Ringling Museum HUM 2230 Gallery 3 Renaissance Art

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Ringling Museum HUM 2230

Ringling Museum HUM 2230

Gallery 3: Renaissance Art in Northern Europe, 1350 -1550 EXERCISE 1: Lucas Cranach the

Gallery 3: Renaissance Art in Northern Europe, 1350 -1550 EXERCISE 1: Lucas Cranach the Elder, Cardinal Albrecht of Brandenburg as Saint Jerome, 1526 Lucas Cranach, 1526 Merode Altarpiece, 1425

Gallery 4: Late Gothic & Renaissance Art in Italy, 1350 -1550 EXERCISE 2: Giovanni

Gallery 4: Late Gothic & Renaissance Art in Italy, 1350 -1550 EXERCISE 2: Giovanni del Biondo, Madonna and Child with Saints and Angels, ca. 1380 -1390 Giovanni del Biondo Byzantine Mosaic (12 th cent)

Gallery 4: Late Gothic & Renaissance Art in Italy, 1350 -1550 Ghirlandaio (? )

Gallery 4: Late Gothic & Renaissance Art in Italy, 1350 -1550 Ghirlandaio (? ) Sandro Botticelli, 1481 -1483 ca.

Gallery 4: Late Gothic & Renaissance Art in Italy, 1350 -1550 Ghirlandaio (? )

Gallery 4: Late Gothic & Renaissance Art in Italy, 1350 -1550 Ghirlandaio (? ) Sandro Botticelli, 1481 -1483 ca.

Gallery 4: Late Gothic & Renaissance Art in Italy, 1350 -1550 Piero di Cosimo,

Gallery 4: Late Gothic & Renaissance Art in Italy, 1350 -1550 Piero di Cosimo, Italian, 1462 -1521, active in Florence, The Building of a Palace, c. 1515 -20

Gallery 6: The High Renaissance in Venice and Northern Italy, 1500 -1600 EXERCISE 3:

Gallery 6: The High Renaissance in Venice and Northern Italy, 1500 -1600 EXERCISE 3: Antonio Palma, Esther before Ahasuerus Antonio Palma, active in Venice, Esther before Ahasuerus, 1574

Compare Tintoretto, Christ Washing the Feet of His Disciples, c. 1547 Antonio Palma, active

Compare Tintoretto, Christ Washing the Feet of His Disciples, c. 1547 Antonio Palma, active in Venice, Esther before Ahasuerus, 1574

Gallery 6: The High Renaissance in Venice and Northern Italy, 1500 -1600 As sometimes

Gallery 6: The High Renaissance in Venice and Northern Italy, 1500 -1600 As sometimes from heaven to humble roofs Jupiter, benign, descends to us here below and, to prevent earthly eyes from being blinded by such a sublime sight, takes human form; So to my modest dwelling without the shine and dazzle of royal pomp came Henri, called to so vast a kingdom that one world alone cannot contain it. Although he came disguised, he nonetheless so imprinted upon my heart his heavenly merit that my natural strength abandoned me. So, being assured of my great affection, with a gracious and open spirit, he took my portrait, worked in colored enamel, away with him. -Veronica Franco, by Tintoretto? , ca. 1575

Gallery 8 and 10: Baroque Art in Italy, 1600 -1700 EXERCISE 4: Judith with

Gallery 8 and 10: Baroque Art in Italy, 1600 -1700 EXERCISE 4: Judith with the Head of Holofernes Francesco del Cairo, 1630 Caravaggio, 1598

Gallery 8 and 10: Baroque Art in Italy, 1600 -1700 EXERCISE 4: Judith with

Gallery 8 and 10: Baroque Art in Italy, 1600 -1700 EXERCISE 4: Judith with the Head of Holofernes Fede Galizia, 1596, Ringling Museum Other renderings of the same theme

Gallery 8 and 10: Baroque Art in Italy, 1600 -1700 EXERCISE 4: Judith with

Gallery 8 and 10: Baroque Art in Italy, 1600 -1700 EXERCISE 4: Judith with the Head of Holofernes Other paintings by Francesco del Cairo

Gallery 8 and 10: Baroque Art in Italy, 1600 -1700 The followers of Caravaggio

Gallery 8 and 10: Baroque Art in Italy, 1600 -1700 The followers of Caravaggio (Caravaggisti) Gerard van Kuijl, attributed to , active in Rome and Gorinchem, Narcissus, c. 1645 Caravaggio, Narcissus

Gallery 8 and 10: Baroque Art in Italy, 1600 -1700 The followers of Caravaggio

Gallery 8 and 10: Baroque Art in Italy, 1600 -1700 The followers of Caravaggio (Caravaggisti) Nicolas Regnier, Flemish, active in Rome and Venice, Saint Matthew and the Angel, c. 1625 Caravaggio, The Inspiration of Saint Matthew, 1602

Galleries 11 and 12: Dutch Realism and Representation, 1600 -1700 Exercise 5: Still Lives

Galleries 11 and 12: Dutch Realism and Representation, 1600 -1700 Exercise 5: Still Lives Jan Davidsz. de Heem (1606 -1684), Still Life With Parrots, late 1640 s. Frans Snyders, and studio Flemish, 1579 -1657, active in Antwerp Still Life with Dead Game, c. 1625/30

Galleries 11 and 12: Dutch Realism and Representation, 1600 -1700 Exercise 5: Still Lives

Galleries 11 and 12: Dutch Realism and Representation, 1600 -1700 Exercise 5: Still Lives Frans Snyders, attributed to Flemish, 1579 -1657, active in Antwerp Still Life with Fighting Monkeys, 1630 s Jacob Fopsen van Es Flemish, c. 1596 -1666 Still Life with Oysters