Final Review 1 Same interval means the same

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Final Review

Final Review

1. Same interval means the same ratio of frequencies 2. Doubling the frequency gives

1. Same interval means the same ratio of frequencies 2. Doubling the frequency gives the same pitch sensation

In Western music the pitch range from f to 2 f is split in

In Western music the pitch range from f to 2 f is split in 12 steps (entirely cultural) f f 0 semitone 2 f 0 C, C#/Db, D, D#/Eb, E, E#, Fb, F, F#/Gb, G, G#/Ab, A, A#/Bb, B

C C# D D# E F F# G G# A A# B C minor

C C# D D# E F F# G G# A A# B C minor major 4 th tritone 5 th minor major 2 nd 3 rd 6 th 7 th

Consonances: sensation of calm and repose Frequency ratios 2/1 3/2 4/3 5/4 name octave

Consonances: sensation of calm and repose Frequency ratios 2/1 3/2 4/3 5/4 name octave (7 tones) fifth (3 ½ tones) forth (2 ½ tones) major third (2 tones) Dissonances: sensation of tension Frequency ratios name 729/512 tritone 243/128 minor second

Equal temperament C C# D D# E F F# G G# A A# B

Equal temperament C C# D D# E F F# G G# A A# B C r r 2 r 12=2

Room Acoustics Reverberation direct sound reflected sounds

Room Acoustics Reverberation direct sound reflected sounds

Acoustics characteristics of auditoriums “liveness” : reverberation time “intimacy”: time to the first reflected

Acoustics characteristics of auditoriums “liveness” : reverberation time “intimacy”: time to the first reflected sound to arrive “fullness/clarity”: direct sound versus reflected sound volume “warmth/brilliance”: reverberation time for low frequencies larger/smaller than for high frequencies

snnn i o### resonances, n 123 We want lots of evenly spread in the

snnn i o### resonances, n 123 We want lots of evenly spread in the W 1 1 1 frequencies) frequency (no favored i. . . d 126 t 480 h xxx HHH eee i i i ggg hhh t t t L 112 e. . . n 353 g 943 t hxxx 10. 89 -ft high, 12. 4 -ft wide, and 15. 14 ft long 8 -ft high, 16 -ft wide, and 16 ft long

Calculation of reverberation time (engineer style) volume (ft 3) reverberation time (s) absorption (ft

Calculation of reverberation time (engineer style) volume (ft 3) reverberation time (s) absorption (ft 2) A is the sum over all absorbing surfaces

Example: 13 ft by 20 ft by 8 ft room 4 walls of plaster

Example: 13 ft by 20 ft by 8 ft room 4 walls of plaster (absorption coefficient 0. 1) carpet floor (absorption coefficient 0. 3) absorptive tile ceiling (absorption coefficient 0. 6) walls floor ceiling

Loudspeakers http: //electronics. howstuffworks. com/speaker 5. htm

Loudspeakers http: //electronics. howstuffworks. com/speaker 5. htm

Digital recording sampling precision sampling time

Digital recording sampling precision sampling time

Larger sampling rate and sampling precision improves fidelity

Larger sampling rate and sampling precision improves fidelity

What are the sampling rates we need for high fidelity ? A sampling rate

What are the sampling rates we need for high fidelity ? A sampling rate equal to the twice the maximum frequency 20. 000 Hz 40. 000 samples per second

Discretization (digitalization) Pressure level at one instant represented by 1’s and 0’s Two levels:

Discretization (digitalization) Pressure level at one instant represented by 1’s and 0’s Two levels: 0 or 1 1 bit Four levels: 00, 01, 10 or 11 2 bits Eight levels: 000, 001, 010, 100, 011, 101, 110 or 111 3 bits … 65536 levels: 00000000, 00000001, … 16 bits = 8 bytes

Strategies for compression used in MP 3 • masking • more precision in sounds

Strategies for compression used in MP 3 • masking • more precision in sounds we hear better

How to read a cd/dvd? depth = ¼ wavelength constructive interference destructive interference This

How to read a cd/dvd? depth = ¼ wavelength constructive interference destructive interference This is a cartoon, real systems involve several mirrors, etc, …

The main problem with all string instruments is: How to make a skinny string

The main problem with all string instruments is: How to make a skinny string move a large amount of air (impedance matching) ? Solution: The string moves a board, the board moves the air

Acoustic guitar, violins, cellos, … String vibration body vibration Resonances of the body (and

Acoustic guitar, violins, cellos, … String vibration body vibration Resonances of the body (and air inside) help transfer the energy from the strings to sound at some frequencies, like the formants in the voice

The sound of the piano is loud AND sustained change in decay rate one

The sound of the piano is loud AND sustained change in decay rate one single string, overtones filtered out

One reason for the two decay rates vertical mode excited initially by the hammer

One reason for the two decay rates vertical mode excited initially by the hammer sounding board “gives” faster dumping horizontal mode not initially present sounding board is rigid slower dumping

How to generate oscillation (sound) from continuous blowing ? • fipple • reed •

How to generate oscillation (sound) from continuous blowing ? • fipple • reed • lips

recorder: fipple

recorder: fipple

Reeds

Reeds

Brass

Brass

Pressure antinodes (displacement nodes) appear at the position of the holes what changes the

Pressure antinodes (displacement nodes) appear at the position of the holes what changes the wavelength (frequency) of the note played