Rasa MOST IMPORTANT CONCEPT OF INDIAN TRADITIONAL AESTHETIC

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‘Rasa’ MOST IMPORTANT CONCEPT OF INDIAN TRADITIONAL AESTHETIC THEORY PHILOSOPHY GIVEN BY BHARATA IN

‘Rasa’ MOST IMPORTANT CONCEPT OF INDIAN TRADITIONAL AESTHETIC THEORY PHILOSOPHY GIVEN BY BHARATA IN ‘NATYASHASTRA’

Karuna Rasa Shringara Rasa Veera Rasa Hasya Rasa Bhayankara Rasa Vibhatsa Rasa Adbhuta Rasa

Karuna Rasa Shringara Rasa Veera Rasa Hasya Rasa Bhayankara Rasa Vibhatsa Rasa Adbhuta Rasa Raudra Rasa Shanti Rasa

KARUNA RASA THE COMPASSIONATE KEYWORDS Sadness, Pathos SYNONYMS Considerate, Sorrow, Misery, Grief ATTRIBUTED COLOUR

KARUNA RASA THE COMPASSIONATE KEYWORDS Sadness, Pathos SYNONYMS Considerate, Sorrow, Misery, Grief ATTRIBUTED COLOUR Light Grey (White, Background 1, 15%)

KARUNA RASA

KARUNA RASA

SHRINGARA RASA THE EROTIC KEYWORDS Love, Fondness, Yearning, Tenderness SYNONYMS Passion, Enchantment, Infatuation, Idolatry,

SHRINGARA RASA THE EROTIC KEYWORDS Love, Fondness, Yearning, Tenderness SYNONYMS Passion, Enchantment, Infatuation, Idolatry, Narcissism, Seduction ATTRIBUTED COLOUR Purple (Purple, Accent 4)

SHRINGARA RASA

SHRINGARA RASA

VEERA RASA THE HEROIC KEYWORDS SYNONYMS Valour Courage, Bravery, Gallantry ATTRIBUTED COLOUR Light Green,

VEERA RASA THE HEROIC KEYWORDS SYNONYMS Valour Courage, Bravery, Gallantry ATTRIBUTED COLOUR Light Green, (Olive Green, Accent 3, Lighter 80%)

VEERA RASA

VEERA RASA

HASYA RASA THE COMIC KEYWORDS SYNONYMS Laughter, Humour Wit, Hilarity ATTRIBUTED COLOUR White (White,

HASYA RASA THE COMIC KEYWORDS SYNONYMS Laughter, Humour Wit, Hilarity ATTRIBUTED COLOUR White (White, Background 1)

HASYA RASA

HASYA RASA

BHAYANKARA RASA THE TERRIFYING KEYWORDS Fear SYNONYMS Anxiety, Apprehension, Intimidation ATTRIBUTED COLOUR Black (Black,

BHAYANKARA RASA THE TERRIFYING KEYWORDS Fear SYNONYMS Anxiety, Apprehension, Intimidation ATTRIBUTED COLOUR Black (Black, Text 1)

BHAYANKARA RASA

BHAYANKARA RASA

VIBHATSA RASA THE DISGUSTING KEYWORDS SYNONYMS Aversion Dislike, Loathing, Repugnance ATTRIBUTED COLOUR Blue

VIBHATSA RASA THE DISGUSTING KEYWORDS SYNONYMS Aversion Dislike, Loathing, Repugnance ATTRIBUTED COLOUR Blue

VIBHATSA RASA

VIBHATSA RASA

ADBHUTA RASA THE AWESOME KEYWORDS SYNONYMS Surprise Disclosure, Blow, Astonishment ATTRIBUTED COLOUR Yellow

ADBHUTA RASA THE AWESOME KEYWORDS SYNONYMS Surprise Disclosure, Blow, Astonishment ATTRIBUTED COLOUR Yellow

ADBHUTA RASA

ADBHUTA RASA

RAUDRA RASA THE WRATHFUL KEYWORDS SYNONYMS Anger, Vengeance, Arrogance Fury, Temper, Ire, Frenzy ATTRIBUTED

RAUDRA RASA THE WRATHFUL KEYWORDS SYNONYMS Anger, Vengeance, Arrogance Fury, Temper, Ire, Frenzy ATTRIBUTED COLOUR Red

RAUDRA RASA

RAUDRA RASA

SHANTI RASA THE PEACEFUL KEYWORDS SYNONYMS Calm Serene, Quiet, Tranquil, Composed ATTRIBUTED COLOUR White

SHANTI RASA THE PEACEFUL KEYWORDS SYNONYMS Calm Serene, Quiet, Tranquil, Composed ATTRIBUTED COLOUR White (White, Background 1)

SHANTI RASA

SHANTI RASA

ARCHITECTURAL RELEVANCE OF THE NAVRASA THEORY

ARCHITECTURAL RELEVANCE OF THE NAVRASA THEORY

KARUNA RASA GENERAL ELUCIDATION ARCHITECTURAL EXAMPLE • Closed courts • Introverted planning • Rendering

KARUNA RASA GENERAL ELUCIDATION ARCHITECTURAL EXAMPLE • Closed courts • Introverted planning • Rendering the aura with a sense of relaxation Nalakettu , India (traditional Kerala home with a quadrangle in the centre)

SHRINGARA RASA GENERAL ELUCIDATION ARCHITECTURAL EXAMPLE • Erotic environment • A house near a

SHRINGARA RASA GENERAL ELUCIDATION ARCHITECTURAL EXAMPLE • Erotic environment • A house near a water body, like a pond; a large number of mango and other fruitbearing trees in the vicinity The Taj Mahal, Agra, India

VEERA RASA GENERAL ELUCIDATION ARCHITECTURAL EXAMPLE • Architecture that champions a noble cause •

VEERA RASA GENERAL ELUCIDATION ARCHITECTURAL EXAMPLE • Architecture that champions a noble cause • Could almost border on arrogance The Southern India Gopuram Sculpture

HASYA RASA GENERAL ELUCIDATION • Experienced in ARCHITECTURAL EXAMPLE an abnormal variation from the

HASYA RASA GENERAL ELUCIDATION • Experienced in ARCHITECTURAL EXAMPLE an abnormal variation from the usual. • Emotions arising out of exaggerated confusion, irony or even pain Kappal Matha Church in Uvari, Tamil Nadu, India

BHAYANKARA RASA GENERAL ELUCIDATION ARCHITECTURAL EXAMPLE • An edge-of-a-cliff situation. • An illustration could

BHAYANKARA RASA GENERAL ELUCIDATION ARCHITECTURAL EXAMPLE • An edge-of-a-cliff situation. • An illustration could be a building constructed on a cliff and its glass balcony. Prabalgad Fort, Padaghe, Maharashtra, India

VIBHATSA RASA ARCHITECTURAL EXAMPLE GENERAL ELUCIDATION • Synonymous sickening to a distaste or dislike;

VIBHATSA RASA ARCHITECTURAL EXAMPLE GENERAL ELUCIDATION • Synonymous sickening to a distaste or dislike; deep aversion and repugnance. • Incidental architecture born more out of some Infosys, Rajiv Gandhi Infotech Park, Hinjawadi, Taluka Mulshi, Pune, India

ADBHUTA RASA GENERAL ELUCIDATION ARCHITECTURAL EXAMPLE • Contortion in the built form of any

ADBHUTA RASA GENERAL ELUCIDATION ARCHITECTURAL EXAMPLE • Contortion in the built form of any kind will invoke such emotions. • Any architecture that plays on scale and the human proportion. Orange County, Ahinsa Khand 1, Indirapuram, Ghaziabad, Uttar Pradesh, India

RAUDRA RASA GENERAL ELUCIDATION ARCHITECTURAL EXAMPLE • An office of an adamant NGO fighting

RAUDRA RASA GENERAL ELUCIDATION ARCHITECTURAL EXAMPLE • An office of an adamant NGO fighting social evil would perhaps justify such emotions. Antilia, Mumbai, Maharashtra, India

SHANTI RASA GENERAL ELUCIDATION • A culmination of all these eight aforementioned moods together.

SHANTI RASA GENERAL ELUCIDATION • A culmination of all these eight aforementioned moods together. • It would be easier for the architect to work on Peace or Shanti as an individual entity rather than a sum of parts.

RASAS AND THEIR WESTERN ARCHITECTURAL COUNTERPARTS

RASAS AND THEIR WESTERN ARCHITECTURAL COUNTERPARTS

Organic Architecture Corresponds to KARUNA RASA Jean-Marie Tjibaou Cultural Centre, Noumea, New Caledonia It

Organic Architecture Corresponds to KARUNA RASA Jean-Marie Tjibaou Cultural Centre, Noumea, New Caledonia It sought to make a tribute to a culture based on respect for its history and traditions, past, present and future, as well as its sensitivity.

Art-Nouveau Style Corresponds to SHRINGARA RASA A fine example of Art Nouveau, a stunning

Art-Nouveau Style Corresponds to SHRINGARA RASA A fine example of Art Nouveau, a stunning staircase designed by Victor Horta The dry and unnuanced eroticism of art nouveau is evident in its serpentine iconography and richly seductive colours.

Skyscraper Corresponds to VEERA RASA Record shattering hero : the Burj Khalifa, Dubai, United

Skyscraper Corresponds to VEERA RASA Record shattering hero : the Burj Khalifa, Dubai, United Arab Emirates The tower was to be a symbol of the triumph of the modern west and also of a masculine heroism

Post Modern Style Corresponds to HASYA RASA Duck House, Flanders, New York, USA Classical

Post Modern Style Corresponds to HASYA RASA Duck House, Flanders, New York, USA Classical features in a playful way.

Brutalism Corresponds to BHAYANKARA RASA The Research Institute for Experimental Medicine Unadorned and roughcast

Brutalism Corresponds to BHAYANKARA RASA The Research Institute for Experimental Medicine Unadorned and roughcast concrete was used; adding to its unfortunate reputation for evoking a bleak dystopian future.

Deconstruction Corresponds to VIBHATSA RASA ‘Deconstructing the Churches’ is a series of photo collages

Deconstruction Corresponds to VIBHATSA RASA ‘Deconstructing the Churches’ is a series of photo collages Part of a larger series of photos, these images visually deconstruct parts of the real world that we normally think of as stable.

Fascist Corresponds to ADBHUTA RASA The Palace of Justice, Milan (designed by Marcello Piacentini)

Fascist Corresponds to ADBHUTA RASA The Palace of Justice, Milan (designed by Marcello Piacentini) Characterised by Monumental austerity and abstract formalism one is left in awe of it and doesn’t quite know what to make of these.

Deconstruction Corresponds to RAUDRA RASA Port House, Antwerp's Port Authority It’s impossible to be

Deconstruction Corresponds to RAUDRA RASA Port House, Antwerp's Port Authority It’s impossible to be indifferent to a building that looks like a giant spaceship, or an artist’s rendering of a meteorite, or a kind of

RESULTS AND DISCUSSION Emotions in architecture have been there since time immemorial, be it

RESULTS AND DISCUSSION Emotions in architecture have been there since time immemorial, be it in Western thought or Indian. Papers have been written by Hernan and Mastandrea in 2009 and Droog and de Vries in 2009 on emotions in architecture in the Western orientation. Both have stated that there are four types of Aesthetic Emotions However, the Indian aesthetic theory states that there are nine types of emotions in their Navarasa Theory, which is a refinement and a far more elaborate expression.

RESULTS AND DISCUSSION Several Indian architects like Raj Rewal and Charles Correa have made

RESULTS AND DISCUSSION Several Indian architects like Raj Rewal and Charles Correa have made references to the Rasas but none have very consciously used them in their design development. This discussion on Navarasa Theory may provide an idea to the young future designers to use theories and produce architecture which will be in the realms of Classical Art as it has been used by ancient Indian dancers, musicians and artists.

“You employ stone, wood and concrete, and with these materials you build houses and

“You employ stone, wood and concrete, and with these materials you build houses and palaces. That is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good, I am happy and I say: "This is beautiful. " That is Architecture. Art enters in”. (“Le Corbusier - Wikiquote, ” n. d. )