LITERARY CRITICISM 2017 2018 Modernist authors showed this

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LITERARY CRITICISM 2017 -2018

LITERARY CRITICISM 2017 -2018

Modernist authors showed this by: Ú Ezra Pound: “ Make it new!” Ú Attempt

Modernist authors showed this by: Ú Ezra Pound: “ Make it new!” Ú Attempt to break traditional style, form. . etc. Ú Increased interest in psychology -human mind. Ú More free verse Ú -irony Ú -Juxtapositions to force reader to ask questions Ú - Imagism

Stream -of Consciousness Ú Character’s thought process: Ú Leaps in thought and lack of

Stream -of Consciousness Ú Character’s thought process: Ú Leaps in thought and lack of some -or all - punctuation. Ú Examples: Ú J. Joyce’s “Ulysses” Ú Eliot’s The Love Song of J. Alfred Prufrock”

T. S. Eliot (1888 -1965) Ú Modernist writer Ú Having been a witness toww

T. S. Eliot (1888 -1965) Ú Modernist writer Ú Having been a witness toww 1, he writes a bout the tragedies of war which caused a great internal conflict in society. Ú Eliot uses juxtaposition and a disruptive timeline to convey his message about the break down of society during and after the war.

“The Waste Land” Ú Rose out of the depression Ú Captures the “fracture and

“The Waste Land” Ú Rose out of the depression Ú Captures the “fracture and dislocations” of the world and “ the shattering of people’s consciousness”

Modernist Authors: Ú James Joyce Ú William Faulkner Ú Joseph Conrad Ú Virginia Woolf

Modernist Authors: Ú James Joyce Ú William Faulkner Ú Joseph Conrad Ú Virginia Woolf Ú T. S. Eliot Ú Ezra Pound Ú W. H. Auden Ú Robert Frost

T. S. Eliot’s some books Ú The Use of Poetry and the Use of

T. S. Eliot’s some books Ú The Use of Poetry and the Use of Criticism, 1933. Ú Notes Towards a Definition of Culture, 1948. Ú On Poetry and Poets, 1957. Ú To Criticise the Critic, 1965.

Critical concepts: Ú Dissociation of Sensibility = Bad Poetry Ú Unification of Sensibility= Ú

Critical concepts: Ú Dissociation of Sensibility = Bad Poetry Ú Unification of Sensibility= Ú Good Poetry

Ú The Romantic and the Classic Ú Tradition Ú Objective Co-relative

Ú The Romantic and the Classic Ú Tradition Ú Objective Co-relative

Coming Lecture: Ú The Twentieth Century: Ú Reader-oriented Criticism. Ú Textual and Psychological Approach.

Coming Lecture: Ú The Twentieth Century: Ú Reader-oriented Criticism. Ú Textual and Psychological Approach. Ú Structuralism. Ú I. A. Richards

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