Greek Art Chapter 5 Geometric Period Very typical
- Slides: 83
Greek Art Chapter 5
Geometric Period • Very typical of this period were large funerary vases designed to hold votive offerings • Decoration was primarily abstract forms, flat patterns, outlined shapes that represent various human forms in poses of anguish. • Repetition used.
Geometric & Orientalizing • After destruction of Mycenaean palaces, the bronze age disintegrated, loss of kings as powerful rulers. Also lost many art forms (how to construct tombs, citadels, frescoes, sculpt with stone) also lost writing and reading. • This was deemed the “Dark Age of Greece” • Depopulation • Poverty • Loss of contact with outside world
Geometric Krater, 740 bce IN THE MET
Hero & Centaur, 750 -730 bce
Orientalizing Period • More and more attention being paid to the human form/body • This period was influenced by Eastern works being brought in for trade, as trade was on the rise. Borrowed motifs from Egypt and Near East
Mantiklos Apollo, 700 -680 bce
Athenian Agora, Hellenistic 600 -BCE-150 CE
Corinthian Black Figure Amphora with Animal Frieze 625 -600 bce
Lady of Auxerre, 650 -625 bce
The 3 styles of Greek Sculpture • Archaic: stiff body pose, feet together, and arms close to the body. • Classical: more lifelike body, more natural form with movement, calmness, appearance of the contrapposto pose • Hellenistic: evokes emotion, more lifelike detail, greater movement
Archaic Period • More sense of permanency, temples built of stone, not mud brick • The two orders were used (see handout) • Archaic statuary was usually life-size or larger, and painted. Most share an expression “archaic smile”. Possibly used to signify that the subject was still living. • Kore/Korai = female youth • Kouros/Kouroi = male youth
2 important differences between Archaic Greek and Egyptian sculpture • Sculptures of men were unclothed • Sculptures were free from the stone in which they were carved
Kouros, 600 bce
Moschophorus (Calf Bearer), 560 bce
Anavyos Kouros, 530 bce
Kore, from Peplos, 530 bce
Kore, from the Acropolis, 520 -510 bce
Doric Ionic
Doric & Ionic
DORIC v. IONIC • Doric Temples are found on Greek mainland. • Ionic Temples are found on the islands. • Athens is an exception, and you can find many Ionic temples, characteristics in their designs, especially on the Acropolis. • Any temple containing a caryatid, is considered Ionic.
Typical Greek Temple Plan
Temple of Hera I, 550 bce
West pediment, Temple of Artemis, 600 -580 bce
Siphnian Treasury, Reconstruction Drawing
Siphnian Treasury Frieze from North, 530 bce
Vase Painting • Athens was the main location for the production of vases during the archaic period. • Black Figure technique used as well as red-figure technique
Kleitias & Ergotimos, Francios Vase, 570 bce
Exekias, Ajax & Achilles Playing a Game, 530 bce
Andokides Painter, Ajax & Achilles Playing a Game 525 -520 bce
Niobides Krater, 460 -450 BCE
Temple of Aphaia at Aegina, 500 BC
Restored view Temple of Aphaia
Dying Warrior, top (490 bce)west pediment of Temple Aphaia bottom (480 bce) east pediment of Temple Aphaia
Early Classical Period • Early 5 th century, Greek city states united to fight the Persian Army, but defeat of Persians came after Athens was already destroyed
Architecture/Architectural Structure • Pieces from this period represent a time of transition. • Temples more compact, columns more spaced out • Pediment Statuary is more life-size and displays a variety of movement and action
Temple of Hera II, (closely resemble Temple of Zeus 470 BC) 460 BC
Seer, from Temple of Zeus pediment 470 BC
Athena, Herakles, Atlas with Apples from metope Temple of Zeus, 470 -465 bce
Sculpture • New concern to render the human form in natural poses that illustrate how a human usually stands.
Kritios Boy, 480 bce
Young Warrior from Riace, 460 -450 bce
Charioteer, 470 bce
Zeus (or Poseidon? ), 460 -450 bce
Myron, Diskobolos, 450 bce
Polykleitos, Doryphorus, 450 bce
Kresilas, Pericles, 429 bce
Athens Acropolis Plan
Acropolis, restored view
Parthenon, 447 -438 bce
Phidias, Athena Parthenos (model)438 bce
Lapith Fighting Centaur, 447 -438 bce
Helios, horses & Dionysus, pediment at Parthenon
Plaque of the Ergastines
Three Goddesses, east pediment of Parthenon), 438 bce
Horsemen, detail from procession, Parthenon, 447 bce
Propylaia, 437 bce
Erechtheion, Porch of Maidens (caryatids), 421 -405 bce
Porch of the Maidens
Temple of Athena Nike, 427 bce
Nike Adjusting Her Sandal, 410 bce
Achilles Painter, 440 bce
Grave Stele of Hegeso, High Classical
Late Classical Period • Arts continued to flourish despite the defeat by Sparta. Athens never regained their empire status. New art forms (mosaics) flourished as well as new styles (tholos temple)
Praxiteles, Aphrodite, 350 -340 bce
Praxiteles, Hermes and Infant Dionysos, 340 bce
Lysippos, Apoxyomenos (The Scraper), 330 bce
Lysippos, Weary Herakles, 320 bce
Polykleitos’ Doryphorus vs. Apoxyomenos’The Scraper
Hellenistic Period
Altar of Zeus, Pergamon
Athena battling Alkyoneos 175 bce
Dying Gaul, Epigonos, 230 bce
Nike Samothrace, 190 bce
Venus de Milo 150 -125 BC
Seated Boxer 100 -50 BC
Old Market Woman, 150 -100 BC IN THE MET
Laocoon sons
Athanadoros, Hagesandros & Polydorso, Head of Odysseus, 1 st century ce
- Geometric and orientalizing art
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