EXPLORING CINEMA CPT FETTERMAN EXPLORING Cinema Day 1

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EXPLORING CINEMA CPT FETTERMAN

EXPLORING CINEMA CPT FETTERMAN

EXPLORING Cinema • • Day 1 – inventory / Intro to film clip /

EXPLORING Cinema • • Day 1 – inventory / Intro to film clip / syllabus / goals and intro slides HW why watch film sheet Day 2 – Begin with roll paper up, pict on board, review basics of camera work. 2 clips that overview techniques / show cameras / Day 3 – student example of camera work / Scorcese Eastwood meaning of movies / Anatomy of a scene handout where they storyboard a moment in their lives. Discuss prompts. Day 4 -

EXPLORING Cinema • This course is designed to provide you a foundation for future

EXPLORING Cinema • This course is designed to provide you a foundation for future film study; to expose you to a wide range of cinematic styles and approaches; and to move you from a passive viewer to an active “reader” of film. • To see the art / craft of film-making and cinematography, appreciate the decisions a director makes and explain why he made those decisions and how he directed your attention.

EXPLORING Cinema You will learn the elements of cinematic language and will use that

EXPLORING Cinema You will learn the elements of cinematic language and will use that knowledge to analyze the way filmmakers convey information, story, and meaning, develop style, and elicit audience response within a single scene and over the course of an entire feature film. TERMS – YOU WILL LEARN THEM AND THEN HAVE TO IDENTIFY THEM IN FILM AND ANALYZE HOW A DIRECTOR USED THEM TO DIRECT YOUR ATTENTION. -Mis en scene -camera work -Sound - Narrative -movement --natural - composition / framing / blocking -shots / angles --synthetic -film noir - length - Quadrants - Lighting - storyboarding - Edits/cuts/transitions -key/ fill / back - Theatrical elements - Actor choice/costume/props/set design/location/movement/script

Introduction to Cinema Anatomy of a Scene – http: //www. nytimes. com/video/movies/100000004601495/anatomy-of-a-scene-hell-or-high-water. html Intro

Introduction to Cinema Anatomy of a Scene – http: //www. nytimes. com/video/movies/100000004601495/anatomy-of-a-scene-hell-or-high-water. html Intro to Film (7 min) http: //www. youtube. com/watch? v=Sla. BV 9 Kf. Pow&list=PLB 3 DAEC 8 F 45192599 • Robert Rodriguez Filmmaking in under 10 minutes: http: //www. openculture. com/2014/08/director-robert-rodriguez-teaches-the-basics-of-filmmaking-in-under-10 -minutes. html Overview of Techniques 6 min – https: //www. youtube. com/watch? v=ATDn. Fr 25 JG 8 - The Story of Movies (Scorcese / Eastwood) (7 min) http: //www. youtube. com/watch? v=Iimwdz. Rj 8 S 0 - Intro to Technique - 14 min / Peter Jackson: https: //www. youtube. com/watch? v=o. FUKRTFhoi. A • 12 min – Director/Producer: http: //www. youtube. com/watch? v=Ee 9 D 1 Zz 5 XAA

Introduction to Cinema Anatomy of a Scene - Hell or High Water http: //www.

Introduction to Cinema Anatomy of a Scene - Hell or High Water http: //www. nytimes. com/video/movies/100000004601495/anatomy-of-a-scene-hell-or-high-water. html Anatomy of a Scene - The Revenant (Play 1 st with sound off) http: //www. nytimes. com/video/movies/100000004142315/anatomy-of-a-scene-the-revenant. html? playlist. Id=100000002420711 Intro to Film (7 min) http: //www. youtube. com/watch? v=Sla. BV 9 Kf. Pow&list=PLB 3 DAEC 8 F 45192599

Teacher notes His website: • http: //filmmakeriq. com/2010/08/the-robert-rodriguez-film-schools/ • FILMMAKER IQ – FREE COURSES

Teacher notes His website: • http: //filmmakeriq. com/2010/08/the-robert-rodriguez-film-schools/ • FILMMAKER IQ – FREE COURSES IN FILM: http: //filmmakeriq. com/ • REAL DEAL FILM SCHOOL: https: //reeldealfilmschool. wordpress. com/ • EVERY FRAME A PAINTING • CINEFIX YOU TUBE CHANNEL – TOP 10 LISTS • DSLRGUIDE – YOUTUBE CHANNEL 109 VIDEO PLAYLIST FROM NYTIMES- ANATOMY OF A SCENE https: //www. youtube. com/watch? v=c-cf. E_QT 7 gs&list=PL 4 CGYNso. W 2 i. Bup_LVjh. X 7 C 9 qceo. Mpi. LEL https: //www. youtube. com/playlist? list=PL 4 CGYNso. W 2 i. Bup_LVjh. X 7 C 9 qceo. Mpi. LEL http: //www. nytimes. com/video/magazine/1247467035861/the-best-performances-of-thedecade. html http: //www. nytimes. com/video/anatomy-of-a-scene • https: //www. youtube. com/watch? v=RPB 2 U 2 d. CFI 4&list=PL 1 AXWu-g. GX 6 Ic. OGt 0 ya. A 9 Cd_hkt_Tw. Ql. C&index=31

Basic film techniques - IT IS IMPERATIVE THAT YOU DEVELOP A VOCABULARY FOR SPEAKING

Basic film techniques - IT IS IMPERATIVE THAT YOU DEVELOP A VOCABULARY FOR SPEAKING ABOUT / WRITING ABOUT FILM. YOU NEED TO POINT OUT AND DISCUSS THESE TECHNIQUES WHEN VIEWING / ANALYZING A FILM Student made camera work / vocabulary: http: //www. youtube. com/watch? v=d 1 jap. Ih. KU 9 I Guide to Basic Cinematography 28 min (MUCH to take in): https: //www. youtube. com/watch? v=g. Qn. KGXHbg. MA • Block – Light – Rehearse – Tweak – Shoot: (from Film Skills) 14 min • https: //www. youtube. com/watch? v=y 9_LW 5 H 2 EC 4 • PLAYLIST FOR FILM SKILLS: https: //www. youtube. com/watch? v=y 9_LW 5 H 2 EC 4&list=PLTQtyhf 0 KOJw 8 XCFr. JU Pw 2 -vb. MV 6 ad 3 od

CAMERA TECHNIQUES • LONG TRACKING SHOT USING KILL BY QUENTIN TARRANTINO – http: //www.

CAMERA TECHNIQUES • LONG TRACKING SHOT USING KILL BY QUENTIN TARRANTINO – http: //www. youtube. com/watch? v=UFCbi. YTSg 0&list=PL 2 DBA 74149 EC 8814 E – https: //www. youtube. com/watch? v=O 3 Enn. BDg. Mww – https: //www. youtube. com/watch? v=17 UQz 7 ANv-o

MIS-EN SCENE • American Beauty Scene Analysis https: //www. youtube. com/watch? v=GQFsz. Mu 0

MIS-EN SCENE • American Beauty Scene Analysis https: //www. youtube. com/watch? v=GQFsz. Mu 0 Q_s – https: //www. youtube. com/watch? v=LFFWtq. Oa 3 s. Y

STORYBOARDING • Give Camera to one student – shoot me a 1 -3 min

STORYBOARDING • Give Camera to one student – shoot me a 1 -3 min film. …………… – What do you need to do 1 st? • Storyboarding in 6 min: • https: //www. youtube. com/watch? v=z. L 6 X 1 Saax. HU • STORYBOARDING ACTIVITY • Blocking & Composition: 12 mi https: //www. youtube. com/watch? v=g. T 3 FZd. Mqt. Vk – TAKE NOTES ON THE TWO TERMS – BLOCKING & COMPOSITION • Composition & Framing 8 min https: //www. youtube. com/watch? v=Mf. Ian. Zim. ZR 8

TWO ACTORS TALKING- BASICS • David Fincher- the other way is wrong: 7 min

TWO ACTORS TALKING- BASICS • David Fincher- the other way is wrong: 7 min https: //www. youtube. com/watch? v=QPAloq 5 MCUA • John Popper said “The notes you leave out in song writing are just as important as the ones you put in. ” Hemingway said the same thing about words in writing. How does this apply to film? • Who Wins the Scene – Silence of the Lambs: 3 min https: //www. youtube. com/watch? v=5 V-k-p 4 wzxg • MOVEMENT: Movement & Kurosawa: 8 min https: //www. youtube. com/watch? v=doa. QC-S 8 de 8 • Dark Knight example- sound on then off: (5 min) https: //www. youtube. com/watch? v=xn. OLh. Xmhky. A

Basic Film Techniques continued 3 parts- 8 min each: • https: //www. youtube. com/watch?

Basic Film Techniques continued 3 parts- 8 min each: • https: //www. youtube. com/watch? v=O 3 Enn. BDg. Mww • https: //www. youtube. com/watch? v=eb 5 Ohhfnyf. Q • https: //www. youtube. com/watch? v=hd. Jh. QVj_rm 4 • Composition & Framing 8 min https: //www. youtube. com/watch? v=Mf. Ian. Zim. ZR 8 • • Quadrant system in Drive 3 min https: //www. youtube. com/watch? v=ws. I 8 UES 59 TM • See Also Every Fram a Painting: – The Poetry of Details – Left or Right (Snowpiercer) – Spielberg oner • Top 10 Practical Movie Effects (11 min): • - Ensemble Staging - Art of Silence - Bayhem

Basic Film Techniques continued • • TYPES OF CUTS (transitions done in editing) 9

Basic Film Techniques continued • • TYPES OF CUTS (transitions done in editing) 9 min https: //www. youtube. com/watch? v=7 LXQg 6 t 4 q 2 A Top 10 Practical Movie Effects (11 min): https: //www. youtube. com/watch? v=NEAihk 8 Qa. Vc – Interview with Tom Hardy regarding The Revanant 16 min - great secret info about acting and how they can be kept in the dark: – https: //www. youtube. com/watch? v=hi 3 Ric. PREZQ • http: //www. youtube. com/watch? v=Kwtp. J 3 T 8 e. K 4 • 39 minutes • Covers major terms with great examples

Basic film techniques • ROB AGER: • Matrix: http: //www. youtube. com/watch? v=Qui. UGGOu.

Basic film techniques • ROB AGER: • Matrix: http: //www. youtube. com/watch? v=Qui. UGGOu. GQ 0 • http: //www. youtube. com/watch? v=05 st. Jno. Mqsk&feature=related • Pulp Fiction: – http: //www. youtube. com/watch? v=i. Jdonx. KZSF 0 – http: //www. youtube. com/watch? v=WKn. TGd. Ek. Vf. I&feature=related

DAVID FINCHER • At the 1990 MTV Video Music Awards, three out of four

DAVID FINCHER • At the 1990 MTV Video Music Awards, three out of four nominees for Best Direction in a Video - "The End of the Innocence" by Don Henley, "Janie's Got a Gun" by Aerosmith, and "Vogue" by Madonna - were directed by him ("Vogue" won. ). • Aerosmith Video: https: //www. youtube. com/watch? v=Rq. Qn 2 ADZE 1 A • George Michael’s Freedom: https: //www. youtube. com/watch? v=di. YAc 7 g. B-0 A • On The Game https: //www. youtube. com/watch? v=tgjg. Az. Ajt. EY 5 min • On Filmmaking https: //www. youtube. com/watch? v=ow 99 M 2 ue. Sz. U 12 min

DAVID FINCHER • David Fincher- the other way is wrong: 7 min https: //www.

DAVID FINCHER • David Fincher- the other way is wrong: 7 min https: //www. youtube. com/watch? v=QPAloq 5 MCUA • John Popper said “The notes you leave out in song writing are just as important as the ones you put in. ” Hemingway said the same thing about words in writing. How does this apply to film? • HIS WORK https: //www. youtube. com/watch? v=F 0 VXWVMOohk (4 MIN) • https: //www. youtube. com/watch? v=o 0 z 1 F 3 qi. N 6 E (split screen 8 min) • On his work https: //www. youtube. com/watch? v=9 Kzp. Ca. NEHes (2 MIN) • On Cinematography https: //www. youtube. com/watch? v=rp. HIz. Em 6058 (12 min) • https: //www. youtube. com/watch? v=Yp 06 O_q 9 q. Bc (5 MIN – on his work) • ON SEVEN (ONLY SHOW IF NOT SCREENING THE FILM) https: //www. youtube. com/watch? v=ecbmy 50 sl 0 M

The establishing shot Limitless (2010 featuring Bradlesy Cooper and Abby Cornish) – Opening scene

The establishing shot Limitless (2010 featuring Bradlesy Cooper and Abby Cornish) – Opening scene of creitds with telezoom lens and it’s purpose / message / how it relates to the film – Opening scene is an example of IN MEDIA RES – SMALL CLIP OF FILM – THEN MOVE TO EDITING SLIDE CINEFIX TOP 10 ESTABLISHING SHOTS: https: //www. youtube. com/watch? v=Pnh. ZXELUm. Us&list=PL 1 AXWug. GX 6 Ic. OGt 0 ya. A 9 Cd_hkt_Tw. Ql. C

Lighting The importance of Lighting: (19 min) https: //www. youtube. com/watch? v=Mh. OMCt. HHN

Lighting The importance of Lighting: (19 min) https: //www. youtube. com/watch? v=Mh. OMCt. HHN 3 o Lighting in 10 min: https: //www. youtube. com/watch? v=0 M 6 s. USUp. K 5 o Lighting in Jesse James: https: //www. youtube. com/watch? v=Qdv. Wc. O 62 ABA

EDITING • http: //listverse. com/2007/10/28/top-10 -best-film-editing-sequences/ • ASSIGNMENT THAT HAS KIDS EVALUATE THE BLOGS

EDITING • http: //listverse. com/2007/10/28/top-10 -best-film-editing-sequences/ • ASSIGNMENT THAT HAS KIDS EVALUATE THE BLOGS / RESPONSES OR EVAL EACH CLIP SHOWN. • Types of cuts: https: //www. youtube. com/watch? v=7 LXQg 6 t 4 q 2 A

Steven Spielberg's techniques and themes • https: //www. youtube. com/watch? v=8 q 4 X

Steven Spielberg's techniques and themes • https: //www. youtube. com/watch? v=8 q 4 X 2 v. DRf. Rk 8 min (EFP) • https: //www. youtube. com/watch? v=o. E 4 j. Z 7 Vv. Z 3 o 5 min (technique) • https: //www. youtube. com/watch? v=HRz. NQPXam. UU (4 min technique) • https: //www. youtube. com/watch? v=-u. CBYFHRHU 0 • Scenes from LINCOLN 12: 40

Hero’s Journey HEROES JOURNEY: https: //www. youtube. com/watch? v=Ik. J-ZGQaeak https: //www. youtube. com/watch?

Hero’s Journey HEROES JOURNEY: https: //www. youtube. com/watch? v=Ik. J-ZGQaeak https: //www. youtube. com/watch? v=5 YVFPgf. TWg. Y https: //www. youtube. com/watch? v=Gj 3 zszf. MWww

The hand held camera • F/X Networks THE SHIELD • http: //www. youtube. com/watch?

The hand held camera • F/X Networks THE SHIELD • http: //www. youtube. com/watch? v=y. Vghfh-I 1 YU

The boom camera

The boom camera

The boom camera

The boom camera

The boom camera

The boom camera

The boom camera – moving car

The boom camera – moving car

The boom camera – moving car

The boom camera – moving car

The body boom camera

The body boom camera

“Runner” exo-skeleton cameras

“Runner” exo-skeleton cameras

SOUND http: //soundworkscollection. com/videos/the-sound-of-man-of-steel EXPLAIN DOLBY DIGITAL / DTS / THX / ATMOS –

SOUND http: //soundworkscollection. com/videos/the-sound-of-man-of-steel EXPLAIN DOLBY DIGITAL / DTS / THX / ATMOS – http: //www. youtube. com/watch? v=n. T 7 Kah. Ocxv. A – http: //www. youtube. com/watch? v=VAon 3 b 9 c 7 iw – http: //www. youtube. com/watch? v=LVr-a. Hi 8 -n. Q

MISE EN SCENE – http: //www. youtube. com/watch? v=G 5 bvkvg. QDz. I 9

MISE EN SCENE – http: //www. youtube. com/watch? v=G 5 bvkvg. QDz. I 9 MIN – http: //www. youtube. com/watch? v=VEKnr. Pe. CEe. Y 5 MIN USING WALL -E – http: //www. youtube. com/watch? v=IBMKy. NJv. NV 8&list=PL 2 DBA 74149 EC 8814 E USING GOODFELLAS

BLADE RUNNER • http: //www. architecture. uwaterloo. ca/faculty_projects/terri/443_bladerunner_ f 06. html • https: //www.

BLADE RUNNER • http: //www. architecture. uwaterloo. ca/faculty_projects/terri/443_bladerunner_ f 06. html • https: //www. youtube. com/watch? v=7 jeca. UK 7 j. RU 13 min analysis • https: //www. youtube. com/watch? v=GXRl. GULq. Hxg 8 min analysis

FILM NOIR • DEFINITION: • http: //www. bfi. org. uk/news-opinion/news-bfi/features/infographic-whatmakes-film-noir (INFO GRAPHIC) – http:

FILM NOIR • DEFINITION: • http: //www. bfi. org. uk/news-opinion/news-bfi/features/infographic-whatmakes-film-noir (INFO GRAPHIC) – http: //www. youtube. com/watch? v=H 5 c. PDEZi 5_Y (13 min) – http: //www. youtube. com/watch? v=5 b. Nf. Stz. YCi 0 (5 min) – John Lithgow – great definition. Use beginning (54 min) • http: //www. youtube. com/watch? v=S 8 u. Cu. Kxe 4 yk • LIGHTING: http: //www. youtube. com/watch? v=jsm. VL 7 SDp 5 Y

FILM NOIR - TONE / MOOD - LIGHTING - CAMERA WORK - FOCUS -

FILM NOIR - TONE / MOOD - LIGHTING - CAMERA WORK - FOCUS - COMPOSITIONS / MIS-EN-SCENE - MOTIFS & PLOT

SEVEN SAMURAI - AKIRA KUROSAWA: https: //www. youtube. com/watch? v=Erelc. Wc. Nel. Q 8

SEVEN SAMURAI - AKIRA KUROSAWA: https: //www. youtube. com/watch? v=Erelc. Wc. Nel. Q 8 min His films: https: //www. youtube. com/watch? v=OIsbxpk. TTDE 5 min SEVEN SAMURAI ENDING BATTLE WITH EDITOR NOTES https: //www. youtube. com/watch? v=Jqp. WOvjk. ULY

SHORT FILMS - 2081 - TEN MINUTES - VALIDATED - ALL SUMMER IN A

SHORT FILMS - 2081 - TEN MINUTES - VALIDATED - ALL SUMMER IN A DAY - STILL LIFE - STUCK - THE RUSSIAN

THE DEPARTED DIRECTOR MARTIN SCORESE • IMDB RESUME: http: //www. imdb. com/name/nm 0000217/? ref_=sr_1

THE DEPARTED DIRECTOR MARTIN SCORESE • IMDB RESUME: http: //www. imdb. com/name/nm 0000217/? ref_=sr_1 • VIDEO ON VISULA LITERACY: http: //www. youtube. com/watch? v=I 90 Zlu. Yv. Hic • 4 MIN INTERVIEW: http: //www. youtube. com/watch? v=H 0 C 1 jh 5 Nuw. Q • WHAT FILM MEANS IN 11 MIN: http: //www. youtube. com/watch? v=Ee 9 D 1 Zz 5 XAA • INSIDE THE ACTOR’S STUDIO: (1 HOUR) (USE TO INTRODUCE HIM!!!!)http: //www. youtube. com/watch? v=LFl. Tozyvrng&list=PL 5 BAC 8 C 5 B 287 A E 56 F&index=29

M. NIGHT SHYAMALAN “I SEE DEAD PEOPLE” INTERVIEW: http: //www. youtube. com/watch? v=bi. Dz

M. NIGHT SHYAMALAN “I SEE DEAD PEOPLE” INTERVIEW: http: //www. youtube. com/watch? v=bi. Dz 3 q. TS 3 as SIXTH SENSE INTERVIEW 8 MIN http: //www. youtube. com/watch? v=_Cp. Ep. Pbc 4 g 8 http: //www. youtube. com/watch? v=WDh. Fr-cyx. Jc (5 min) “SECRETS OF CINEMA” http: //www. youtube. com/watch? v=b. ICy 6 OKyl. Q 8 (4 min) DOCCUMENTARY – “THE BURRIED SECRET OF M. NIGHT SHYMALAN” http: //www. youtube. com/watch? v=e. Ff. R 6 p. S 4 VBE&list=PLPV 3 n. Uy. Tvwwqd. CS 3 g. N 00 Q 39 bfnu. Zdm. ZT 9

M. NIGHT / SIGNS QUIZ 1. Describe the Genre of Film that Signs fits

M. NIGHT / SIGNS QUIZ 1. Describe the Genre of Film that Signs fits into. 2. Describe Night’s creative process. 3. Considering elements like shots/framing / camera angles/camera movement/lighting what are some of Night’s signature techniques that his films are known for? 4. What is unique about Signs?

Alfred Hitchcock - Genius of Hitchcock Bio film (BFI): http: //explore. bfi. org. uk/4

Alfred Hitchcock - Genius of Hitchcock Bio film (BFI): http: //explore. bfi. org. uk/4 ce 2 b 9 ee 3449 d PSYCHO analysis & discussion – post viewing: http: //www. youtube. com/watch? v=a 9 Kt 8 t. Dr. VDQ - The Making of Psycho ( 1 ½ hours) – For teacher: http: //www. youtube. com/watch? v=O 9 f. PQG 3 HTZ 4 (Great to introduce the film as Hitchcock introduces it). • Vertigo NY Times Review: http: //www. nytimes. com/video/movies/1247465134753/critics-picks • vertigo. html? 8 dpc Repeating Patterns: https: //www. youtube. com/watch? v=i 2 Sxpl. QFIYM

THE DEPARTED DIRECTOR MARTIN SCORESE • IMDB RESUME: http: //www. imdb. com/name/nm 0000217/? ref_=sr_1

THE DEPARTED DIRECTOR MARTIN SCORESE • IMDB RESUME: http: //www. imdb. com/name/nm 0000217/? ref_=sr_1 • VIDEO ON VISULA LITERACY: http: //www. youtube. com/watch? v=I 90 Zlu. Yv. Hic • 4 MIN INTERVIEW: http: //www. youtube. com/watch? v=H 0 C 1 jh 5 Nuw. Q • WHAT FILM MEANS IN 11 MIN: http: //www. youtube. com/watch? v=Ee 9 D 1 Zz 5 XAA • INSIDE THE ACTOR’S STUDIO: (1 HOUR) (USE TO INTRODUCE HIM!!!!)http: //www. youtube. com/watch? v=LFl. Tozyvrng&list=PL 5 BAC 8 C 5 B 287 A E 56 F&index=29

Print Master • Your Text here • Lorem ipsum dolor sit amet, consectetuer adip

Print Master • Your Text here • Lorem ipsum dolor sit amet, consectetuer adip iscing elit, se d diam no n u mmy nibh euismod tincidunt ut laoreet do lor e magna aliquam er at v olut pat. Ut wisi enim ad mi ni m venia m, quis nostrud exerci tatio n ulla mco rper susc ip it lobor tis nisl ut aliquip ex ea commodo cons equat. • Duis autem vel eum iriure dolor in hendrerit in vulputate veli t esse mo les tie consequat, vel illum dolore eu feugiat nulla fac ilisis at vero eros et ac cumsan et iusto odio dign issim qu i bla ndit praesent lup tatum zzril dele nit augue duis dolore te fe ug ait nulla facilisi