Elements of Design Elements of Art The elements

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Elements of Design

Elements of Design

Elements of Art The elements of art are the building blocks used by artists

Elements of Art The elements of art are the building blocks used by artists to create a work of art. Line Spa ce Shap Colour e Textur Forms e

Line A mark with greater length than width Lines c an be horizont al,

Line A mark with greater length than width Lines c an be horizont al, vertic al, or diagonal; straight or curved; thick or thin

Shap e A closed line Shapes c an be geometric Shapes c an be

Shap e A closed line Shapes c an be geometric Shapes c an be organic Squares and circles Free-form or natural shapes Shapes are flat and c an express length and width

Forms Three-dimension al shapes expressing length, width, and depth Balls, cylin ders, boxes, and

Forms Three-dimension al shapes expressing length, width, and depth Balls, cylin ders, boxes, and pyramids are forms

Spa ce The area between and around objects. The spa ce around objects is

Spa ce The area between and around objects. The spa ce around objects is often c alle d negative spa ce; negative spa ce has shape. Spa ce c an also refer to the feeling of depth.

Colour Light reflected off of objects Colour has three main characteristics: Hue: the name

Colour Light reflected off of objects Colour has three main characteristics: Hue: the name of the colour, such as red, green, blue, etc. Value: how light or dark it is Intensity: how bright or dull it is

Colour Cont. • White is pure light; black is the absence of light. •

Colour Cont. • White is pure light; black is the absence of light. • Primary colours are the only true colours (red, blue, and yellow) • Secondary colours are two primary colours mixed together (green, orange, violet)

Colour Cont. • Intermediate colours (tertiary): made by mixing a primary and secondary colour

Colour Cont. • Intermediate colours (tertiary): made by mixing a primary and secondary colour together (yellow green, blue green, and blue violet).

Colour Cont. • Complementary colours: located directly across from e ch other on the

Colour Cont. • Complementary colours: located directly across from e ch other on the color wheel. Complementary pairs contrast bec ause they share no common colors Red and green are complements, because green is made of blue and yellow When complementary colours are mixed together, they neutralize each other to make brown.

Colour Cont.

Colour Cont.

Texture Surface quality that can be seen and felt Textures can be rough or

Texture Surface quality that can be seen and felt Textures can be rough or smooth, soft or hard Textures do not always feel the way they look; A drawing of a porcupine may look prickly, but if you touch the drawing, the paper is still smooth.

Principles of Design

Principles of Design

Principles of Design The prin ciples of design describ e the ways that artists

Principles of Design The prin ciples of design describ e the ways that artists use the elements of art in a work of art. Balance Emphasis Movemen t Pattern Re p etitio n Proportion Rhythm Unity

Balance Distribution of the visu al weight of objects, colours, texture, and spa ce.

Balance Distribution of the visu al weight of objects, colours, texture, and spa ce. Symmetrical balance (formal): the elements used on one sid e of the design are similar to those on the other side Asymmetrical balance (informal): the sid es are different but still look balanced. Radial balance: the elements are arranged around a central point and may be similar.

Balance Radial Balance Symmetric al(Formal) Balance Asymmetric al (Informal) Balance

Balance Radial Balance Symmetric al(Formal) Balance Asymmetric al (Informal) Balance

Em phasis Part of the design that catches the viewer’s attention Usually the artist

Em phasis Part of the design that catches the viewer’s attention Usually the artist will make one area stand out by contrasting it with other areas. The area could be different in size, color, texture, shape, etc.

Movement The path the viewer’s eye takes through the work of art, often to

Movement The path the viewer’s eye takes through the work of art, often to focal areas Such movement can be directed along lines, edges, shape, and color

Pattern The repeating of an object or symbol all over the work of art

Pattern The repeating of an object or symbol all over the work of art

Re p etition Works with pattern to make the work of art seem active

Re p etition Works with pattern to make the work of art seem active The repetition of elements of design creates unity within the work of art

Proportion The feeling of unity created when all parts (sizes, amounts, or number) relate

Proportion The feeling of unity created when all parts (sizes, amounts, or number) relate well with ea ch other Size of objects in relation to other objects

Rhythm When one or more elements of design are used repeatedly to create a

Rhythm When one or more elements of design are used repeatedly to create a feeling of organized movement To keep rhythm exciting and active, variety is essential

Unity The feeling of harmony between all parts of the work of art, which

Unity The feeling of harmony between all parts of the work of art, which creates a sense of completeness Relationship of objects to one another and to the design