Prose Interpretation Its not just about reading a

Prose Interpretation It’s not just about reading a cute story!

An Overview • Prose allows us to grasp the great world beyond our front door. • The LITERATURE should be the focus, not the performer. • An Oral Interpreter of Prose brings LITERATURE TO LIFE in the minds (not eyes) of the audience. • The Interpreter serves as a liaison between the literature and the audience.

An Overview • The Interpreter takes on the role of the storyteller in the absence of the Author, but has the responsibility to bring out the underlying meanings behind the words, as well. • The Interpreter makes decisions about how the literature is brought to life, but should still allow the audience to utilize their own imaginations.

Prose Guidelines Prose expresses thought through language recorded in sentences and paragraphs. • Selections must be published and no plays or other dramatic Prose includes: Fiction material may be used. (short stories, novels) • The time limit is not more than Non-fiction (articles, essays, journals, five minutes biographies). • Presentations must be from a printed sheet with only the words being presented. Reading from a book or magazine is not permitted.

Choice of Literature A good choice for Prose should be: • Universal in theme • Memorable beyond the immediate moment • Tailor-matched to the presenter

Your Role as the Interpreter • The purpose is to stimulate the presenter to find the meaning of printed prose and to communicate the meaning orally to his/her listeners. • Participation in this assignment should also assist in the development of critical techniques in the evaluation of prose. • Oral interpretation of prose is to convey subtleties of meaning of prose and feeling through vocal control.

The Interp Book • The true beauty of orally reading literature is that each audience member is allowed the creativity and freedom to relate, identify and react to it on their own. • Organize your ‘book’ so it can be read with ease, choose a small binder or develop a means of reading your piece smoothly in a similar orientation.

Performance Techniques • Do not allow physical action to overshadow the spoken word. • Allow the voice, face, eyes, and gestures to work in unison with the literature. • Avoid technical tricks for the sole purpose of achieving audience reactions.

Performance Techniques Realize that as the Oral Interpreter of the Literature, you have a proxemic intimacy with the audience that cannot be matched by a performer on stage. The Interpreter receives immediate feedback and should not cross the audience's comfort level between suggesting personae and becoming personae in literature.

The Four “I”s of Prose Interp • Intelligence: Use your intelligence to choose a selection of good literature that suits you and will interest your audience. Imagery: Choose a selection that will allow you to vocally create word pictures. It is the interpreter's job to create a memorable, positive performance. A good prose selection should make the audience want more and give them something to mentally digest. Finding and selecting the right prose interp is as every bit as difficult as finding the right humor or drama script!

The “I”s of Prose Interp • Intensity: involves establishing the correct tone and mood. Essentially, this refers back to the fact of, "Where are you coming from? " Keep in mind that a good prose does not have to be about death, dying, and depression. There are many excellent selections out there that deserve your attention. • Imagination: deals with your creativity. What can you do with this piece without distorting the author's intent? Experiment and be brave. Remember that your overall goal is to make the author's work come alive for the listener.

Final Prose Tips A. Avoid over exaggeration. B. Know your commitment to the piece of literature. C. How will you use silence? Let the pause work for you. D. Decide which vocal traits -- tempo, rhythm, range, and quality (practice using many types) will most accurately convey your meaning to the judge/audience. E. Muscle memory – often referred to as the "theory of remembered action. " It aids in suggesting hurry or leisure, activity or passivity, tension or relaxation.

Final Prose Tips, continued…. F. Use your script to your advantage. You are not a robot. Gestures are still allowed and of great importance in establishing overall impact. G. Maintain eye contact with your script. It is your tool. I would suggest a 60% eye contact with the audience and a 40% eye contact with your script. This is not a memorized event. H. Suggestion becomes paramount -- in prose interp, all is not told to the audience. There must be room for the reader's imagination to work.

Where to Find Material • Search Literature resources in the library for short stories or suggested novels • Ask your Language Arts Professor to recommend good books or short stories • Ask your Librarian for suggestions • Think of a role model, hero, or favorite performer of yours, and read their autobiographies. • Get a coffee and hang out at a bookstore… read some best-selling books and essays • Ask the clerks for their recommendations • Don’t forget about the COMEDY section! It’s ok to make people laugh in a Prose room. Browse through some popular comedian’s books!

Have a Blast! If you don’t love your Prose, neither will your audience!