Mary Shelley Frankenstein IntroductionContext The Modern Prometheus Prometheus

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Mary Shelley & Frankenstein: Introduction/Context

Mary Shelley & Frankenstein: Introduction/Context

“The Modern Prometheus” • Prometheus – In Greek mythology, he was a titan who

“The Modern Prometheus” • Prometheus – In Greek mythology, he was a titan who created man in the image of the gods – Stole the gift of fire from Mt. Olympus and gave it to man – Punished by Zeus and chained to a rock on a mountain. Every day for 30 years, Zeus’ eagle would eat his liver Based on our knowledge of Prometheus, what predictions can we make about the novel?

Mary Wollstonecraft Shelley • Daughter of two of England’s leading intellectual radicals. – Her

Mary Wollstonecraft Shelley • Daughter of two of England’s leading intellectual radicals. – Her father, William Godwin, was an influential political philosopher and novelist. – Her mother, Mary Wollstonecraft, the author of A Vindication of the Rights of Woman, was a pioneer in promoting women’s rights and education. • Her future husband, the admired poet Percy B. Shelley, was one of her father’s frequent visitors. • When she was sixteen, she and Percy eloped to France. • She gave birth to four children in five years, three of whom died as infants—rumored that her children were in mind in creating Frankenstein • Percy died eight years later, due to a boating accident.

When? In the summer of 1816, 19 year old Mary Wollstonecraft Godwin and her

When? In the summer of 1816, 19 year old Mary Wollstonecraft Godwin and her lover, the poet Percy Shelley, visited the Lord Byron at his villa beside Lake Geneva in Switzerland.

The Motivation Stormy weather frequently forced them indoors, where they and Byron's other guests

The Motivation Stormy weather frequently forced them indoors, where they and Byron's other guests sometimes read from a volume of ghost stories. One evening, Byron challenged his guests to each write one themselves. Mary's story, inspired by a dream, became Frankenstein. • For days Shelley couldn’t think of an idea, but then heard Lord Byron and Percy discussing the probability of using electricity to create life artificially, according to a theory called galvanism, an idea began to grow in her mind. The next day she started work on Frankenstein. A year later, she had completed her novel. It was published in 1818, when Shelley was nineteen years old.

The Baby and The Dream Mary’s daughter Clara had died. Mary dreamed that her

The Baby and The Dream Mary’s daughter Clara had died. Mary dreamed that her daughter was brought back to life through vigorous rubbing and being held near a warm fire. This inspired her to write Frankenstein.

Mary’s Contest Submission • Not intended to be a tale of the supernatural –

Mary’s Contest Submission • Not intended to be a tale of the supernatural – she even made her main character a scientist so that his building of a man would seem logical. • Was a combo of Gothic elements and science • Might be considered early sci-fi

Society’s Influence: Educational Theories of the 1800 s Nature vs. Nurture • John Locke’s

Society’s Influence: Educational Theories of the 1800 s Nature vs. Nurture • John Locke’s Essay Concerning Human Understanding (1690) argued that a child is a “blank slate” (tabula rasa) that is formed only through experience. • Jean-Jacques Rousseau’s’ Emile, or On Education (1762) promotes the idea that a child’s upbringing is responsible for his nature.

Other Historical Events • 1789—Start of the French Revolution; British were happy that French

Other Historical Events • 1789—Start of the French Revolution; British were happy that French were trying to rid themselves of an absolute monarchy and common people were standing up for themselves. They, however, became disillusioned with bloodshed and the common leaders who turned to tyrants themselves. • 1793 -1794 French Reign of Terror • 1804 Napoleon crowned Emperor

Romanticism • 1798 -1865 • Movement contrary to Enlightenment and Industrialization which emphasized how

Romanticism • 1798 -1865 • Movement contrary to Enlightenment and Industrialization which emphasized how man’s reason and logic can improve society—science and reason • Emphasized the importance of the individual, subjectivity, imagination, and expression of emotions • During this time of bloodshed and turmoil, Romantic writers were turning to nature as an escape from the harsh realities of the world. • Nature was a place where human tyrannies did not exist or reign.

The Romantic Quest • During the Romantic period, a journey to find one’s self

The Romantic Quest • During the Romantic period, a journey to find one’s self through nature, isolation, and meditation • Natural science should lead to discovery • Could be a physical journey or a mental, psychological, or spiritual one

Writing Style: Elements of the Gothic Novel In Frankenstein, Shelley adds a psychological component

Writing Style: Elements of the Gothic Novel In Frankenstein, Shelley adds a psychological component by delving into the psyches of the characters in an attempt to explain why they react as they do and what drives them to make their decisions. • Setting in a castle • An atmosphere of mystery and suspense • An ancient prophecy • Omens, portents, visions • Supernatural or otherwise inexplicable events • High, even overwrought emotion • Women in distress • Women threatened by a powerful, impulsive, tyrannical male • Metonymy of gloom and horror • Vocabulary of the gothic

What was Science Up to at this Point? During Mary’s time, scientists and physicians

What was Science Up to at this Point? During Mary’s time, scientists and physicians were fascinated by the elusive boundary between life and death. Experimented with lower organisms, performed human anatomical studies, attempted to resuscitate drowning victims, and performed experiments using electricity to restore life to the recently dead.

The Structure of the Story The novel is constructed of three concentric layers, one

The Structure of the Story The novel is constructed of three concentric layers, one within the other: A Framework Narrative – outermost--Robert Walton's letters to his sister (MWS); – middle--Frankenstein's story as he tells it to Walton; – innermost--Monster's description to Frankenstein of the development of his mind at the de. Laceys’

Allusion-Indirect reference to a person, place, thing or idea of historical, cultural, literary, or

Allusion-Indirect reference to a person, place, thing or idea of historical, cultural, literary, or political significance Main allusions in Frankenstein: • Prometheus (Greek myth)- Gods made man out of clay; creation gave humans fire; Punished by Gods • Paradise Lost (John Milton)- creation of Adam and Eve; lost place in Garden of Eden by eating forbidden fruit/being tempted by Satan (extension of story in The Bible—Book of Genesis) • The Rime of the Ancient Mariner (Samuel Taylor Coleridge)sailor kills an albatross; learns (through spiritual and supernatural events) to respect the sea (natural world); disregard for nature and tradition leads to demise

Allusions Continued: • Cornelius Agrippa: German mystic and alchemist. Lived 14861535, and best known

Allusions Continued: • Cornelius Agrippa: German mystic and alchemist. Lived 14861535, and best known for his writings defending “hidden philosophy” or magic, drawing on diverse mystical traditions such as alchemy, astrology, and Kabbalah and fusing them with scientific study. • Adam and Eve: biblical story about the original human couple (“parents” of the human race). God created Adam, gave him the Garden of Eden, and created Eve so Adam wouldn’t be lonely. • Paracelsus: Swiss physician, alchemist, and astronomer of the German Renaissance. Pioneer in the “medical revolution” of the time, and felt the university did not teach all things, so he sought out other mystical solutions to answer questions • Albertus Magnus: German Catholic friar and bishop well known for his writings on philosophy and alchemy; referred to as a magician, and said to have found the philosopher’s stone.

Monstrosity • The monster is only the most literal of a number of monstrous

Monstrosity • The monster is only the most literal of a number of monstrous entities in the novel, including the knowledge that Victor used to create the monster. • One can argue that Victor himself is a kind of monster, as his ambition, secrecy, and selfishness alienate him from human society. Ordinary on the outside, he may be the true “monster” inside, as he is eventually consumed by an obsessive hatred of his creation. • Finally, many critics have described the novel itself as monstrous, a stitched-together combination of different voices, texts, and tenses. Ready to read what some call the first major science fiction novel. . . the book that established the genre of horror fiction?