The Human Visual System Part 2 Perception Imaging

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The Human Visual System Part 2: Perception Imaging Science Fundamentals Chester F. Carlson Center

The Human Visual System Part 2: Perception Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Visual Perception u How one visually interprets a scene u 4 forms of perception

Visual Perception u How one visually interprets a scene u 4 forms of perception to be studied: u Depth u Color u Temporal u Motion Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Depth Perception u How does one determine how far away an object is located?

Depth Perception u How does one determine how far away an object is located? W O H Imaging Science Fundamentals ? R FA Chester F. Carlson Center for Imaging Science

Depth Perception u Monocular u Require Cues only 1 eye to perceive depth; Cyclops.

Depth Perception u Monocular u Require Cues only 1 eye to perceive depth; Cyclops. http: //www. shag-art. com/cyclops. html Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Depth Perception u Binocular u Require Imaging Science Fundamentals Cues 2 eyes to perceive

Depth Perception u Binocular u Require Imaging Science Fundamentals Cues 2 eyes to perceive depth. Chester F. Carlson Center for Imaging Science

Monocular Cue #1 u Interposition (Overlap) u An object that is partially covered by

Monocular Cue #1 u Interposition (Overlap) u An object that is partially covered by another object is farther away. Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Monocular Cue #2 u Familiar Size u Previous knowledge of object sizes aid in

Monocular Cue #2 u Familiar Size u Previous knowledge of object sizes aid in judging distance. Which object appears closer? Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Monocular Cue #3 u Linear Perspective u The farther away an object is the

Monocular Cue #3 u Linear Perspective u The farther away an object is the smaller it appears to be. Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Monocular Cue #4 u Atmospheric Perspective u Objects farther off in the distance appear

Monocular Cue #4 u Atmospheric Perspective u Objects farther off in the distance appear less saturated and less sharp (fuzzier) than those nearby. u The more atmospheric particles between the viewer and a distant object the more light that is scattered. Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Monocular Cue #5 u Motion Parallax u Stationary objects that are physically closer to

Monocular Cue #5 u Motion Parallax u Stationary objects that are physically closer to a moving viewer appear to shift faster than those farther away. u Example u 1 Driving by in a car looking at objects near and far (animation). Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Monocular Cue #5 u Example 2 u u u Example 3 Close one eye.

Monocular Cue #5 u Example 2 u u u Example 3 Close one eye. Hold your left thumb upward at arm’s length. Hold your right thumb upward at half arm’s length. u Position the thumbs so the right thumb blocks the left and move your head to one side. u Observe that the background did not move, but the thumbs appeared to move relative to each other and the background. Imaging Science Fundamentals u u Close one eye. Hold both index fingers pointing toward each other. Circle the fingers in a bike pedaling motion. Stop them at eye level and move them inward to make them meet forming a straight line. Try again, but this time move your head side-to-side to tell the distance between your index fingers. Chester F. Carlson Center for Imaging Science

Monocular Cue #6 u Shading u Uses light falling on an object from a

Monocular Cue #6 u Shading u Uses light falling on an object from a certain angle to give form and depth to an object. u Cast shadows aid in locating an object. Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Monocular Cue #7 u Patterns u Use contour lines to infer depth. Imaging Science

Monocular Cue #7 u Patterns u Use contour lines to infer depth. Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Monocular Cue #8 u Accommodation u The change of shape performed by the eye

Monocular Cue #8 u Accommodation u The change of shape performed by the eye lens to focus on an object aids the brain in determining the object’s distance. Thick lens - object is near Thin lens - object is far Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Binocular Cue #1 u Convergence u The angle between the line of sight of

Binocular Cue #1 u Convergence u The angle between the line of sight of each eye is larger as an object moves closer. u This works for nearby objects (with accommodation) 45° Imaging Science Fundamentals 20° Chester F. Carlson Center for Imaging Science

Binocular Cue #2 u Retinal Disparity u Each eye receives a slightly different view

Binocular Cue #2 u Retinal Disparity u Each eye receives a slightly different view of a scene. u The two views are used to determine the ratio of distances between nearby objects. u Example Threading a needle utilizes retinal disparity. Close one eye and position your thumbs so that one blocks the other with ~1 cm distance between them. u Switch your viewing eye. u Open both eyes. u Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Color Perception u Trichromats u Humans have three cones that correspond to three ranges

Color Perception u Trichromats u Humans have three cones that correspond to three ranges of the visible light in the areas of red, green, and blue light. Relative response S 400 I 460 490 500 L 530 600 650 700 Wavelength (nm) Blue Imaging Science Fundamentals Cyan Green Red Chester F. Carlson Center for Imaging Science

Human Color Vision Deficiencies u Normal Vision u Viewer requires 3 basic colors to

Human Color Vision Deficiencies u Normal Vision u Viewer requires 3 basic colors to match another color. u 91% Males u ~ 99% Females Imaging Science Fundamentals u Anomalous Trichromacy u Also requires 3 basic colors to match another color, but the ratios of those three basic colors differ from a person with normal vision. u ~ 6% Males Chester F. Carlson Center for Imaging Science

Human Color Vision Deficiencies u Monochromacy u Requires one color to match any other

Human Color Vision Deficiencies u Monochromacy u Requires one color to match any other color u Two types: Cone monochromats: Only one type of cone (very small % of population) u Rod monochromats: Only the rods respond (. 003% males) u Imaging Science Fundamentals u Dichromacy u Requires two colors to match any other color; 8 -10% Caucasion males u Four types: Protanopes: No L cones (1% males) u Deuteranopes: No I cones (1% males) u Tritanopes: No S cones (very small % pop. ) u Tetartanopes: Lack chromatic channel (RG or YB, small %) u Chester F. Carlson Center for Imaging Science

Human Color Vision Deficiencies Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Human Color Vision Deficiencies Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Temporal Perception u Negative Afterimages u. A viewer stares at an image for a

Temporal Perception u Negative Afterimages u. A viewer stares at an image for a period of time. u The cones become desensitized. u Upon looking at a plain white surface, the viewer perceives the previous image with complementary colors. Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Temporal Perception u Positive Afterimages - Persistence of Vision u An intense flash of

Temporal Perception u Positive Afterimages - Persistence of Vision u An intense flash of light allows a viewer to see a scene. u When the light goes out the signal from the cones persist. u The viewer still perceives the image. Imaging Science Fundamentals Chester F. Carlson Center for Imaging Science

Motion Perception u Real Movement u An object physically moves. Imaging Science Fundamentals u

Motion Perception u Real Movement u An object physically moves. Imaging Science Fundamentals u Induced Movement u The background moves behind an object causing the perception that the object moved. Chester F. Carlson Center for Imaging Science

Motion Perception u Stroboscopic u Quick, Movement sequential flashes of light / images that

Motion Perception u Stroboscopic u Quick, Movement sequential flashes of light / images that imply motion. u e. g. television, film, monitor Imaging Science Fundamentals u Autokinetic Movement u. A still spot of light appears to move in an unlit background. u e. g. star in the night sky Chester F. Carlson Center for Imaging Science

Aftereffects of Movement u Waterfall Illusion u After staring at water falling, look at

Aftereffects of Movement u Waterfall Illusion u After staring at water falling, look at a still object, and it will appear to move upward. Imaging Science Fundamentals u Spiral Aftereffect u After staring at a rotating spiral: a still spiral appears to move in the opposite direction. u an object will appear to deform in the spiral motion opposite that initially observed. u Chester F. Carlson Center for Imaging Science

Consequences of Movement u Perception of Causality u One event is seen after another,

Consequences of Movement u Perception of Causality u One event is seen after another, thus it may be interpreted that the 1 st event caused the 2 nd. u Personification u Human / animal characteristics given to inanimate objects. Imaging Science Fundamentals u Perception of Location u Object 1 is seen going behind object 2, thus causing the viewer to extrapolate the location of object 1. u Linking Successive Shots u e. g. television, film Chester F. Carlson Center for Imaging Science

Summary u Depth Perception u Interposition; Familiar Size; Linear Perspective; Atmospheric Perspective; Motion Parallax;

Summary u Depth Perception u Interposition; Familiar Size; Linear Perspective; Atmospheric Perspective; Motion Parallax; Shading; Patterns; Accommodation u Convergence; Retinal Disparity u Color Perception u Trichromacy Imaging Science Fundamentals u Temporal Perception u Desensitization: negative afterimage u Persistence of Vision: positive afterimage u Motion Perception u Real; Induced u Stroboscopic; Autokinetic u Waterfall/Spiral Effects Chester F. Carlson Center for Imaging Science