The PreRomantics Introduction The age of Classicism is

The Pre-Romantics: Introduction The age of Classicism is followed by a transitional period called “the Pre-Romantic age “ which starts from 1770 -1798 about the last thirty years of the eighteenth century. Chief among those poets are : Thomson , Gray , Burns , Collins , Cowper, Crabbe who have been rightly called the “ Precursors of the Romantic movement”.

The Pre- Romantics: Introduction The term pre- romantic defines the sensibilities, trends and ideas that developed at the end of the Neoclassical period. These developments are thought to have prepared the ground for Romanticism in its full sense. They are all departures from the orderly framework of neoclassicism and its authorized genres.

The Pre- Romantics: Introduction The pre-romantics did not constitute a school of thought. They were a group of writers who were influenced by the new feelings and trends at the turn of the century. They fight against the neoclassical dogmas and prepared or paved the way to the coming or eve of the Romantic period.

The Pre-Romantics: Introduction • Those poets were more emotional and less intellectual than the Neoclassical. They used autobiographical materials and showed a genuine feeling for nature and the simple people living in its lap. A typical treatment of theme of nature is James Thomson’s “ The Seasons “ in which nature is made a main theme not that subordinate to man. But , the Pre – Romantic poets treated the external charm of nature ; they did not give nature a separate life and souls as did the Romantic poets afterwards. They despised the artificial life of the city and tried instead to picture the pastoral life of the countryside; their taste was pastoral. They wrote about the poetic feelings that nature made them feel.

Themes of Pre-Romantic poetry • a. a return to nature expressed through an interest in the wild , the lonely and the picturesque. • b. The cult of sensibility and melancholy expressed by the love • of ruins , idealization of solitude. • c. cult of the primitive life ; a longing for a lost earthly paradise in which man lived in communication with nature. • A typical expression of this is the idea of “ the noble savage”. • d. love of the strange , the exotic and the sublime. e. interest in the Middle ages as mysterious and barbarous.

Themes of Pre-Romantic poetry • F. interest in gothic art and architecture which is a typical expression of medieval spirit. • G. Imagination is emphasized rather than reason. • Typical of the Pre-Romantic sensibility were : a predilection for night , darkness , death , the cult of ruins , terror , fantasies, exotic tales , interest in medieval and northern folklore tales , interest in common life , humble or plain people. There’s also a return to nature.

From Thomas Gray’s “ An Elegy Written in a Country Church Yard” • Among the Pre- Romantic poets , Thomas Gray( 1716 -1771) was the first to show a real interest in the life of humble people in particular in his poem “ An Elegy Written in a Country Church Yard”. • It was a funeral elegy which anticipated the Romantic cult , melancholy and death. The poet celebrated simple not great people saying that all these poor people who lie dead in the church yard are equal to the most famous people of all times. • Death comes to all men then he states that those poor people might have become famous if they had not been limited by circumstances.

From Thomas Gray’s “ An Elegy Written in a Country Church Yard” • The poem ends with the supposed death of the poet , his burial in the same churchyard of Stoke Poges , England. The epitaph on his tomb could be read as Gray’s summing up of his own life and beliefs.

Structure of the poem • It is a long poem written in four line stanzas or quatrains in which the first line rhymes with the third , the second with the fourth. At the time , this abab pattern was associated with elegies. It is what gives the poem a stately pace. The last three stanzas are printed in Italic type and given the title “ The Epitaph”.

The Setting • It is the country churchyard of Stoke Porges , England. Time is the quiet evening as the night is descending. The poet is standing in that churchyard as we are told. He is meditating on the life and death of humble villagers whose graves surround him.

Analysis of L 1 -12 • The poet sets the scene for his quiet meditations. He is far from the city and is looking at a rural scene from a country churchyard. But , the sight and sounds of that rural world of men and beasts fade away. The scene is beautiful but life is not joyous. The poet reflects that the day dies just like the one before as the plowman plods wearily home. The poet is alone but he is not tired. The scene is quiet except for few things which disturb the poet like the tinkling of the cattle , the drone of beetle and the sound of an owl from the church tower. The moping owl has been a solitary ruler over the churchyard since ancient times. It is an ominous note the poet is challenging its reign.

L 13 -28 • The poet uses the churchyard scene to invoke important images : the strength of the elms , death as symbolized by the graves and the comfort provided by the yews shading bodies that sleep. The poet reflects that death for the humble and lower classes means a cessation of life ; simple pleasure : waking up to the songs of birds , sharing life with wife and children and enjoying productive work. It is not untimely death but that it comes after a normal life span.

L 29 -52 • The poet addresses the upper classes – those with ambition , power , pride and exhorts them not to mock the poor for their simplicity or for not having elaborate statues on graveyard memorials. He tells that those upper class people will die just like the poor no matter what glory they achieve or how elaborate tomb stones they will have. There is a message that the poor are born with the same natural abilities as the upper class people. The poet implies that the innocence and beauty of those souls wasted in their isolated rural environment & resembling hidden deserts , oceans , caves could have flourished in a better circumstances. The poet then laments that the poor die before they can make a mark on the world.