Two OR MORE sides to every story The

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Two (OR MORE!!) sides to every story… The Monster’s reflection on the death of

Two (OR MORE!!) sides to every story… The Monster’s reflection on the death of William

Frame Narrative o Concentric Circle structure for Shelley’s Gothic Romantic novel: Robert Walton’s Letters

Frame Narrative o Concentric Circle structure for Shelley’s Gothic Romantic novel: Robert Walton’s Letters to M. Saville Victor Frankenstein’s tale The Monster’s story o As Shelley increasingly into the story of the Creature, how is understanding of perspective impacted? How does Mary Shelley change her writing style (tone/mood, sentence- & word-level, etc…) for each narrator?

Determining Differences o Number off 1 -3 1. = Walton 2. = Frankenstein 3.

Determining Differences o Number off 1 -3 1. = Walton 2. = Frankenstein 3. = Creature o In your group, for your assigned narrator, answer the following questions: A. Describe the narrator as precisely as possible. B. How does Mary Shelley create this persona? C. Find 3 examples of textual support to prove your responses to A and B.

Share your findings Robert Walton o Why did Mary Shelley choose to implement this

Share your findings Robert Walton o Why did Mary Shelley choose to implement this 3 rd frame? What is the impact on the story’s meaning? Victor Frankenstein o How is sympathy for Victor created? Successful or not? The Creation/Monster o How has perception of the Creature been altered since Shelley allowed access into his perspective?

For Tomorrow • Who is the true victim of the novel – Victor or

For Tomorrow • Who is the true victim of the novel – Victor or Create a 12 -sentence paragraph the monster? * arguing a persuasive stance: q Who is the true/ultimate victim of the novel – Victor or the Monster or someone else?