Migration Images and reflections on migration Making Multicultural

Migration Images and reflections on migration Making Multicultural Australia - http: //www. multiculturalaustralia. gov. au

• Nina Skoroszewski (nee Antonina Libiszowska), passenger no. 1060 on the wharf Bremerhaven, waiting to board the transport “Delmenhorst” for Australia. 31 August 1950. • Photo: Nina Skoroszewski collection.

• Six of the first seven Australian citizens pose on the steps of the Hotel Kurrajong. They were awarded citizenship in Canberra, 3 February 1949. • Photo: Department of immigration and Multicultural Affairs, 1949, Catalogue No. 49/12 A/1

• The “Castle Verde” arrived at Melbourne’s Station Pier on the 11 th of April 1954. • Photo: Department of immigration and Multicultural Affairs, 1954, Catalogue No. 54/4/37 A.

• Immigrants arrive by • ship. Photo: Peter Morris collection

• Polish, and possibly other refugees, waiting to board ship for Australia after the war. • Photo: Oral History Project of the Bankstown Youth Development Service.

• Thirty young Britons are warmly greeted in Australia as the first assisted passenger migrants to emigrate by air. They paid ten pounds. The first party arrived in January 1959. • Photo: Department of Immigration and Multicultural Affairs, 1959, Catalogue No. 59/4/5

• Little Polish boy bound • for Australia, around 1947. Photo: Oral History Project of the Bankstown Youth Development Service.

• In the 1960 s, • immigrants increasingly arrived by plane. Photo: Peter Morris collection

• White Australia shows Black Australia to a new immigrant: “Australian Aboriginal in full war paint, ” a Queensland Government photo in the Mowbray Series of Scenic and Historic Views, circa 1950. • From the collection of Nina Skoroszewski.

• “Gold II”, Arrival series – silkscreen, 1990, artist: Milan Milojevic. • This series of artworks by Hobart- based Milan Milojevic, illustrates the contrast between the hopes and expectations of the post-war migrants and the harsh realities they encountered on arrival here. Intead of finding their fortunes or “gold” here, many encountered difficult living conditions and a lack of job opportunities. • Collection of the Artist.

• • These images are free for your use for educational purposes, however not for publication. For more copyright information go to www. multiculturalaustralia. gov. au