Matthaeus Guenther Scetch for aeneas fresco in the

Matthaeus Guenther , Scetch for aeneas fresco in the Neues Schloss Stuttgart. 1757

Thornhill, James Dido and Aeneas

James THORNHILL, Dido and Aeneas

Aeneas welcomed at Carthage by Dido, In the background is the ruined city of Troy, from where Aeneas has come from, and the Trojan fleet. From Virgil's "Aeneid". c 1497 -c 1499. British Library, London

Sir Nathaniel Dance-Holland The Meeting of Dido and Aeneas , 1766

Nicolas Verkolye Dido and Aeneas , early 1700 s

Thornhill James , Dido and Aeneas

Solimena, Francesco (1657 -1747) Aeneas and Dido. Museo Nazionale di Capodimonte, Naples

SOLIMENA, Francesco Dido Receiving Aeneas and Cupid Disguised as Ascanius , 1720 s National Gallery, London

GUÉRIN, Pierre-Narcisse Dido and Aeneas , 1815 Musée du Louvre, Paris

TIEPOLO, Giovanni Battista Aeneas Introducing Cupid Dressed as Ascanius to Dido , 1757 Villa Valmarana, Vicenza

Bourdon, Sebastien Elias Weckherlin. Pocket watch: "Meeting of Dido and Aeneas" after Sebastien Bourdon. Middle of the 17 th century; Louvre, Paris,

Convivium Vatican Vergil, Aeneas tells Dido the story of his past ( Aeneid , Books 2 -3)

Giovanni Francesco Romanelli Dido Showing Aeneas Her Plans for Carthage , 1630 -35

Jones, Thomas Hampson Landscape with Dido and Aeneas , (Storm) , 1769 The Hermitage, St. Petersburg

TURNER, Joseph Mallord William Dido building Carthage, or The Rise of the Carthaginian Empire 1815

Landscape with the Union of Dido and Aeneas , about 1664 -8 DUGHET, Gaspard & MARATTA, Carlo For the subject see the 'Aeneid' (4: 119. (Dido and Aeneas are in the cave at the right; in the sky at the left Juno , Venus and Hymen. The figures and the dogs are by the Roman painter, Carlo Maratta, and the landscape by Dughet. The picture was recorded in the Palazzo Falconieri, Rome, in 1717 where it remained until around 1800.

Guido Reni: Dido und Aeneas , 1621

Aeneid: Aeneas and Dido. Virgil, Oeuvres, Commentary of Servius. 1469. Bibliotheque Municipale, Dijon, France

Skréta, Karel Dido and Aeneas , 1670 Národni Galerie , Prag

Dido and Aeneas. From "Le live des Cleres et nobles femmes, " by Giovanni Boccaccio. France, 1460. Illuminated manuscript page, Musée Condé, Chantilly, France

TURNER, Joseph Mallord William Dido and Aeneas Leaving Carthage on the Morning of the Chase 1814

Miel, Jan Aeneas and Queen Dido hunting. Musee Municipal, Cambrai, France

Francesco Solimena The Royal Hunt of Dido and Aeneas , 1712— 14

Dido and Aeneas take refuge in a cave Manuscript, Vergilius Romanus, Fol. 106 r.

Giovanni Battista Tiepolo Venus Appearing to Aeneas on the Shores of Carthage Fresco, 1757 Villa Valmarana, Vicenza

Schiavone, Andrea Meldolla Aeneas takes leave of Dido Kunsthistorisches Museum, Vienna, Austria Schiavone, Andrea Meldolla Aeneas End of Dido Kunsthistorisches Museum, Vienna, Austria

CLAUDE LORRAIN Aeneas's Farewell to Dido in Carthago , 1676 Kunsthalle, Hamburg

דידו חשה כי אינה יכולה לחיות בלי אייניאס . ומייחלת למוות Ligare, David Dido resolved (With the loss of Aeneas, Dido has resolved to commit suicide)

Sacchi Andrea, 1599 -1661 Dido preparing to kill herself with Aeneas 'sword

Augustin CAYOT, La Mort de Dido , Musée du Louvre

LIBERALE da Verona , about 1445 - 1527/ Dido's Suicide , early 16 th century Dido , having been abandoned by Aeneas , commits suicide on a pyre composed of his armour and his gifts to her, in her palace in Carthage. The details in this painting do not follow exactly the story as told in Virgil's 'Aeneid' (IV: 504 ff). Some figures come from a Dürer print ('Five Lansquenets and an Oriental on Horseback') which probably dates from the mid-1490 s, and the influence of Mantegna is also evident. This painting was probably a panel from a "cassone ". This is usually accepted as a work by Liberale da Verona.

The Death of Dido (studio of Rubens, detail )

Dido and Aeneas, Scenes from Virgil's Aeneid. The manuscript was probably produced for Ludovico Agnelli, Bishop of Cosenza, Italy. 1497 -1499. British Library, London

Scenes from Vergil, Aeneid , Vergil MS Vat. lat. 4 th century Vatican, Biblioteca Apostolica , Rome Aeneas leaving Carthage The penates call Aeneas to on a ship as Dido watches The Winds Attack Aeneas' Fleet leave Cretes for Italy. from her tower Dido's Sacrifice to the Gods in her love for Aeneas Suicide of Dido‘s Death

The Low Ham Roman Mosaic The mosaic was found in 1946 during excavations on an exceptionally large villa at Low Ham, in south east Somerset. Dating to the mid 4 th century AD, it lay in the bath block and formed the approach to the cold plunge bath. The Low Ham mosaic is unique in Roman Britain in that the five panels provide a narrative. In fact it is the earliest piece of narrative art in the country. It depicts the story of Aeneas and Dido as told by the Roman poet . Virgil in The Aeneid, written in the 1 st century B. C

Turner, Joseph Mallord William Äneas und die Cumaeische Sibylle , 1814 -1815 Yale Center for British Art New Haven (Connecticut)

Dosso Dossi Aeneas at the Entrance to the Elysian Fields

Brueghel, Jan the Elder (Velvet) Aeneas and the sibyl in Hades, 1600. Kunsthistorisches Museum, Vienna

Crespi, Giuseppe Maria Aeneas, the Sibyl and Charon , 1700. Kunsthistorisches Museum, Vienna

Coypel, Antoine , Aeneas' Descent into Hell

The company stopped on the island of Sicily during the course of their journey. After the first trip, before the Trojans went to Carthage, Achaemenides, one of Odysseus' crew who had been left behind, traveled with them. After visiting Carthage, the Trojans returned to Sicily where they were welcomed by Acestes, king of the region and son of the river Crinisus by a Dardanian woman. Niccolò dell'Abate Aeneas carried to Sicily by a storm. From the cycle of the Aeneid. Fresco, 1540. Galleria Estense, Modena, Italy

הגיע רבים נדודים לאחר והשתתף , לאיטליה איניאס המתנגדים עם קשים בקרבות . לכניסתו Page, William Venus guiding Aeneas and the Trojans to the Latin shore. 1862. Smithsonian American Art Museum, Washington, DC

Æneas lands on the shores of Latium with his son Ascanius behind him; on the left, a sow tells him where to found his city. Marble relief, Roman artwork, 140 -150 AD.

Ferdinand Bol Aeneas at the Court of Latinus , 1661 - 1663 Rijksmuseum, Amsterdam, Holland

The codex contains the work of the Roman historian Livius, the illuminations on the title page refer to events mentioned in the book. The first initial F depicts the marriage of Aeneas with Lavinia, daughter of King Latinus. At the bottom left of the page Rhea Sylvia and Mars, at the right Romulus and Remus with the wolf can be seen. The master of these miniatures is unknown, but his style is close to that of the Florentine Filippo di Matteo Torelli MINIATURIST, Italian Livius Codex around 1450 Bayerische Staatsbibliothek, Munich

Antoine Coypel Venus Imploring Jupiter in Favour of Aeneas

http: //www. artcyclopedia. com/Dido : מקורות http: //www. wga. hu/index 1. html http: //commons. wikimedia. org/Aeneas http: //www. artcyclopedia. com/Aeneas http: //www. artres. com/Aeneas http: //www. artcyclopedia. com/Dido & Aeneas http: //homepage. mac. com/Dido. http: //content. cdlib. org/xtf/view? doc. Id=Aeneas אסף פלר : עריכה , שלום לך אני מזמין אותך לבקר באתר המצגות שלי ולהנות ממצגות נוספות אסף פלר , להתראות http: //assaffeller. com