Introduction to Triads and Seventh Chords KostkaPayne Chapter

  • Slides: 29
Download presentation
Introduction to Triads and Seventh Chords Kostka/Payne Chapter 3

Introduction to Triads and Seventh Chords Kostka/Payne Chapter 3

Triads! Tertian: Built of thirds.

Triads! Tertian: Built of thirds.

Triads There are four possible ways to combine major and minor 3 rds to

Triads There are four possible ways to combine major and minor 3 rds to produce a tertian triad.

Triads + Major minor dim

Triads + Major minor dim

Triads: Members of the Chord The notes (members) of the chords are given names.

Triads: Members of the Chord The notes (members) of the chords are given names.

Seventh Chords If we extend a tertian triad by adding another 3 rd on

Seventh Chords If we extend a tertian triad by adding another 3 rd on top of the 5 th of the triad, the result is a four-note chord called a seventh chord.

Seventh Chords Tonal harmony commonly makes use of only five seventh-chord types.

Seventh Chords Tonal harmony commonly makes use of only five seventh-chord types.

Seventh Chords Major minor half dim. fully dim. Dom ° ° Major/Mi nor 7

Seventh Chords Major minor half dim. fully dim. Dom ° ° Major/Mi nor 7 th, Mm 7

Sevenths: Members of the Chord Just like Triads, the notes (members) of sevenths chords

Sevenths: Members of the Chord Just like Triads, the notes (members) of sevenths chords are given names.

Triad Inversions

Triad Inversions

Triads: Root Position In Root Position: The ROOT is in the Bass

Triads: Root Position In Root Position: The ROOT is in the Bass

Triads: First Inversion To make a first inversion chord, We move the root up

Triads: First Inversion To make a first inversion chord, We move the root up an octave

Triads: First Inversion In First Inversion: The THIRD is in the Bass

Triads: First Inversion In First Inversion: The THIRD is in the Bass

Triads: Second Inversion To make a second inversion chord, We move the root &

Triads: Second Inversion To make a second inversion chord, We move the root & 3 rd up an octave.

Triads: Second Inversion In Second Inversion: The FIFTH is in the Bass.

Triads: Second Inversion In Second Inversion: The FIFTH is in the Bass.

Triad Inversions: For each inversion, you must memorize which member of the chord is

Triad Inversions: For each inversion, you must memorize which member of the chord is in the bass.

Seventh Chord Inversions

Seventh Chord Inversions

Sevenths: Root Position In Root Position, The ROOT is in the Bass

Sevenths: Root Position In Root Position, The ROOT is in the Bass

Sevenths: First Inversion To make a first inversion chord, We move the root up

Sevenths: First Inversion To make a first inversion chord, We move the root up an octave

Sevenths: First Inversion In First Inversion, The THIRD is in the Bass

Sevenths: First Inversion In First Inversion, The THIRD is in the Bass

Sevenths: Second Inversion To make a second inversion chord, We move the root &

Sevenths: Second Inversion To make a second inversion chord, We move the root & 3 rd up an octave.

Sevenths: Second Inversion In Second Inversion, The FIFTH is in the Bass.

Sevenths: Second Inversion In Second Inversion, The FIFTH is in the Bass.

Sevenths: Third Inversion To make a third inversion chord, We move the root, 3

Sevenths: Third Inversion To make a third inversion chord, We move the root, 3 rd & 5 th up an octave.

Sevenths: Third Inversion In Third Inversion, The SEVENTH is in the Bass.

Sevenths: Third Inversion In Third Inversion, The SEVENTH is in the Bass.

Seventh Chord Inversions: For each inversion, you must memorize which member of the chord

Seventh Chord Inversions: For each inversion, you must memorize which member of the chord is in the bass.

Inversion Symbols and Figured Bass More on Figured Bass to come. . .

Inversion Symbols and Figured Bass More on Figured Bass to come. . .

Inversion Hotline 664 -765 -4342 If you can remember a phone number, you can

Inversion Hotline 664 -765 -4342 If you can remember a phone number, you can remember inversions!

Triads Inversion Symbol 6 6 4 Seventh Chords Lowest Note Inversion Symbol Lowest Note

Triads Inversion Symbol 6 6 4 Seventh Chords Lowest Note Inversion Symbol Lowest Note Root 7 Root Third 6 5 Third Fifth 4 3 Fifth 4 2 Seventh Inversion Hotline 664 -765 -4342 1 -664 is for Montserrat

Lead Sheet Symbols:

Lead Sheet Symbols:

Seventh Chords Seventh Chords Any and all triadsSeventh Chords Seventh Chords Any and all triads
DIATONIC TRIADS KostkaPayne Chapter 4 INTRODUCTION Most chordsDIATONIC TRIADS KostkaPayne Chapter 4 INTRODUCTION Most chords
Triads and Seventh Chords Chapter 7 Basic ElementsTriads and Seventh Chords Chapter 7 Basic Elements
Secondary Dominants KostkaPayne Chapter 16 Secondary Function ChordsSecondary Dominants KostkaPayne Chapter 16 Secondary Function Chords
Inversions of Triads Triads on Various Scale DegreesInversions of Triads Triads on Various Scale Degrees
Lesson 9 Triads What are triads What isLesson 9 Triads What are triads What is
Introduction aux Chords Origine des Chords Urochords CphalochordsIntroduction aux Chords Origine des Chords Urochords Cphalochords
Introduction aux Chords Origine des Chords Urochords CphalochordsIntroduction aux Chords Origine des Chords Urochords Cphalochords
Chords in C Chords in C Introduction nChords in C Chords in C Introduction n
10 3 Arcs and Chords Arcs and Chords10 3 Arcs and Chords Arcs and Chords
Chords and Arcs Unit 12 Lesson 2 CHORDSChords and Arcs Unit 12 Lesson 2 CHORDS
Chords What do YOU know about chords ToChords What do YOU know about chords To
Vocal Chords What are vocal chords How areVocal Chords What are vocal chords How are
Arcs of Chords Chords Connects two points onArcs of Chords Chords Connects two points on
Rhythm and Meter KostkaPayne Chapter 2 Note DurationRhythm and Meter KostkaPayne Chapter 2 Note Duration
8 Seventh Chords RHS Theory and Harmony Spring8 Seventh Chords RHS Theory and Harmony Spring
Figured Bass KostkaPayne Chapter 3 In the lastFigured Bass KostkaPayne Chapter 3 In the last
ELEMENTS OF PITCH CONTINUED KostkaPayne Chapter 1 PartELEMENTS OF PITCH CONTINUED KostkaPayne Chapter 1 Part
VoiceLeading KostkaPayne Chapter 5 Melodic Critique 1 RhythmVoiceLeading KostkaPayne Chapter 5 Melodic Critique 1 Rhythm
Chapter Nine Triads in Second Inversion Introduction SameChapter Nine Triads in Second Inversion Introduction Same
TRIADS an introduction 19 January 2022 Jonathan PeelTRIADS an introduction 19 January 2022 Jonathan Peel
Chapter 9 Triads in Second Inversion Note AChapter 9 Triads in Second Inversion Note A
The Seventh Kingdom The Seventh Kingdom Grouping SymbolsThe Seventh Kingdom The Seventh Kingdom Grouping Symbols
Seventh Grade Sculpture Unit Seventh Grade Sculpture UnitSeventh Grade Sculpture Unit Seventh Grade Sculpture Unit