KOREAN CLOUD DRAGON JAR GREEK KRATER KOREAN CLOUD

KOREAN CLOUD DRAGON JAR A. 18 th – 19 th century Korean T. Cloud

GREEK KRATER A. 4 th century Greek T. Krater D. 4 th century M.

KOREAN CLOUD DRAGON JAR • General Information: • Made during the Joseon dynasty, which

GENERAL INFO CONT. • Cont. • The dragon jars were designed to show the

BLUE AND WHITE PORCELAIN • White pottery and porcelain were decorated under the glaze

PORCELAIN CONTINUED Cont. • The blue-and-white technique was fully developed in China with porcelain

PORCELAIN CONTINUED • Cont. • Joseon white porcelains are characterized by the beauty of

PORCELAIN • Cont • Confucianism became the political and cultural driving force of the

EASTERN DRAGONS • Korean dragons are legendary creatures in Korean mythology and folklore. •

EASTERN DRAGONS • Cont. • The symbol of the dragon has been used extensively,

GREEK KRATER • General Information • Essentially a punch bowl, the Krater was used

GENERAL INFO CONT. Cont. • Greek vases were made of terra-cotta. Blackfigure artists painted

GENERAL INFO CONT. Cont. • The final result was an oxidization process that turned

GREEK POTTERY • The clay needed is first dug out of the ground it

GREEK POTTERY CONTINUED • Cont. • Greek pottery, unlike today's pottery, was only fired

GREEK POTTERY CONTINUED Cont. • the third and final phase is started by opening

COMPARISON • Comparing the two pieces we see a contrast between the light and

COMPARISON CONTINUED Cont • The Krater represents Western styles of pottery and the Dragon

BIBLIOGRAPHY • Adams, Laurie. A History of Western Art. Boston: Mc. Graw-Hill, 2008. Print.

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KOREAN CLOUD DRAGON JAR

GREEK KRATER

KOREAN CLOUD DRAGON JAR A. 18 th – 19 th century Korean T. Cloud Dragon Jar D. 18 th – 19 th century M. Porcelain with cobalt underglaze

GREEK KRATER A. 4 th century Greek T. Krater D. 4 th century M. Terracotta Vase

KOREAN CLOUD DRAGON JAR

KOREAN CLOUD DRAGON JAR • General Information: • Made during the Joseon dynasty, which took on the Confucian teachings as a general code of conduct • The porcelain, made with pure white clay, was believed to represent the Confucian ideals of restraint and honor as well as frugality and pragmatism • The dragon represented the king’s great power and good will

GENERAL INFO CONT. • Cont. • The dragon jars were designed to show the dignity and authority of the royal house

BLUE AND WHITE PORCELAIN • White pottery and porcelain were decorated under the glaze with a blue pigment, generally cobalt oxide • The decoration is commonly applied by hand, by stenciling or by transfer-printing, though other methods of application have also been used. • The technique of cobalt blue decorations seems to have come from the Middle-East in the 9 th century through decorative experimentation on white ware

PORCELAIN CONTINUED Cont. • The blue-and-white technique was fully developed in China with porcelain technology in the 14 th century. • White porcelains were preferred and praised than any other porcelains during the time to represent Korean Confucian ethics such as frugality and pragmatism

PORCELAIN CONTINUED • Cont. • Joseon white porcelains are characterized by the beauty of unpretentious forms, understated decoration, and subtle use of color, reflecting the ideals of Korean Confucian state. • White porcelain was being produced in the Korean peninsula during the Koryo dynasty (9181392)

PORCELAIN • Cont • Confucianism became the political and cultural driving force of the Joseon dynasty • It is possible that white porcelain was favored at this time, as its purity of color could be associated with the Confucian virtues of humility and simplicity

EASTERN DRAGONS • Korean dragons are legendary creatures in Korean mythology and folklore. • The style of the dragon was heavily influenced by the Chinese dragon. • Korean dragons have unique culture-specific properties that differentiate them from dragons in other cultures

EASTERN DRAGONS • Cont. • The symbol of the dragon has been used extensively, both in Korean mythology and ancient Korean art. • In the early Joseon period (1392 -1910) the dragon motif was used exclusively by the royal family

GREEK KRATER

GREEK KRATER • General Information • Essentially a punch bowl, the Krater was used to hold wine and water at feasts or special events • Kraters were glazed on the interior to make the surface of the clay more suitable for holding water, and possibly for aesthetic reasons, since the interior could easily be seen. • Made out of a mixture fired clay and water, which formed terracotta • The process used to make Kraters as well as most Greek pottery

GENERAL INFO CONT. Cont. • Greek vases were made of terra-cotta. Blackfigure artists painted the figures in black silhouettes with a slip made of clay and water • Details were added with a sharp tool by incising lines through the painted surface and exposing the orange clay below. • The vase was then fire(baked in a kiln) in three stages

GENERAL INFO CONT. Cont. • The final result was an oxidization process that turned the surface of the vase reddish-orange and the painted areas black

GREEK POTTERY • The clay needed is first dug out of the ground it is full of rocks and shells and other stuff that needs to be removed • the potter mixes the clay with water and lets all the impurities sink to the bottom. • The clay is then shaped on a wheel • paints it with a very pure black slip (made from the same clay) and a brush.

GREEK POTTERY CONTINUED • Cont. • Greek pottery, unlike today's pottery, was only fired once, but that firing had three stages. • the kiln is heated up up to around 800°C with all the vents on the sides open to let air in. This turns the pottery and the paint red all over • the temperature is raised to 950°C and then allowed to drop back to 900°C. his turns the pottery and the paint all black.

GREEK POTTERY CONTINUED Cont. • the third and final phase is started by opening the vents and allowing the kiln to cool all the way down. This last phase leaves the slip black but turns the pottery back to red

COMPARISON • Comparing the two pieces we see a contrast between the light and dark styles of the two different cultures • The Greek Krater depicts a scene of a man and a woman, scenes were traditional depictions of Greek Pottery • The Korean piece has a more significant meaning, to represent the Confucian ideals of restraint and honor as well as frugality and pragmatism

COMPARISON CONTINUED Cont • The Krater represents Western styles of pottery and the Dragon Jar represent the Eastern vonventions of pottery • The Dragon Jar had a more ornamental purpose while the Krater was utilized for wine dilution making it more practical

BIBLIOGRAPHY • Adams, Laurie. A History of Western Art. Boston: Mc. Graw-Hill, 2008. Print. • "Ancient Greek Pottery. " Ancient Greek Statues, Pottery, Armour, Jewelry & Orthodox Icons at Hellenic-Art. com. Web. 18 Nov. 2011. <http: //www. hellenic-art. com/potteryinfo. htm>. • "Blue and White Porcelain. " Wikipedia, the Free Encyclopedia. Web. 18 Nov. 2011. <http: //en. wikipedia. org/wiki/Blue_and_white_porcelain>. • "Joseon White Porcelain. " Wikipedia, the Free Encyclopedia. Web. 18 Nov. 2011. <http: //en. wikipedia. org/wiki/Joseon_white_porcelain>. • "Korean Pottery and Porcelain. " Wikipedia, the Free Encyclopedia. Web. 18 Nov. 2011. <http: //en. wikipedia. org/wiki/Korean_pottery_and_porcelain>. • "Krater. " Wikipedia, the Free Encyclopedia. Web. 18 Nov. 2011. <http: //en. wikipedia. org/wiki/Krater>. • "MFAH | Collections | Arts of Asia | Cloud-Dragon Jar. " MFAH | The Museum of Fine Arts, Houston. Web. 18 Nov. 2011. <http: //www. mfah. org/art/detail/korean-dragon-jar/>. • "Pottery of Ancient Greece. " Wikipedia, the Free Encyclopedia. Web. 18 Nov. 2011. <http: //en. wikipedia. org/wiki/Pottery_of_ancient_Greece>. http: //en. wikipedia. org/wiki/Korean_dragon http: //www. britishmuseum. org/explore/highlights/highlight_objects/asia/p/porcelain_storage_jar. as px