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PROSE n Approach in Fiction Analysis Intrinsic Analysis n Extrinsic Analysis n
PROSE Intrinsic Analysis: An analysis of a literary work in which the elements of the work are the focus of the analysis. In another work the analysis studies, describes, explains or interpret the internal aspect of the literary work (fiction)
PROSE n Intrinsic Analysis The soul depression of a wife portrayed in Kate Chopin’s The Story of an Hour. n The analysis of symbols in Nathaniel Hawthorne's Young Goodman Brown n
PROSE n Extrinsic Analysis: An analysis of a literary work (e. g. fiction) in which the focus of the analysis is not on the elements but on external factors or aspects like cultural background, the author, etc.
PROSE n Extrinsic Analysis n ‘Aristocratic family life in the Southern U. S portrayed in A Rose for Emily’ n ‘The way of life and thought of the European upper class as portrayed in the movie Titanic’.
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Prose Plot Crisis/Climax Rising action/ Complication Falling action Resolusion/Denuement Begin/exposition
PROSE n Crisis/Climax n n n In the climax the conflicts of the story reach the highest tension or the peak of conflicts Climax When they reach the peak so there must be no new conflict/s would come up. In this stage, the (main) character/s try to find the solution of the conflict/s Crisis In finding the solution of the conflict/s the character/s have to decide or choose or make a decision.
Conflict n n n Any problems or two opposing powers/events occurred in a story. It is the story all about. What the story really tell
Conflict Based on the source, the conflict can be divided into two: Internal Conflict n External Conflict n
Conflict n Internal Conflict that comes from the internal factor of the characters The conflict of spiritual n The conflict of mind n The conflict of … n
Conflict n External Conflict that comes from the External factor of the characters n The conflict between man and man n The conflict between man and society n The conflict between man and nature
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Prose Setting Function • background • Reinforcing theme • Antagonist To determine the relation between the story and the setting by finding out the function Place/Time
Prose Setting Function • Background • No significant relation between the story and the setting • If the setting changed, there’s no significant effect to the whole story
Prose Setting Function • Reinforcing theme • The setting and the story have close relation. Actually, the story has something to do with the setting. • If the setting changed, there will be significant effect to the whole story.
Drama / Play Setting Function • Antagonist • The conflict is external conflict; Man vs nature.
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PROSE
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