Important Improv Terminology • C. R. O. W. (Character, Relationship, Objective, Where/When) These are the essential components of any scene. When we improvise we work to develop as much as possible each of these points. • The Given The suggestion (s) that is (are) used to start the scene. The Given usually falls into one of the categories from C. R. O. W.
FOCUS • PAY ATTENTION AND LISTEN TO WHAT IS HAPPENING ON THE STAGE WHETHER YOU ARE IN THE SCENE OR NOT – Helps:
CREATIVITY • IMAGINATION AND IMAGERY HELP FORM A SCENE. MAINTAIN SPACE OBJECTS AND PROVIDE DETAIL. – Helps:
SPONTANEITY • OFFERING OR RESPONDING AT THE SPUR OF THE MOMENT IN ORDER TO CARRY A SCENE FORWARD. – Helps:
ACCEPTANCE OF OFFERS • WILLINGNESS OF AN ACTOR TO ACCEPT AND FURTHER DEVELOP WHAT IS OFFERED BY ANOTHER ACTOR. – Helps:
OFFERING IDEAS • PUTTING CONCRETE DETAIL INTO THE SCENE, FLESHING OUT THE “REALITY” TO FUEL THE AUDIENCE’S IMAGINATION. – Helps:
Improv Issues: WWIB • Wimping – accepting offers but refusing to do anything with them • Waffling – Postponing by lack of ideas; you just keep on babbling in the hope you'll have an idea • Ignoring – changing the main story line for no reason OR using verbal without advancing the scene • Blocking – Not accepting other players' offers, and actually destroying these offers