SURREALISM MARA SANZ SURREALISM Most Dada artists joined

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SURREALISM MARÍA SANZ

SURREALISM MARÍA SANZ

SURREALISM Most Dada artists joined the Surrealist movement as well Included many similar ideas

SURREALISM Most Dada artists joined the Surrealist movement as well Included many similar ideas -used Dada techniques to “release the unconscious” Exploration of ways to express in art the world of dreams and the unconscious Inspired by Freud and Jung - interested in the nature of dreams In dreams, people moved beyond the constraints of society Artists’ role: to bring inner and outer reality together Two forms of Surrealism: Biomorphic (interested in life forms): Joan Miro Dali, The Crucifixion, 1958. Naturalistic (recognizable scenes of nightmare or dream images): Rene Magritte, Salvador Dali

SURREALISM A style of art and literature developed principally in the 20 th century,

SURREALISM A style of art and literature developed principally in the 20 th century, in which fantastic visual imagery from the subconscious mind is used with no intention of making the artwork logically comprehensible. §Involves fantasy & dreams §Is illogical §Stresses the subconscious §Automatism – to allow your subconscious mind to take over in your art. §Demented sense of humor 1924 – 1950 s (between World Wars I & II) Europe (especially France and Spain) Magritte, Time Transfixed, 1938. Founded in 1924 by poet and critic Andre Breton who published The Surrealist Manifesto: join the world of fantasy to the everyday rational world in “an absolute reality, a surreality. ” Breton adapted theories of Sigmund Freud- dream analysis the unconscious is the wellspring of the imagination.

SURREALISM Pablo Picasso, Guernica, 1937.

SURREALISM Pablo Picasso, Guernica, 1937.

SURREALISM

SURREALISM

SURREALISM Rene Magritte (1898 -1967) Mother committed suicide when Magritte was 14 Known for

SURREALISM Rene Magritte (1898 -1967) Mother committed suicide when Magritte was 14 Known for placing realistic objects together in absurd combinations Rene Magritte, The Son of Man, 1964.

SURREALISM Rene Magritte The Human Condition 1933. Rene Magritte

SURREALISM Rene Magritte The Human Condition 1933. Rene Magritte

SURREALISM Rene Magritte The Human Condition 1935.

SURREALISM Rene Magritte The Human Condition 1935.

SURREALISM Jacques Louis-David, Madame Recamier, 1800.

SURREALISM Jacques Louis-David, Madame Recamier, 1800.

SURREALISM Magritte, David's Madame Recamier, 1950.

SURREALISM Magritte, David's Madame Recamier, 1950.

SURREALISM Rene Magritte Therapist 1941.

SURREALISM Rene Magritte Therapist 1941.

SURREALISM Magritte, Treachery of Images, 1928 -29.

SURREALISM Magritte, Treachery of Images, 1928 -29.

SURREALISM Rene Magritte, The False Mirror, 1935.

SURREALISM Rene Magritte, The False Mirror, 1935.

SURREALISM Magritte, The Lovers (2), 1928.

SURREALISM Magritte, The Lovers (2), 1928.

SURREALISM Salvador Dali At the young age of 10, Dalí first began painting Dalí

SURREALISM Salvador Dali At the young age of 10, Dalí first began painting Dalí embraced all the science of painting as a way to study the psyche through subconscious images. He called this process the Paranoiac Critical Method. As any paranoiac, the artist should allow these images to reach the conscience, and then do what the paranoiac cannot do: Freeze them on canvas to give consciousness the opportunity to comprehend their meaning. Dies of heart failure in 1989

SURREALISM Salvador Dali The images of Salvador Dali are very realistically rendered. He was

SURREALISM Salvador Dali The images of Salvador Dali are very realistically rendered. He was a superb draftsman and used that ability to create a dreamlike or nightmarish reality of his own. This image called Soft Boiled Beans was also said to be his premonition about the Spanish Civil War. Dali, Soft Boiled Beans, 1936.

SURREALISM Salvador Dali Decay and death are symbolized by a dead tree and a

SURREALISM Salvador Dali Decay and death are symbolized by a dead tree and a strange sea monster decomposing The limp watch indicates that someone has the power to twist time as he or she sees fit. Bottom Line: in time, everything will die and decay except time itself Dali, The Persistence Of Memory, 1931.

SURREALISM Salvador Dali, The Persistence Of Memory, 1931.

SURREALISM Salvador Dali, The Persistence Of Memory, 1931.

SURREALISM Photo of Dali, 1948 (Philip Halsman).

SURREALISM Photo of Dali, 1948 (Philip Halsman).

SURREALISM Salvador Dali, Disintergration of The Persistence Of Memory, 1954.

SURREALISM Salvador Dali, Disintergration of The Persistence Of Memory, 1954.

SURREALISM Salvador Dali, Cannibalism in Autumn, 1926 -27.

SURREALISM Salvador Dali, Cannibalism in Autumn, 1926 -27.

SURREALISM Salvador Dali, The Slave Market (Bust of Voltaire), 1940.

SURREALISM Salvador Dali, The Slave Market (Bust of Voltaire), 1940.

SURREALISM Salvador Dali, The Metamorphosis of Narcissus, 1937.

SURREALISM Salvador Dali, The Metamorphosis of Narcissus, 1937.

SURREALISM Jean-Francois Millet, The Angelus 1857 -59.

SURREALISM Jean-Francois Millet, The Angelus 1857 -59.

SURREALISM Dali, Archeological Reminiscence of Millet's Angelus, 1933 -35.

SURREALISM Dali, Archeological Reminiscence of Millet's Angelus, 1933 -35.

SURREALISM

SURREALISM

SURREALISM Salvador Dali, The Temptation of St. Anthony, 1946.

SURREALISM Salvador Dali, The Temptation of St. Anthony, 1946.

SURREALISM Joan Miro Organic forms that expand contract visually Used automatism - planned accidents

SURREALISM Joan Miro Organic forms that expand contract visually Used automatism - planned accidents Element of hallucination Very abstract, almost child-like images Combination of unconscious and conscious image-making Miro, Le Petit Rose, 1933

SURREALISM Joan Miro Joan Miró, A Dew Drop Falling from a Bird's Wing Wakes

SURREALISM Joan Miro Joan Miró, A Dew Drop Falling from a Bird's Wing Wakes Rosalie, who Has Been Asleep in the Shadow of a Spider's Web. 1939.

SURREALISM Joan Miro Dutch Interior I 1928.

SURREALISM Joan Miro Dutch Interior I 1928.

SURREALISM Joan Miro, Harlequin’s Carnival, 1924 -25.

SURREALISM Joan Miro, Harlequin’s Carnival, 1924 -25.

SURREALISM Joan Miro

SURREALISM Joan Miro