FRANZ KAFKA 1883 1924 I am separated from

FRANZ KAFKA 1883 -1924

“I am separated from all things by a hollow space, and I do not even reach to its boundaries. ” -- Kafka, 1911

ALIENATION DOUBLE MINORITY STATUS • Non-religious Jew – Jews comprised 5% of the Prague population • German was Kafka’s family’s first language – Only 6% of the population of Prague spoke German – Kafka spoke both German and Czech

“Prague never lets you go. . This dear little mother has sharp claws. ”

Here is the Prague Castle, which took over 1000 years – and many wars and rulers -to be finished.

The Prague Castle and Charles Bridge at night.

Kafka grew up in Prague’s “Old Town”

Kafka lived in this house with his sister for a short time (the blue one)

A Small Kafka museum in Old Town

• Had a tyrannical, authoritative father • Mother was submissive • Had three sisters (later died in concentration camps) • Forced to take an office job for an insurance company • Lived with his parents throughout most of his life • Died of tuberculosis at age 40

“Kafka is important to us because his predicament is the predicament of modern man. ” -British poet W. H. Auden

Anxiety: Edward Munch

MODERNISM: 1915 – 1945 • TIME OF SOCIAL BREAKDOWN AND REEVALUATION • FRAGMENTED WORLD • FEELING OF DETACHMENT • DISTRUST OF THE PAST • SEARCH FOR MEANING IN MEANINGLESS WORLD • DEHUMANIZATION • FEAR, ANGST, DESPERATION

Hopper

Kafka has been linked to several modern artistic or philosophical movements: q. SURREALISM q. EXPRESSIONISM q. EXISTENTIALISM

SURREALISM – allows the unconscious mind to express itself; mixes dream images with reality

Kahlo

EXPRESSIONISM – distorts reality through exaggeration, visible brushwork, and strong color; expresses innermost feelings rather than external reality. Munch: Evening on Karl Johan

Max Beckmann’s Family Picture appeared on the cover of the Bantam edition of the novella

Central figure – Gregor – endowed with pathos and surrounded by heartless characters, figures of horror. “Central absurd character belongs to the absurd world around him but, pathetically, and tragically, attempts to struggle out of it into the world of humans. ”

LIFE: ABSURD AND MEANINGLESS

Because of its ambiguous and enigmatic nature, The Metamorphosis has been interpreted in many ways. Here are just a few: • A Freudian interpretation blames an Oedipal complex for the father-son hostilities • A Marxist would blame Gregor’s death on the demands of his family’s materialistic, bourgeois lifestyle • “Rhizomatic” theory sees Gregor’s transformation as a “line of flight” or “becoming-other” – an escape from systematic, patterned, “territorialized” existence.

How do diction, syntax, point-of-view, and other literary elements work together to develop the meaning of the work?

Narrat ion person point of view – 3 rd – Present tense - immediacy – Lack of sentimentality – Ironic precision with no authorial intrusion – Simple, not complex, syntax – Uncomplicated characterizations – Linear development of plot

STRAIGHT-FORWARD STYLE: üis in contrast with the nightmarish tale itself üCreates irony üAdds to bizarre HUMOR üMakes absurd world the real world

The Metamorphosis explores issues such as: • Alienation and Dehumanization in modern society • Guilt/shame in the family • The absurdity of human existence • Escapism/freedom from this meaningless and grotesque existence • The search for identity and meaning in an arbitrary and indifferent universe

When the first edition of the story appeared with an illustration, Kafka was infuriated: “Not that, anything but that! The insect itself cannot be depicted. It mustn’t even be shown from a distance. ” Why didn’t he want readers to see the insect?