The Notes Must Do as He Wills Josquin

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The Notes Must Do as He Wills: Josquin & Music of the High Renaissance

The Notes Must Do as He Wills: Josquin & Music of the High Renaissance Please Take Handout & Sit in First 5 Rows By Voice Type: Front Alto Bass Soprano Tenor Door

Josquin des Prez, “Ave Maria. . . Virgo serena” Translation: Hail Mary, full of

Josquin des Prez, “Ave Maria. . . Virgo serena” Translation: Hail Mary, full of grace. . . Virgin serene

DA VINCI MICHAELANGELO GALILEO JOSQUIN DES PREZ

DA VINCI MICHAELANGELO GALILEO JOSQUIN DES PREZ

The notes must do as he wills. . . as for other composers, they

The notes must do as he wills. . . as for other composers, they must do as the notes wish. Martin Luther

Twin goals: 1. Why was Josquin so admired? 2. Understand musical language of mid-Renaissance

Twin goals: 1. Why was Josquin so admired? 2. Understand musical language of mid-Renaissance

I. Josquin [des Prez] (Lebloitte) A. Josquin’s Biography(ca. 1455 -1521) 1. Born in North

I. Josquin [des Prez] (Lebloitte) A. Josquin’s Biography(ca. 1455 -1521) 1. Born in North ca. 1455//Service in Italy by 1480 s 2. Flourishes ca. 1500, as music print culture flourishes 3. Confluence: migration + technology forges musical language of the High Renaissance B. Musical Implications of Renaissance Biography 1. Northern Traits (Old-Fashioned) • Solve technical problem: how to write complex polyphony while controlling dissonance 2. Italian Traits (More Modern) • Memorable melody/full, consonant harmony • music reflects verbal text:

I. Josquin [des Prez] (Lebloitte) A. Josquin’s Biography(ca. 1455 -1521) 1. Born in North

I. Josquin [des Prez] (Lebloitte) A. Josquin’s Biography(ca. 1455 -1521) 1. Born in North ca. 1455//Service in Italy by 1480 s 2. Flourishes ca. 1500, as music print culture flourishes 3. Confluence: migration + technology forges musical language of the High Renaissance B. Musical Implications of Renaissance Biography Intellectual Humanistic 1. Northern Traits (Old-Fashioned) • Solve technical problem: how to write complex polyphony while cantore controlling dissonance buon The cricket is a good singer El grillo è 2. Italian Traits (More Modern) che tiene longo verso. He can hold a long note • Memorable melody/full, consonant harmony sound, drink, sense, cricket, structure • musiccanta. reflects verbal text: grillo Go ahead, sing! Dale beve 3. North/South synthesis spread via music printing

II. Musical Style of the “Josquin Generation” or High Renaissance (ca. 1490 -1550) A.

II. Musical Style of the “Josquin Generation” or High Renaissance (ca. 1490 -1550) A. Point of Imitation 1. Defined • Section of Renaissance work ≈ phrase • Based on short verbal text • That text set to musical motive • Motive presented successively (in imitation) by 2 or more voices 2. Musical results of P. O. I. • Musical unity • Control dissonance more easily • Word-music “fit” easier • Overlapping points create seamless flow

Told you. . . Josquin’s a rock star!

Told you. . . Josquin’s a rock star!

II. Musical Style of the “Josquin Generation” Mid- or High Renaissance (ca. 1490 -1550)

II. Musical Style of the “Josquin Generation” Mid- or High Renaissance (ca. 1490 -1550) A. Point of Imitation Block Homophonic Texture: • O Mater Dei, memento mei. Amen O Mother of God, be mindful of me. Amen.

5 th Section: 2: 26 Chordal Writing (Block Homophonic Texture) Changes to Triple meter

5 th Section: 2: 26 Chordal Writing (Block Homophonic Texture) Changes to Triple meter 4 short phrases: one for each line of poetry ? ? ? 1 Ave vera virginitas, Hail true virginity, 2 Immaculata castitas, Immaculate chastity, 3 Cujus purificatio Whose purification 4 Nostra fuit purgatio. Was to be our purgation.

II. Musical Style of the “Josquin Generation” Mid- or High Renaissance (ca. 1490 -1550)

II. Musical Style of the “Josquin Generation” Mid- or High Renaissance (ca. 1490 -1550) A. Point of Imitation B. ? ? ? : Canon and Strict Imitation • Josquin was master of imitative compositon C. Cantus firmus technique • Composition incorporates pre-existing melody • Borrowed melody usually secular • Now found in tenor (inner) voice

The man, the armed man should be feared! Everywhere it is proclaimed that each

The man, the armed man should be feared! Everywhere it is proclaimed that each man should arm himself with a coat of iron mail.

each man should arm himself with a coat of iron mail

each man should arm himself with a coat of iron mail

II. Musical Style of the “Josquin Generation” Mid- or High Renaissance (ca. 1490 -1550)

II. Musical Style of the “Josquin Generation” Mid- or High Renaissance (ca. 1490 -1550) A. Point of Imitation B. Canon and Strict Imitation • Josquin was master of imitative compositon C. Cantus firmus technique • Composition incorporates pre-existing melody • This “borrowed” melody usually secular • Now found in tenor (inner) voice D. Sogetto cavatto delle vocali =lit. “subject carved” from the vowels

Sogetto cavatto Ren. Scale= Ut, re, mi, fa, so, (la) Her- cu- les Dux

Sogetto cavatto Ren. Scale= Ut, re, mi, fa, so, (la) Her- cu- les Dux Fer- ra- ri- ae Re ut ut re re re fa mi

Josquin: Absalom, fili mi Non vivam ultra, sed descendam in infernum plorans (2 x)

Josquin: Absalom, fili mi Non vivam ultra, sed descendam in infernum plorans (2 x) I shall live no longer, but descend into Hell, weeping.

Josquin des Prez

Josquin des Prez

Josqin: Petite camusette Robin and Marian entered a beautiful wood. Arm in arm, they

Josqin: Petite camusette Robin and Marian entered a beautiful wood. Arm in arm, they went, and fell asleep.