The final phase of Guayasamns work known as

The final phase of Guayasamín’s work, known as "La ternura" (The Tenderness, 1988 -1999),

MADRE Y NIÑO“ Obra de la serie "La Edad de la Ternura“ " בילד

Cabeza y mano -Lithograph ויד ראש Cabeza y mano (Head and Hand) ויד ראש

Rios de sangre (Rivers of Blood) הדם נהרות

Perhaps the grandest element of Guayasamin´s artistic legacy is a massive construction on a

There are three paintings next to Oswaldo Guayasamín’s sculpture of the father’s head from

Housed in his former home, the Museo Guayasamin has the most complete collection of

Capilla del Hombre Family Sculpture Outside

Capilla del Hombre Four Horses Tearing Apart a Human When they were excavating the

מאמריקה דמויות - האדם קפלת To the left of the main entrance are

Here is a close up of one of a series of colourful paintings called

As you enter the lower level, there is a sculpture called La Familia (1971),

Silla Manteñia 1987 -88 In the lower level of the Capilla del Hombre is

: הראשונה במצגת לצפייה http: //www. claritaefraim. com/Uploaded. Files/Oswaldo%20 Guayasamin%20 I%20 Hebrew. English%20%20. pps

Fuentes: http: //www. ivansoca. cult. cu/www/Guayasamin/biogr 16. htm http: //www. ivansoca. cult. cu/www/Guayasamin/Edad%20 de%20

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The final phase of Guayasamín’s work, known as "La ternura" (The Tenderness, 1988 -1999), focuses on themes of compassion and love. This phase is dedicated to his mother and includes images of mothers with their children. Through this theme he emphasizes the importance of protecting life and working towards the improvement of mankind. The period also reflects the artist’s search for reconciliation after a life of fighting injustices. In these works Guayasamín employed a much brighter color palette than those used in his previous phases. Due to his lifelong work to expose the plight of the downtrodden indigenous masses, Guayasamín is considered the pioneer of "indigenist expressionism. ” המשפחה La Familia

MADRE Y NIÑO“ Obra de la serie "La Edad de la Ternura“ " בילד "אם והחיבה הרוך מהסדרה יצירה

Los amantes, 1989 המאוהבים

Meditación II 1994 II הרהורים

Segre

Cabeza y mano -Lithograph ויד ראש Cabeza y mano (Head and Hand) ויד ראש Lithograph

Angustia (Anguish) חרדה

Cabeza y mano (Head and Hand) ויד ראש

Mujer pajaro -Lithograph ציפור אישה

Los guerreros הלוחמים

Paco de Lucia

Rios de sangre (Rivers of Blood) הדם נהרות

Perhaps the grandest element of Guayasamin´s artistic legacy is a massive construction on a hill overlooking Quito, ¨La Capilla Del Hombre ¨ (The Chapel of Man). This great, square, brick structure, crowned with a central cone, is imposing from outside, but the interior is even more impressive. The room must be about 40 meters by 40 meters, the ceiling supported by red steel girders around a central dome. At the centre, a small spherical window opens to the sky, and surrounding this opening are depictions of skeletal figures, some collapsed, some reaching upwards with spindly limbs like seaweed. There are two floors, the lover visible from above via a circular opening directly below the dome. On the lower floor stands a circular red platform with a flame burning at the centre, glaring upward at the skylight like a great bloodshot eye. A vast mural overlooks the lower chamber, a condor clinging with claws to the back of a bull. This ritual is actually practiced in some indigenous communities in Ecuador. The huge bird is strapped to the back of the enraged bull and forced to ride the beast around the ring. It ´s a rather cruel ceremony to western eyes, but even so the symbolism of the magnificent native bird wounding the imported Spanish bull is unlikely to be lost on anyone.

El Condor y el Toro and Eternal Flame

There are three paintings next to Oswaldo Guayasamín’s sculpture of the father’s head from La Familia at the Museo Guayasamin. The middle painting is, The Lovers 1989, and the on the right is, Boy Crying 1994.

Housed in his former home, the Museo Guayasamin has the most complete collection of Oswaldo Guayasamin

Capilla del Hombre Family Sculpture Outside

Guayasamin’s Chapel of Man

Capilla del Hombre Four Horses Tearing Apart a Human When they were excavating the ground at Guayasamin’s Capilla del Hombre, they came across some pre-Incan tombs and these four horses tearing apart the human in the middle.

מאמריקה דמויות - האדם קפלת To the left of the main entrance are a series of colourful paintings called Rostros de America (1997 -9)

Here is a close up of one of a series of colourful paintings called Rostros de America (1997 -99) Capilla del Hombre.

מאמריקה דמויות Rostros de America

As you enter the lower level, there is a sculpture called La Familia (1971), reflected nicely in water

Silla Manteñia 1987 -88 In the lower level of the Capilla del Hombre is a large box-like structure with a red Ushape on top.

: הראשונה במצגת לצפייה http: //www. claritaefraim. com/Uploaded. Files/Oswaldo%20 Guayasamin%20 I%20 Hebrew. English%20%20. pps 2012 ואפרים קלריטה : שלנו לאתר להיכנס מוזמנים הנכם www. clarita-efraim. com לתגובות נשמח

Fuentes: http: //www. ivansoca. cult. cu/www/Guayasamin/biogr 16. htm http: //www. ivansoca. cult. cu/www/Guayasamin/Edad%20 de%20 la%20 Ira. htm http: //www. danielschavelzon. com. ar/? p=1499 http: //www. espacioluke. com/Setiembre 2001/Luisarturo-arte. html http: //www. taringa. net. Oswaldo-Guayasamin-mi-homenaje. html http: //www. pr. gov. br/mon/exposicoes/guayasamin_fotos. html http: //www. corneta. org/no_118/obra_de_oswaldo_guayasamin http: //www. molaa. com/Art/Exhibitions/-The-Art-of-Oswaldohttp: //www. mountainsoftravelphotos. com//index. html http: //www. periodismo. uchile. cl/contintanegra/2002/mayo/cultura. html http: //www. vanderbilt. edu/gallery/guayasamin/studies. html http: //www. vanderbilt. edu/gallery/guayasamin/graphics. html http: //www. tiwy. com/pais/ecuador/quito/oswaldo_guayasamin/esp. phtml http: //www. hoy. com. ec/especial/maestro/gale. htm http: //pintura. aut. org/BU 04? Autnum=11912&Empnum=0&Inicio=1 http: //www. viajeros. com/fotos/museo-guayasamin/690954