IGCSE 2017 Unseen poetry 07 June 2021 FORMAT

IGCSE 2017 Unseen poetry 07 June 2021

FORMAT OF QUESTION � Always “modern” � Bullet points assist in structuring response. � Spend about 45 mins on the question. � Required to have a personal response. � Not required to play “i-spy devices” but to engage with the language and its effects. � AQA GCSE: In preparing for the unseen poetry section of the examination students should experience a wide range of poetry in order to develop their ability to closely analyse unseen poems. They should be able to analyse and compare key features such as their content, theme, structure and use of language.

APPROACH �Read the question and underline any key points. �The bullets are there to help you–use to them. �Reading 1 – annotate simply – look for powerful language or unusual effects using structure, punctuation or language. �Reading 2 – Find the VOICE and SITUATION. Who is speaking and does the situation produce a recognisable tone – angry, sad, scared…?

VOICE and SITUATION �Who is speaking? �Consider person… �What is their perspective on the matters under discussion? �SITUATION (or setting): �Where, when (era), when (hour), who is involved, what actually happens.

Now you can develop further. �Language is used to create images. �Simple imagery (literal imagery) tells the reader “as it is”. It can be very direct and effective. �More complex or “figurative” imagery uses metaphor or simile, for example and presents more challenging images that require the reader to respond to suggestion. �It is vital that you comment on the effect of language choice rather than offer bland platitudes of the “makes the reader think” variety.

If in Doubt: �Look for the anomalies: they are interesting and will probably be important… �Single line stanzas, very short lines, powerful images, sudden polysyllabic words, sudden rhyme or absence of rhyme, unexpected repetition…

And finally �Respond – what do you feel? �Trust your intuition.

An essay question �HOW does the poet create a feeling of solitude in the poem: ‘Stopping by woods on a snowy evening? ’ �In your answer, focus on: �Descriptive skills This question-stem This is the title_ it This is the tells you that this is �Choice of language is relevant. What focus – try an anlysis question ideas does it to remain �Useand ofrequires structure and produce form for you? detailed discussion of the poet’s techniques and quotations to prove your points fixed on this idea and don’t just waffle!

“Stopping by Woods on a Snowy Evening”: Robert Frost Whose woods these are I think I know. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. The only other sounds the sweep Of easy wind and downy flake. The woods are lovely, dark, and deep, But I have promises to keep, And miles to go before I sleep. 5 Descriptive skills : use of the senses Language choice 10 15 Structure and form

My ‘way in’ �SCASI �Setting �Character �Action �Style �Ideas

‘here’ a precise location in the woods- ‘fill up with snow’: snow hides detail and is cold and forbidding; it cuts one off Woods are suggestive of a maze, or a dangerous location Setting The narrator has no house and is cut off from the village “Stopping by Woods on a Snowy Evening”: Robert Frost Setting: Whose woods these are I think I know. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. The only other sounds the sweep Of easy wind and downy flake. The woods are lovely, dark, and deep, But I have promises to keep, And miles to go before I sleep. He craves this loneliness but has to move on – repetition accentuates his sadness and the distance. NOTE potential metaphor: Darkness and sleep both link to death –is this a poem about a man craving release from the world? Where - is there a micro setting? when (time of day) Pathetic Fallacy 5 ‘without a farmhouse near’ 10 15 The lake is ‘frozen’ – lifeless and it is the ‘darkest evening’ suggesting isolation, potential danger and nearing death, perhaps Lovely, dark and deep – note word order - deep –potential for isolation

First person narrator/persona. Internal thoughts presented on paper. Uncertainty in the oxymoron. Character Whose woods these are I think I know. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow. His: the antagonist- Might this be God? If so, why? And what other readings are there? Character 3: The horse is thinking and becomes a character in its own right My little horse must think it queer 5 To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. 10 The only other sounds the sweep Of easy wind and downy flake. The horse is impatient –does not share the same thoughts as the rider. Personification. The woods are lovely, dark, and deep, But I have promises to keep, And miles to go before I sleep. 15 Reverts to original persona

woods these are I think I know. Action. Whose His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow. Stopping to watch: a voyeur pause sin the middle of an unspecified journey. Unusual, emphasised in next stanza My little horse must think it queer 5 To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. The horse tries to communicate. A vigorous movement He gives his harness bells a shake To ask if there is some mistake. 10 The only other sounds the sweep Of easy wind and downy flake. The nature is ‘easy and ‘downy’: peaceful and soft. The sound is ‘sweep’ – again gentle in this context. The woods are lovely, dark, and deep, But I have promises to keep, And miles to go before I sleep. 15 Note that he does not set off, simply repeats the idea of a long journey – his life must go on.

Style Whose woods these are I think I know. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer 5 To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. 10 The only other sounds the sweep Of easy wind and downy flake. The woods are lovely, dark, and deep, But I have promises to keep, And miles to go before I sleep. 15

Whose woods these are I think I know. His house is in the village, though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer 5 To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. 10 The only other sounds the sweep Of easy wind and downy flake. The woods are lovely, dark, and deep, But I have promises to keep, And miles to go before I sleep. 15