Room Acoustics Bouncing Around October 26 2007 9262020
Room Acoustics Bouncing Around October 26, 2007 9/26/2020 Room Acoustics
Music and Other Sounds Come from a source. The source is not isolated, it is in an environment. The environment can affect what the listener will hear: n n n 9/26/2020 Ambient noise level Properties of the wall, ceiling, etc. Other sources producing sound at the same time. Room Acoustics
Consider a Pulse of Sound WALL Reflection Sound Changes Different Travel Distances Many reflections occur at the same “time” 9/26/2020 Room Acoustics
Consider the following: 100 ft ear source 250 ft 500 ft. 9/26/2020 270 ft Room Acoustics 200 ft
Note Our ear will hear two sounds 40 ms apart as a but “rough” and, perhaps, as a fast echo. A room should be carefully designed to maintain a “pleasant” aural experience. This will be our concern today. 9/26/2020 Room Acoustics
A wall Sends a “delayed” reflection of the sound to the ear. n A matter of distance. The reflection may be synchronized with the source so that they may “interfere” The reflection may, be hindered by the absorption of the sound energy by the wall. There may be an echo. 9/26/2020 Room Acoustics
Example - Interference “Wall 9/26/2020 Room Acoustics
Also consider Wavelengths in music Note different wavelengths and compare with the size of a room. Wavelength will be an important variable in a room. 9/26/2020 Room Acoustics
Surfaces (Walls, floors, etc. ) Rough or Smooth Hard or soft Location with respect to listener Characteristics depend on the sound being detected. 9/26/2020 Room Acoustics
Two surfaces 9/26/2020 Room Acoustics
IS THIS A ROUGH SURFACE? ? ? 1 nm = 10 -12 meters =0. 0000001 m 9/26/2020 Room Acoustics
Again, Consider a Wall How smooth is it? Smooth is in the feel of the feeler! Smooth or Rough are Relative terms. We define: n n 9/26/2020 SMOOTH – Variations occur on a scale much smaller than a wavelength of the sound we are considering. ROUGH – The variations in the surface are comparable to the size of the wavelength. Room Acoustics
9/26/2020 Room Acoustics SMOOTH SPECULAR ROUGH DIFFUSE
SOFT Walls A soft wall (like rubber or cork) will yield when you push on it. Sound (music) pressure pushes on the wall. IF the wall deforms, than a force (p. A) times a distance (the deformation), means that the wave does WORK. The sound therefore loses some energy when it hits such a wall. The reflection isn’t as strong as one from an “unyielding” wall. 9/26/2020 Room Acoustics
Consider an outdoor concert Musicians on stage People in the audience No Walls or Ceilings Only reflections possible are from structures in back of the musicians. n 9/26/2020 And possibly the ground Room Acoustics
Useful aspects of reflection Think about the reverse! 9/26/2020 Room Acoustics
The old Greek Amphitheater 9/26/2020 Room Acoustics
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Closer Audience “Band Shell” 9/26/2020 Room Acoustics
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Care in a band-shell The focus can’t be too good because then all of the performers need to be at the same place. Since they can’t be, a vertical wall might be better. Real Band shells look right but really do NOT properly focus. ON PURPOSE! 9/26/2020 Room Acoustics
What does “focus” mean Sound waves hit a surface which can be called a mirror. The mirror surface can be curved so that rays of sound from different directions can be made to come together at the same place. n Like a lens In a concert hall, too much focusing can also mean that there is only ONE good seat in the house! 9/26/2020 Room Acoustics
EXAMPLE: The Ellipse A & B = foci 9/26/2020 Room Acoustics
Whispering Gallery Note – This Wren design was actually a spherical surface that doesn’t really focus that well. It probably comes close to a portion of an ellipse. 9/26/2020 Room Acoustics
APPROXIMATION ? ? 9/26/2020 Room Acoustics
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Parabolic Reflector 9/26/2020 Room Acoustics
Parabolic Receiver 9/26/2020 Room Acoustics
What about REAL Rooms? ? ? 9/26/2020 Room Acoustics
In a Real Room What about the walls? Smooth n How Smooth? WALL Rough n How Rough? Transmission properties? 9/26/2020 Room Acoustics
Another Factor RESONANCE 9/26/2020 Room Acoustics
Resonance Examples 9/26/2020 Room Acoustics
Speakers? 9/26/2020 Room Acoustics
At home with Shostakovich If you can see it, you can hear it! Wherever you see your speaker reflected in the mirror, that's a point of reflection that should receive diffusive 9/26/2020 absorptive, or in some cases, Room Acoustics acoustic treatment.
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Diffraction Sound can “bend” around objects. Sound can change its properties depending upon the size of the wavelength compared to objects. The Diffraction effect can be understood via one of the early theories of waves. 9/26/2020 Room Acoustics
A Bad Photo. . sorry ploop 9/26/2020 Room Acoustics
Huygen's Principle 1678 Polaroid Photo 9/26/2020 Room Acoustics
Huygen's Principle Every point on the front of a wave (wave front) acts as a source of spherical waves. The next position of the wave front will be the surface that is tangent to all of the other parts of the surface created in the same way. The spherical wave travels at the speed of sound. vt 9/26/2020 Room Acoustics
Another View 9/26/2020 Room Acoustics
A Slit (Window) 9/26/2020 Room Acoustics
Diffraction Through a SMALL Opening (comparable to l) DIFFRACTION 9/26/2020 Room Acoustics
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An Edge 9/26/2020 Room Acoustics
Sound Travels in straight Lines. Travels in crooked lines. Can be focused. Can be absorbed by a surface Can be diffracted Can interfere “with itself” Is dependent on the properties of the room. 9/26/2020 Room Acoustics
What else? Small objects will scatter or diffract sound so it can be heard in non-straight lines. n Around edges, etc. Small objects do very little to long wavelength sounds (low tones). They are like the Eveready Battery … they keep going and going …. . Higher frequency sounds will be deflected or absorbed more than low frequency sounds. 9/26/2020 Room Acoustics
We discussed Reflections 9/26/2020 Room Acoustics
What Do You Think? 9/26/2020 Room Acoustics
Or a school performance hall 9/26/2020 Room Acoustics
Professional Concert Hall (mucho Dolleros ) 9/26/2020 Room Acoustics
Surfaces 9/26/2020 Room Acoustics
s e l aff B Soft Walls 9/26/2020 People? ? ? Room Acoustics
Note Modern halls are adjustable for n n 9/26/2020 The piece being played The size of the audience Room Acoustics
Create a SUDDEN Sound loudness time Listen & Record with a microphone 9/26/2020 Room Acoustics
Real Example: Royal Festival Hall 9/26/2020 Room Acoustics
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Room Reflections Room full of sound! 9/26/2020 Room Acoustics
Room Full Of Sound Cut a small Window into the wall EACH SECOND THE SAME FRACTION OF SOUND WILL LEAK FROM THE ROOM LEADING TO WHAT IS CALLED EXPONENTIAL DECAY. 9/26/2020 Room Acoustics
Listen to the Room! 9/26/2020 Room Acoustics
Lets start a musical tone and listen to the auditorium with a sound recorder. 9/26/2020 Room Acoustics
How about the return to silence? There is a steady musical sound in the auditorium. The symphony is over. The music suddenly stops. It takes a certain time for the sound level to get to a very small level. The time it takes for the auditorium sound to drop to 1/1, 000 th of the steady level is called the REVERBERATION TIME. 9/26/2020 Room Acoustics
The Return to Peace Reverberation Time Reverberation time is the time the sound takes to be reduced to one millionth of its initial level. 9/26/2020 Room Acoustics
More Absorbing Materials 9/26/2020 Room Acoustics
A Formula NOT to be Remembered 9/26/2020 Room Acoustics
Let’s try a calculation – Living Room @ 500 Hz (Book states this wrong) 3 m 4 m 9/26/2020 Ceiling Area = 4 x 5 = 20 m 2 Effective = 0. 1 x 20 = 2 m 2 5 m Room Acoustics
Another Example 300 x 0. 1 same 9/26/2020 Room Acoustics
Reverberation Times Desired 9/26/2020 Room Acoustics
For Music Rooms must be carefully designed. The “engineering” contains a lot of “Kentucky Windage”. Different kinds of music require different acoustical designs. In the right room, you hear what the composer intended you to hear. 9/26/2020 Room Acoustics
http: //www. crutchfieldadvisor. com/ISEOrgbtcspd/learningcenter/home/speakers_roomacoustics. html 9/26/2020 Room Acoustics
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