spaced) 3 rd point (few windows, very dark) 3 rd point (many windows, bright, colorful) Overall experience: dark, mysterious, closed-in, perhaps a bit frightening. 28 Overall experience: bright, colorful, open, perhaps cheerful, even joyful.

Subject-by-subject order Present all of subject A, then all of Subject B This is

Subject-by-subject order Present all of subject A, then all of Subject B This is the order that has been used in this presentation. Romanesque 1 st point (round arches, barrel vaulting) 2 nd point (thick walls and columns, closely spaced) 3 rd point (few windows, very dark) Gothic Overall experience: bright, color 2 nd point (thin walls and columns, widely spaced) ful, open, perhaps 3 rd point (many windows, cheerful, bright, colorful) even joyful. 1 st point (pointed arches, ribbed vaulting) Overall experience: dark, mysterious, closed-in, perhaps a bit frightening. 29

A subject-by-subject outline 1. 2. 3. 4. 30 Introduction and Claim: Although both Romanesque

A subject-by-subject outline 1. 2. 3. 4. 30 Introduction and Claim: Although both Romanesque and Gothic architectural styles express something. . even joyful. Romanesque: a dark, mysterious experience a. Round arches, barrel vaulting b. Thick walls and thick, closely spaced c. Few windows Gothic: a bright, open and joyful experience a. Pointed arches, ribbed vaulting, with higher ceilings b. Thinner, more widely spaced columns, supported with flying buttresses c. Lots of windows, with stained glass Conclusion--summarize the main points and reaffirm the claim Subject A Subject B

Point-by-point order Present each point under each subject in order Romanesque 1 st point

Point-by-point order Present each point under each subject in order Romanesque 1 st point (round arches, barrel vaulting) Gothic 1 st point (pointed arches, ribbed vaulting) 2 nd point (thick walls and columns, closely spaced) 2 nd point (thin walls and columns, widely spaced) 3 rd point (few windows, very dark) 3 rd point (many windows, bright, colorful) Overall experience: dark, mysterious, closed-in, perhaps a bit frightening. 31 Overall experience: bright, colorful, open, perhaps cheerful, even joyful.

A point-by-point outline 1. 2. 3. 4. 5. 32 Introduction and Claim: Although both

A point-by-point outline 1. 2. 3. 4. 5. 32 Introduction and Claim: Although both Romanesque and Gothic architectural styles express something. . even joyful. Point 1: arches and vaulting Round arches, barrel vaulting a. Subject A--Romanesque: Round arches, barrel vaulting b. Subject B--Gothic: pointed arches, ribbed vaulting, with higher ceilings Point 2: Walls and columns a. Subject A-- Romanesque: Thick walls and thick, closely spaced columns b. Subject B--Gothic: Thinner, more widely spaced columns, supported with flying buttresses Point 3: Windows a. Subject A--Romanesque: few window, fairly dark b. Subject B--Gothic: Lots of colorful windows Conclusion--summarize the main points and reaffirm the claim

The two structures 1. Introduction and Claim: 2. Point 1: arches and vaulting 2.

The two structures 1. Introduction and Claim: 2. Point 1: arches and vaulting 2. Subject A--Romanesque: 3. 4. a. Subject A--Romanesque: b. Subject B--Gothic: Point 2: Walls and columns a. Subject A-- Romanesque: b. Subject B--Gothic 3. a. Point 1 arches b. Point 2 walls and columns c. Point 3 windows Subject B--Gothic: Windows a. Point 1 arches a. b. Point 2 walls, columns, Subject A--Romanesque: Subject B--Gothic: 5. buttresses Conclusion--summarize the main points and reaffirm the claim c. 4. Point 3 windows Conclusion--summarize the main points and reaffirm the claim 33

Choose a structure: 1. 2. 3. 4. 5. 34 Introduction and Claim: . Point

Choose a structure: 1. 2. 3. 4. 5. 34 Introduction and Claim: . Point 1: arches and vaulting a. Subject A--Romanesque: b. Subject B--Gothic: Point 2: Walls and columns a. Subject A-Romanesque: b. Subject B--Gothic Point 3: Windows a. Subject A--Romanesque: b. Subject B--Gothic: Conclusion--summarize the main points and reaffirm the claim The point-by-point structure works well when you desire to make a sharp contrast on individual points, such as comparing numbers in measurements, pointing out subtle distinctions, or exaggerating things for a comical effect.

Choose a structure: The subject-by-subject structure works well when you do not want to

Choose a structure: The subject-by-subject structure works well when you do not want to break up the individual details, such when you are giving vivid descriptions to create a mood or relating a sequence of related events. Use when you want the reader to think of the subjects as whole things. 35 1. Introduction and Claim: 2. Subject A--Romanesque: a. Point 1: arches b. Point 2: walls and columns c. Point 3: windows 3. Subject B--Gothic: a. Point 1: arches b. Point 2: walls, columns, buttresses c. Point 3: windows 4. Conclusion--summarize the main points and reaffirm the claim