Renaissance Theatre 1500 1700 What was the Renaissance

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Renaissance Theatre (~1500 -1700)

Renaissance Theatre (~1500 -1700)

What was the Renaissance? n Began in Italy and spread to other European countries

What was the Renaissance? n Began in Italy and spread to other European countries n Rebirth of cultural interest n Looking at the world in new ways n Trying to surpass the Classical world n The arts were seen as an important part of learning and n n literary culture Spirit of inquiry led to disputes over religion Center of power shifted away from the church In England the official state religion changed 4 times in 1500 s When Queen Eliz I took the throne in 1558, she outlawed plays dealing with religion – that ended 200 years of religious theatre.

Italy during the Renaissance n Perspective drawing developed in 1400 s n Seen almost

Italy during the Renaissance n Perspective drawing developed in 1400 s n Seen almost as a form of magic n Became very important in scenery n Fixed point from audience to back of stage (from King or Queen’s seat) ** This signaled movement away from formal and architectural stages (like Greeks and Romans) to representational and pictoral stage.

Examples of Perspective Art Classic Renaissance Perspective Drawing

Examples of Perspective Art Classic Renaissance Perspective Drawing

Translating the Art to the Stage Perspective Scenery

Translating the Art to the Stage Perspective Scenery

Technical Drawing Scenery in Perspective

Technical Drawing Scenery in Perspective

Just for Fun

Just for Fun

…Italian Scenery n During 17 th Century (1600 s) – pictoral representations of “place”

…Italian Scenery n During 17 th Century (1600 s) – pictoral representations of “place” in stage scenery became standards in Europe into the 20 th C. n Changing scenery became necessary to change “place”

Classic Renaissance Theatres n Italian theatres were first – English were later n Very

Classic Renaissance Theatres n Italian theatres were first – English were later n Very elaborate in design and decoration n Permanent buildings to honor the importance of the arts n Closed in roof – often stained glass dome and chandeliers of candles n Footlights – candles along front edge of stage to light the stage

…more physical space n Auditorium divisions of boxes and levels of galleries reflected European

…more physical space n Auditorium divisions of boxes and levels of galleries reflected European social class. Box on side = wealthy showing off their position n Lower level seats are called “Orchestra” because they are close to the pit - best seats for seeing the play = for middle class or wealthy who don’t want to show off n Gallery (balcony) = for lower classes, higher up and in back – usually different stairways and doors n

Note Stained Glass Dome (later electrified)

Note Stained Glass Dome (later electrified)

Detroit Theatre turned garage

Detroit Theatre turned garage

Mansfield, Ohio Theatre

Mansfield, Ohio Theatre

Mansfield, Ohio Theatre

Mansfield, Ohio Theatre

Commedia dell’arte n Improvisation – plots and subplots, but improvised dialogue n Stock characters

Commedia dell’arte n Improvisation – plots and subplots, but improvised dialogue n Stock characters – standard costumes n Use of Mime and Pantomime n Traveled in companies n Re-Introduced women as equals

France during the Renaissance n 1548 – religious plays outlawed n 1630 s –

France during the Renaissance n 1548 – religious plays outlawed n 1630 s – Cardinal Richelieu (Louis X 111’s prime minister) was cultural leader Wanted to make France the cultural center of Europe n Had 1 st proscenium theatre built in own palace in 1641 n Looked to copy some of Italian theatre n

1640 s-1800 – Neoclassical Rules n Tragedy about Kings and Nobles n Comedy about

1640 s-1800 – Neoclassical Rules n Tragedy about Kings and Nobles n Comedy about middle and lower classe n All plays in 5 acts (like Greek episodes) n Unity of Time – action in 24 hours n Unity of Place – 1 set – unlike Italians n Unity of Action – 1 plot n All endings should have poetic justice

Types of French Plays n Sottie – French short plays at festivals n Bawdy

Types of French Plays n Sottie – French short plays at festivals n Bawdy burlesques of Roman Catholic Mass n Mock Mass – satire of religious service n Buffoonery and noise n Farce – Fully developed play also based on satire Sometimes bawdy n Usually just silly with slapstick humor n

Important French Playwright n Moliere – Jean Baptiste Poquelin (1622 -1673) n 1643 –

Important French Playwright n Moliere – Jean Baptiste Poquelin (1622 -1673) n 1643 – Theatre Illustre – 9 friends – toured for 15 years n 1658 – King liked them – Court Theatre – subsidy n Controversial Subjects – obsessive behavior and repressive customs n Mostly farces and stock characters

Omaha’s Orpheum Theatre

Omaha’s Orpheum Theatre

Seattle’s Paramount Theatre

Seattle’s Paramount Theatre

Buenos Aires, Argentina

Buenos Aires, Argentina