Old Exam questions multiple choice This work is

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Old Exam questions (multiple choice) This work is from the ___________ period. Early Medieval

Old Exam questions (multiple choice) This work is from the ___________ period. Early Medieval It is representative of that period’s ________ Culture of the Book It depicts ______ an Evangelist (St Matthew) writing the Gospel

Romanesque A key style of the Early Medieval Textbook pp. 145 -151

Romanesque A key style of the Early Medieval Textbook pp. 145 -151

Fontenay Abbey, 1139 -47 not in text

Fontenay Abbey, 1139 -47 not in text

Abbey St Marie, Souillac-Chevet, 12 th c.

Abbey St Marie, Souillac-Chevet, 12 th c.

Poitiers, early 12 th c. not in text

Poitiers, early 12 th c. not in text

Some definitions Romanesque – architectural style in vogue between 1050 and 1200, consisting of

Some definitions Romanesque – architectural style in vogue between 1050 and 1200, consisting of semi-circular arches, relatively massive walls supported by buttresses, and consequently smaller openings for natural light. The Romanesque style evolved as rapidly as the Gothic which replaced it, and despite the Romanesque interior's reputation for gloominess, great sanctuaries such as Vezelay and Autun achieve a lightness and a luminosity which rival those of the first Gothic edifices. Term coined around 1825. 900 -1200. In architecture the Romanesque is typified by the use of the round arch and conspicuously heavy construction. In painting and sculpture forms are often expressively distorted to convey religious emotion. [Textbook] the medieval artistic style of c. 900 -1200, in architecture characterized by the use of rounded arches, tunnel vaults, and other features of Roman architecture (hence the name "Romanesque“) Note that Roman realism is not part of the Romanesque style.

St. Sernin see text p. 148 -149

St. Sernin see text p. 148 -149

St. Sernin

St. Sernin

Church of La Madeleine, Vezelay, France, c. 1120 -32

Church of La Madeleine, Vezelay, France, c. 1120 -32

interior, Church of La Madeleine, Vezelay, France, c. 1120 -32 Some influences from the

interior, Church of La Madeleine, Vezelay, France, c. 1120 -32 Some influences from the Islamic world. . .

Great Mosque of Cordoba, interior Spain c. 736

Great Mosque of Cordoba, interior Spain c. 736

San Zeno Maggiore Verona, 1120 -38 not in text

San Zeno Maggiore Verona, 1120 -38 not in text

San Zeno Maggiore Verona, 1120 -38

San Zeno Maggiore Verona, 1120 -38

San Zeno Maggiore Verona, 1120 -38

San Zeno Maggiore Verona, 1120 -38

San Zeno Maggiore Verona, 1120 -38

San Zeno Maggiore Verona, 1120 -38

Church of La Madeleine, Vezelay, France, c. 1120 -32 tympanum see text p. 131,

Church of La Madeleine, Vezelay, France, c. 1120 -32 tympanum see text p. 131, 151

The Romanesque approach to the human form

The Romanesque approach to the human form

Tympanum, Church of La Madeleine, Vezelay, France, c. 1120 -32 Not in textbook Proportions?

Tympanum, Church of La Madeleine, Vezelay, France, c. 1120 -32 Not in textbook Proportions?

Tympanum, left detail, Church of La Madeleine, Vezelay, France, c. 1120 -32

Tympanum, left detail, Church of La Madeleine, Vezelay, France, c. 1120 -32

Tympanum, right detail, Church of La Madeleine, Vezelay, France, c. 1120 -32

Tympanum, right detail, Church of La Madeleine, Vezelay, France, c. 1120 -32

Mystic Mill, Moses & St Paul Grinding Corn, capitol, Church of La Madeleine, Vezelay,

Mystic Mill, Moses & St Paul Grinding Corn, capitol, Church of La Madeleine, Vezelay, France, c. 1120 -32 hair “flows” into drapery of clothing Another art history text interprets this as a wine press textbook, p 149

Demon & Woman, capitol, Church of La Madeleine, Vezelay, France, c. 1120 -32 serpent

Demon & Woman, capitol, Church of La Madeleine, Vezelay, France, c. 1120 -32 serpent Not in textbook

Gislebertus, Last Judgment, tympanum detail, Autun, France, c. 1120 -35 detail, p. 147 –

Gislebertus, Last Judgment, tympanum detail, Autun, France, c. 1120 -35 detail, p. 147 – 5 th general view, p 130

San Zeno Maggiore Verona, 1120 -38 No in-the-round human forms – all relief sculpture

San Zeno Maggiore Verona, 1120 -38 No in-the-round human forms – all relief sculpture

San Zeno Maggiore Verona, 1120 -38

San Zeno Maggiore Verona, 1120 -38

San Zeno Maggiore Verona, 1120 -38

San Zeno Maggiore Verona, 1120 -38

Visitation 11 -12 th c. Spain fresco p. 144

Visitation 11 -12 th c. Spain fresco p. 144

Next up - Late Medieval & Gothic

Next up - Late Medieval & Gothic

EARLY MEDIEVAL SUMMARY 800 -1150 • POLITICS – Charlemagne, Ottonian (German) emperors • ARCHITECTURE

EARLY MEDIEVAL SUMMARY 800 -1150 • POLITICS – Charlemagne, Ottonian (German) emperors • ARCHITECTURE – Romanesque Style, c. 900 • ART – relief sculpture and a fantastic approach to human form • IDEAS – The Culture of the Book; monasteries • MUSIC – consolidation of chant; early notation neumes & staff (staff c. 1000)

Name: St. Sernin style: Romanesque elements: - round arches - a few narrow windows

Name: St. Sernin style: Romanesque elements: - round arches - a few narrow windows - heavy see text p. 145 -150 Hard to find parking

New Anchor Dates 1000 - Musical STAFF used for - CHANT in the -

New Anchor Dates 1000 - Musical STAFF used for - CHANT in the - EARLY MEDIEVAL PERIOD in - MONASTERIES 1066 - BATTLE OF HASTINGS depicted in the - BAYEUX TAPESTRY which we associate with - FEUDALISM

Up to dates? 480 BC 0 547 Start of CLASSICAL GREEK PERIOD Just after

Up to dates? 480 BC 0 547 Start of CLASSICAL GREEK PERIOD Just after the start of the ROMAN EMPIRE; Caesar Augustus reigns SAN VITALE; sort of end of Early Christian period c. 1000 Guido describes the musical staff