Frontispiece to Laili and Majnun a poem from

רואה אני את השמלה על לילא וקנאתי בוערת שמלתה מעירה בי קנאה על מה שהיא חובקת Frontispiece to Laili and Majnun, a poem, from the original Persian of Nazami. Published by A J Valpy, publisher to the Oriental Translation Fund, Red Lion Court, London 1836. Shows an illustration of Laili and an extract from the poem.

איור המבוסס על סצנה מהפואמה של נזאמי אודות קייס ולילא A miniature of Nizami's work. Layla and Majnun meet for the last time before their deaths. Both have fainted and Majnun's elderly messenger attempts to revive Layla while wild animals protect the pair from unwelcome intruders. Late 16 th century illustration.

Majnun and Layla c. 1725. Opaque watercolor on paper. Harvard University Art Museums

Laila and Majnun at School: Page from a manuscript of the Laila and Majnun of Nizami, dated 1432; Timurid Afghanistan Ink, colors, and gold on paper

Illumination from Khamsa, an anthology of five poems by the 12 th-century poet Nizami. In 1431 this manuscript of the Khamsa was copied out in Herat by the calligrapher Mahmud for Sultan Shahrukh. (timurid period) The tale of Layla and the passionate Majnun: The love of Layla and Majnun was so strong that they fainted with emotion when they met. An old man wants to bring them to consciousness. A lion attacks another man who tried to come near.

Majnun in the wilderness

Layli visits Majnun Ink and opaque watercolor on paper

Illustration depicting Layla and her companions in a palm-tree grove, eating, drinking, and dancing to music. The detail shows a woman dancing. From p. 285 of the Khamsa of Nizami (Persian, 1540). This scene comes from the third part of the Khamsa, ‘Layla and Majnun’.

Illustration depicting Majnun in the desert, with his faithful following of wild animals. The detail shows Majnun holding a deer under his arm. From p. 317 of the Khamsa of Nizami (Persian, 1540). This scene comes from the third part of the Khamsa, ‘Layla and Majnun’.

Illustration depicting the meeting of Layla and Majnun in the desert, surrounded by wild animals. Overcome by emotion, both have fainted. The detail shows a man being attacked by a lion. From the Khamsa of Nizami (Persian, 1540). This scene comes from the third part of the Khamsa, ‘Layla and Majnun’.

Laila visiting Majnun in the Wilderness 18 th c. Persian tale of Majnun who is insane with love for Laila. He's gone to the wilderness to be alone. He's ematiated from not eating. Majnun is the symbol of the soul suffering in his quest for God. Both Sufi Islam and Bhakti Hinduism have this suffering in quest of God theme.

Laila majnun mazar(Mausoleum) Laila Majnu Ki Mazar or mausoleum of Laila-Majnu is situated at Binjaur village near Anupgarh city of Rajasthan state of India. According to local legend Laila-Majnun died here. A fair in June is attended by hundreds of newlyweds and lovers.

Laila and Majnun at School: Pages from the Khamsa of Nizami (Quintet of Nizami), Ja'far Herat, present-day Afghanistan Ink, opaque watercolors, and gold on paper

Majnun recognised by Layla's dog Page of a manuscript of "Layla and Majnun" Uzbekistan, Bukhara, around 1560 Gouache and gold on paper; Louvre , Dpt. des Arts d 'Islam France

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